It’s that time again, when a brand-new issue of Photography News is primed and ready for your reading pleasure. Available in camera retailers, through camera clubs and online, it’s your essential monthly guide to all the latest and greatest in the world of photography and video. We’ve picked out some selected highlights from the issue below, but if you want the complete picture, make sure you grab yourself a copy.
ISSUE 107 12 May-5 Jun 2023 photographynews.co.uk
Pg13 Going green / How companies keep our hobby planet-friendly
Pg16 2023 TIPA Awards / We highlight some of the best photo kit around
Pg23 Don't risk it! / Our insurance buyers’ guide has you covered
Nikon announces Z 8
FOLLOWING WEEKS OF speculation, Nikon has unveiled the Z 8 – its latest, and potentially greatest, mirrorless camera. The new model borrows much from the range-topping Z 9, yet is 30% smaller and has a stills and video specification that confirms it as a hybrid powerhouse. Nikon sees the camera as being a particular hit for creatives in the wedding, portrait and corporate markets, as well as being great for wildlife and landscape photographers, plus independent and documentary filmmakers. Hailed as the spiritual successor to the D850 DSLR, the Z 8 uses the same stacked 45.7-megapixel sensor as the flagship Z 9 along with the Expeed 7 processor to deliver impressive video and stills performance. Raw files can be recorded continuously at up 20 frames-per- second, while up to 8K/60p or 4K/120p movies can be recorded. As with the Z 9, there’s no mechanical shutter, so completely silent use is possible with shutter speeds down to 1/32,000sec. Rolling shutter effects are also claimed to be minimised. Nikon says the Z 8 offers an improved autofocusing performance compared to the Z 9. It uses the same deep-learning AI system with automatic detection and tracking of a broad range of subjects – or parts of subjects. Human eyes, faces and torsos can all be “Nikon sees the camera as being a hit for creatives in the wedding, portrait and corporate markets” Hotly anticipated mirrorless model will be available before the end of May – the company is confident it’s going to be a major success Continued on page 3
Continued on page 3
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The latest release from Nikon
EDITOR’S LETTER ROGER PAYNE
Continued from page 1
followed by the advanced system – as can entire aircraft, the fuselage or just the cockpit. A variety of creatures can also be successfully tracked. The camera’s weather-sealed body weighs 910g and provides both dual card slots and dual USB-C terminals. One card slot accepts SD media, the other takes a Type B CFexpress or XQD card. The dual USB-C terminals allow simultaneous charging and data transmission, plus the Z 8 is the first Nikon camera to support USB-C to Ethernet connectivity. The Real Live viewfinder means there’s zero blackout time between rapidly recorded frames. The model also supports HEIF file format, offering more colours and detail than traditional JPEGs, without taking up any more storage space. Users keen on astrophotography, or regularly working in low-light conditions will welcome the Z 8’s illuminated buttons, warm display colours and variable viewfinder brightness. The camera also features a Starlight View option, which makes taking pictures of the night sky much easier. Flash users, meanwhile, will enjoy the extended integration with Profoto and Nissin systems thanks to the sharing of iTTL information. For videographers, footage can be recorded in 8-bit, 10-bit or 12-bit, via MP4, MOV, N-Log, ProRes, ProRes Raw and N-Raw formats, plus there’s a suite of video-centric functions including zebra stripes, waveform, timecoding and Raw Proxy files. Third-party video accessories include cages, XLR adapters, microphones and V-Mount batteries. Speaking of power, unlike the Z 9, the Z 8 uses an EN-EL15 rechargeable
In a few weeks time, the annual creative extravaganza that is Photo Video 24 will be taking place in the fine city of Cambridge. I hope you’ve signed up, but if you haven’t, there is still time – see the details on page six of this issue. Of course, this event used to be called Photo 24, but since I’ve taken over on PN , I’ve been keen to ensure the magazine recognises that creativity goes beyond still images. That’s reflected in modern mirrorless cameras, of course, which are now unashamedly hybrid machines, equally adept at recording high-quality movies and capturing impressive stills. I’d be keen to know how you feel about this shift. I haven’t been inundated with letters from disgruntled readers saying that video content should never appear in PN , which I’m taking as a good thing. But I’d also like to know which areas of video you might like to see us cover. Would you, for example, like to see more video-related products tested? Perhaps you’d prefer to read some more explanations of the technical moviemaking terms and techniques? Or maybe more discussion about video functionality on the cameras we Roger Payne
cover in our big tests? Whatever you think, get in touch using the email address on page 11. To the issue – which aims to hit the spot whether you’re keen to know about the latest releases, after some buying information, or are looking to add a new item to your gadget bag. It’s been a good month for new cameras, with Nikon and Leica showcasing fresh products – you’ll find all the details in our News section. Plus we’ve taken a more in-depth look at a selection of winners in the recent 2023 TIPA World Awards. Add to that a few guides and tests and you’ve got an entertaining read, I hope. Enjoy the issue – and your image making. I hope to meet a good number of you at Photo Video 24. Be sure to say ‘hi’!
