AWARDS FILMMAKER OF THE YEAR
When selecting the right equipment to ensure your audio is captured perfectly, Sennheiser is the brand to choose as it has a wide range of professional-quality sound solutions. From a range of XLR shotgun mics to stereo and mono DSLR-type models, Sennheiser is the master of capturing clear audio every time. For many years, the brand has been a market leader in wireless audio mics and lavaliers, getting rid of cables that can ruin a shoot. With a huge range of accessories – from dead-cat wind jammers to headphones designed for monitoring, handheld reporter mics to USB mics for podcasting, VR mics and much more besides – Sennheiser is the leading supplier of professional audio products for video use. You just know you will get awesome audio from Sennheiser, every time.
SOUND FOR SIMPLY AWESOME AUDIO
It doesn’t take very long for filmmakers to realise that audio is critical in the success of any project. This category is for work where the soundtrack, sound design or sound recording is well-executed and significantly enhances the impact. You could be a dedicated recordist or just have some incredible audio on a film for which you were in charge. Perhaps you created a totally immersive soundscape as a sound designer, or solved a technical problem to record audio in truly testing conditions. We want to hear from you and listen to your work!
VISUAL EFFECTS IDENTIFYING THE MASTERS OF TECHNOLOGY
There are changes afoot in filmmaking, as visual effects move from practical and green screen to the full suite of virtual production using LED panels and more computer trickery. This category is open to anything from traditional methods to clever solutions in-camera or on-set. Last year’s victorious entry from Theo Dudley and Kathryn Ferentchak took a modern route, being the first shoot at Cinepacks’ LED studio in Hollywood. It was a music video for the song White Wine by JWalk, shot in front of Cinepacks’ LED wall and also a real room set built on site. But none of this tech got in the way of the story, managing to augment it. So we’d love to see and recognise the best, most creative effects used in your work.
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PRO MOVIEMAKER
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