“The Z 8 will go on sale from 25 May with the body retailing at £3999”
cell and doesn’t include an integral handgrip. A purpose-made battery grip is available, which takes two EN-EL15 cells, plus there’s a remote grip – the MC-N10 – for hands-free operation of the camera. The former may be necessary to get extended recording times or day-long shooting out in the field. The Z 8 will go on sale from 25 May, with the body retailing at £3999. A significant amount of money, but £1300 less than the Z 9 and without much of a performance compromise. Nikon tell us that because of the pricing, it anticipates the Z 8 will prove popular and has stocked up accordingly. We’ll have a full test of the new camera as soon as it becomes available! nikon.co.uk
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HOT OFF THE PRESS With a fantastic range of features and a lower cost than the Z 9, Nikon’s Z 8 is revealed!
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What’s inside 04 News New kit from Canon and Nikon, among others, plus there’s still time to get involved in this year’s Photo Video 24
16 TIPA award winners An in-depth look at some of the key winning products from the 2023 TIPA World Awards. Find out why specific products won and what PN thinks about them! 23 Buyers’ guide: insurance Now that you’re out and about more, making sure your kit is covered is more important than ever. We round up the key players who will give you a great deal 27 Making movies: focusing Getting accurate focusing in your movies is critical to their success. Whether you want to focus manually or leave it to your camera, we cover the key techniques to ensure perfectly pin-sharp footage
31 Vlogging guide Find out the kit you need to start creating professional looking vlog content 35 First tests Our team does the testing so you can buy in confidence. This time we look at Nikon and OM lenses, plus a Datacolor calibrator
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11 Samsung word search Find the missing word and you could win yourself a Samsung memory card!
31
13 Going green How green is the modern photographic industry? We speak to three companies to find out how they’re minimising their environmental impact
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News
Canon unveils top-end telezoom RF 100-300mm looks perfect for
Canon has unveiled the RF 100- 300mm f/2.8L IS USM for its range of mirrorless cameras, which is set to prove popular among sports and action photographers. The new optic effectively combines two mainstays of a sports photographer’s kit – the 70-200mm f/2.8 and 300mm f/2.8 – streamlining workflow and keeping lens changes to a minimum. The lens is claimed to offer the quality of a prime telephoto with the versatility of a zoom, using a combination of aspheric, UD and fluorite lens elements. The built-in optical image stabilisation system offers up to 5.5 stops of compensation – or six stops if you use an R Series body with IBIS – while the aperture diaphragm is made up of nine blades for improved bokeh. Focusing from the minimum distance of 1.8m is taken care of by Dual Nano motors – a first for a Canon lens – claimed to offer fast, quiet and precise performance. Further versatility is provided by the customisable lens- control ring and function buttons, plus compatibility with 1.4x and 2x extenders. Using the teleconverters transforms the lens to a 140-420mm f/4 or a 200-600mm f/5.6 respectively, with Canon suggesting there’s no drop in image quality or focusing speed. Advanced weather sealing and shock resistance complete the picture. Supplied with a soft case, strap and lens hood, the RF 100-300mm f/2.8 L IS USM costs £11,500 – so start saving! canon.co.uk sports and action, but comes at a cost
CAPTURE THE ACTION Canon’s new lens allows sports photographers to keep their eye on the prize by reducing the number of lens changes needed
SPECS › Construction
23 elements in 18 groups › Minimum focusing 1.8m throughout range
› Minimum aperture f/22 › Filter diameter 112mm › Dimensions (wxl) 128x323.4mm › Weight 2.59kg
Pro spec, lower price 3 Legged Thing has launched a professional-level tripod for the cost-conscious photographer. The Charles 2.0 – named after naturalist and biologist Charles Darwin – is a three-section tripod made from magnesium alloy, using the same design as the carbon-fibre Winston 2.0 model. The new design extends to 2m and features detachable legs that can be joined to the centre column to create a monopod, adding to overall versatility. The Charles can be bought as legs-only for £250, or with an AirHed Pro ball head for £320. Price includes a clamshell-style carry bag. 3leggedthing.com
Tamron offers money off seven zooms From now until 15 July 2023, Tamron is offering instant savings on
seven different zoom lenses. This promotion covers super-wide-angle to telezoom optics, with the chance to save up to £300. The lenses and savings are as follows: • 17-28mm f/2.8 Di III RXD – Sony E: save £100 • 20-40mm f/2.8 Di III VXD – Sony FE: save £130 • 17-70mm f/2.8 Di III-A VC RXD – Sony E/Fujifilm X : save £180 • 28-75mm f/2.8 Di III VXD G2 – Sony FE: save £150 • 70-300mm f/4.5-6.3 Di III RXD – Sony FE/Nikon Z: save £130 • 150-500mm f/5-6.7 Di III VC VXD – Sony FE/Fujifilm X: save £100
EXPAND YOUR KIT Big savings can be made on Tamron’s zoom lenses
• 150-600mm f/5-6.3 Di VC USD G2 – Canon EF/Nikon F: save £300 Savings are applied at the time of purchase at selected Tamron dealers. Find out more details on the website. tamron.co.uk
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News
Last call for Photo Video 24! On 3 and 4 June, the annual 24-hour event, sponsored by MPB, comes to Cambridge. Register now to take part!
“With four photo walks on Saturday afternoon, there are plenty of chances to capture Cambridge”
and the Mathematical Bridge, past the Wren Library and iconic King’s College Chapel. If nature is the main attraction, ‘Macro workshop at Cambridge University Botanic Garden’ has huge potential. With over 8000 distinct plant species, this is the perfect spot for close-up shots and wildlife photography. Will Cheung – Fellow of the Royal Photographic Society – hosts this workshop, which includes opportunities for one-on-one instruction. Finally, get the real Cambridge Rowing Club experience. Watch two teams as they fly down the river, and enter a unique competition to win a prize worth £65. Learn more at photographynews.co.uk/ news/photo-video-24-apply-now and follow the link to our Eventbrite page to register.
the Cambridge Rowing Club experience & competition, plus a dress rehearsal of classic Shakespeare comedy Twelfth Night performed by an ADC Theatre troupe. ‘Humans of Cambridge photo walk’, hosted by local legend photographer Mark Box (aka @humanofcambridge), is a live, unscripted demonstration of street photography. Learn how to select the optimal equipment, frame photos and work with natural light – and, more importantly, people! With four photo walks available on Saturday afternoon, there are plenty of chances to capture Cambridge’s authentic atmosphere. ‘St Mary’s Church tower climb’ and ‘Cambridge punting’ offer less traditional photo and video experiences, with views from above
IT’S NOW OR never – time to register for Photo Video 24 is running out, with limited spots left in guided walks, workshops and other activities. Photo Video 24 is an annual festival of creativity, with opportunities for learning as well as some healthy competition. This time in idyllic Cambridge, participants can capture the city’s history, intellect, innovation and picturesque beauty. Events like ‘Get started with star trails’ and ‘Colleges and universities’ put both its lush landscapes and award- winning architecture to good use. Among the most exciting activities are the Humans of Cambridge walks, St Mary’s Church tower climb, punt tour down the River Cam and macro photography workshop at the Botanic Garden. Participants can also enjoy
and ‘behind’. At St Mary’s Church, attendees get a panoramic aerial perspective of the city. On Sunday morning, don’t miss a chance to sit back and enjoy a 45-minute boat tour down the Backs, floating underneath the Bridge of Sighs
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News
Leica M11 supplies mono magic The new Leica M11 Monochrom and Summilux-M 50mm f/1.4 ASPH promise to elevate digital black & white photography
Vanguard launches slick VEO City bags Collection combines quality and understated design for photographers and content creators on the go
respectively. Both are available at Leica’s stores and website, as well as from authorised resellers. leica-camera.com
Leica recently released the M11 Monochrom, its fourth-generation monochrome camera. Developed exclusively for black-and-white photography, the M11 encourages users to focus on composition and light rather than colour. Leica also announced the Summilux-M 50mm f/1.4 ASPH, a standard prime lens promising high image quality in a compact build. The M11 Monochrom boasts a full-format, multi-resolution sensor that can create Raw DNG and JPEG images in 60, 36 or 18 megapixels. With an ISO range of 125 to 200,000 it can handle most light conditions and promises low noise even in the upper ISO limits.
The 50mm f/1.4 lets in even more light, with 11 aperture blades designed to create a pronounced bokeh. This is a versatile lens, with an extended close-focusing distance of 45cm. It’s available for cameras across Leica’s M-series as well as the SL2 and SL2-S via the M-Adapter-L. The M11 offers 265GB of internal memory, with a USB-C port and Bluetooth connectivity to the Leica Fotos app. The camera is housed in an all-metal body with an aluminium top-plate, a sapphire-glass display and a leather cover with scratch- resistant finish. The lens weighs 337g and comes in either black or silver. The Monochrom and Summilux-M 50mm f/1.4 cost £8300 and £4000
Vanguard has combined style and substance with its new VEO City Collection, which comprises two different ranges: Technical Packs and Cross-Body Bags. The bags are constructed with air-textured yarn, intertwined to form a heavy-duty 1050D protective nylon material. Vanguard claims the material has been abrasion tested over 10,000 times on one spot, while the waterproof zipper was opened and closed over 5000 times to ensure durability. The three Technical Packs are made for vloggers and content creators. They range in capacities from 2.5 to eight litres and are designed to fit a compact camera, an action camera (like a GoPro), a smartphone and accessories. You can also use the bag as a lifestyle bag for other items. The trio of Cross-Body Bags offer capacities from three to eight litres and are designed for mirrorless cameras, a small drone and accessories. They include a small cable access slot to let you use a portable charger to power
AS SEEN BY YOU This 50mm f/1.4 is designed to mimic the human eye
Sony updates FX3 and FX30 firmware
Sony has announced firmware updates to its FX3 full-frame cinema camera and the FX30 Super 35 following feedback from users. Improvements give filmmakers extra features and improved connectivity options. FX3 version 3.00 and FX30 version 2.00 offer the ability to record DCI 4K in true 24p with the new format XAVC S-I DCI 4K (17:9) format, provide anamorphic lens de- squeezing at 1.3x and 2x, plus give the ability to switch from standard movie to S&Q mode at the press of a button. Focus breathing compensation is also available on the FX3. Additional connectivity options include the ability to use a smartphone connection and integration for Creators’ Cloud. The updates are available now and can be found in the downloads section of the Sony website. sony.co.uk
BAGS OF STYLE Form follows function with Vanguard’s new lightweight bags
your devices on the go. You can also carry a table tripod or a gimbal on the smaller models, or a travel tripod on the larger bags. Prices range from £80 to £130 with all six options available in grey and navy blue, plus the two smaller bags in each range come in green. vanguardworld.co.uk
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Fujifilm
ADVERTISEMENT FEATURE An ocean of possibilities
Ocean, travel and nature photographer Emily Endean reveals how the Fujifilm X-T5 is helping her live the dream
“I’ll head out in any conditions, so the weather- resistance is one of the most important things. I definitely put the kit through its paces” “Whether you’re a photographer or not, there’s something magical about going to the beach at sunrise. Everyone else is still in bed, there are all these colours and it’s like nature is putting on a display for you. Once you’ve got that feeling, it’s addictive.” Spending so much time outdoors, Emily quickly realised how important size and weight were when it came to her gear, so it wasn’t long before she made the switch to mirrorless. She first discovered X Series nature, she knew she had found her niche in photographing the ocean. through the Fujifilm X-T3 – and hasn’t looked back since. “It was so intuitive,” she tells us. “The fact that all the dials were on the top made it so simple to find settings I needed. And being able to see on the electronic viewfinder exactly how the image was going to come through was a game changer.” Emily now uses Fujifilm X-T5 as her main camera. While staying true to its user-friendly analogue dials, it features some of the most advanced mirrorless camera technology out there. The 40.2-megapixel X-Trans CMOS 5 HR sensor and X-Processor 5 combination ensures power and quality: exactly what Emily needs. “I went from X-T3 to X-T5, which had significant changes between the two. The 40.2 megapixels and in-body image stabilisation (IBIS) make a huge difference for me,” says Emily. She highlights how X-T5’s seven- stop IBIS combines with its three- way tilting LCD touchscreen to make awkward angles easier to negotiate – and results more consistent. “I love photographing reflections if I’m on the beach at low tide and there’s a lovely sky. The closer I get to the floor, the more reflections I pick up. I’ll often hold the camera almost touching the wet sand.
X-T5 SPECS › Sensor 40.2-megapixel APS-C X-Trans CMOS 5 HR › ISO Auto, 125-12,800 (expandable to 64-51,200 for stills, 125-25,600 video) › Image stabilisation In-body sensor shift with seven-stop improvement › Screen 3in free-angle tilting touchscreen, 1.84m dots › Shutter speed 15 mins to 1/180,000sec › Autofocus Intelligent hybrid AF, phase and contrast detection with 425 points › Frame rates Up to 20fps (electronic shutter), 15fps (mechanical shutter) › Recording media 2x SD/SDHC/ SDXC slot › Weather-resistance Dust and moisture resistant, operating temp -10° to +40° › Dimensions (wxhxd) 129.5x91x63.8mm › Weight 557g with battery and memory card EMILY ENDEAN’S JOURNEY in photography began when she was just a child, with an old film camera and a desire to create. While the work of a five-year-old may have been questionable, the process of creating with a camera ignited something in her. “I remember being completely addicted to making photos and seeing how they came out,” recalls Emily. “I’d send off the film and the images would come back mostly blurry, but it didn’t put me off. I always had a love for it even way back then,” she smiles. This passion remained strong. Around ten years ago, she got her first DSLR and began throwing herself deeper into the craft. The more she learnt, the greater that desire to create became, and when combined with the mental and physical benefits of being out in
MAKING WAVES Emily Endean’s ocean-based image making demands a technically top-tier camera with a resilient body
I definitely put the kit through its paces, so I can vouch for that 100%.” Since making the switch to X Series, Emily has carved a full-time career out of photography, living a nomadic lifestyle with her wife and pets in their camper van, going wherever the images take her. “Quitting my day job and going out in the van gave me the freedom to be more selective. The ocean is so important to me, so I’m working with ocean-based brands and products connected to ocean conservation,” she explains.
“I remember the days of having a DSLR, getting neck and back ache trying to get as low as possible,” she adds with a chuckle. X-T5’s weather-resistance is also an important factor for Emily. Sealed to protect against moisture and sand, it’s ideal for her requirements. “I’ll head out in any conditions, so the weather-resistance is up there as one of the most important things for me. It could be raining, but I know there’s going to be a break in the light later, or maybe a storm, and I want to get out and chase the waves.
“I just love being by the sea,” Emily concludes. “It’s in about 95% of my work, from the rough waters of winter to the calmness of summer, there’s always something different to photograph.” With the versatility of X-T5 by her side, she’s always ready to grasp the next opportunity the ocean brings.
eshop.fujifilm-x.com/uk
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News
Rode releases Wireless Me microphone system
A Samsung memory card! WIN!
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With the need for superfast, high-capacity memory greater than ever, the Samsung 256GB Pro Plus microSD card could be just the ticket – and here’s your chance to win one. Boasting up to 160MB/s read and 120MB/s write speeds, the card is ideal for expanded mobile device storage and capturing quality photos or 4K UHD video. Complete the puzzle below, comprising companies that won TIPA Awards, and you’ll find one word in the list that’s not in the grid. Email us on puzzle@photographynews.co.uk with that word in the subject box by 5 June 2023 and the winner will be drawn at random from all the correct entries. Only entries from UK residents will be accepted. Congratulations to Jack Soriano, our winner from issue 105. The missing word from issue 106 was ‘coastal’. samsung.com/uk/memory-cards
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S X H P
L I L E EEZUTHUAWE I XWQECTNPOXE A S T R H O R I C L X R O G O D O X I H L F FNDYPRNUUCL Q I Z Y Z O M Q R Q J M O R H C N I ZCNJSEDFNKV FORANYZOYLF SJNHCERXLCU FAAQHMMASAJ PHDYAQWNKN I I COTKEUBYOF EBBFTYBBLNI C C E I I B E S U M L K P H H Q I J D M P M A W Z I N I K O N W M
RODE HAS LAUNCHED its Wireless Me mic system, which includes two compact mics that can capture seven hours of omnidirectional sound. They measure 44x45.3x18.3mm and weigh 32g, with various clips available for attaching to clothes or cameras. The set-up is compatible with cameras, computers and smartphones, plus apps like Rode Capture iOS. Wireless Me has broadcast-grade mics built into the transmitter and receiver. It’s ideal for content creation requiring two-way interviews or dual-camera recording. The system can also connect to an additional transmitter, capturing three sources simultaneously. The system includes Rode’s GainAssist tech, promising clear audio, while the company’s Series IV 2.4GHz digital transmission offers a range of over 100m. An analogue TRS input for a lav mic is also included, plus a 3.5mm TRS or USB-C output. rode.com
MICS IN MINIATURE The Wireless Me provides a pocket-sized solution for quality audio
Editorial team Editorial director Roger Payne rogerpayne@bright.uk.com Chief sub editor Matthew Winney Sub editor Ben Gawne Junior sub editor Lori Hodson Contributing writers Will Cheung, Adam Duckworth, Matty Graham, Samara Husbands, Katie Kasperson, Kingsley Singleton Advertising team Sales director Sam Scott-Smith 01223 499457 samscott-smith@bright.uk.com Senior sales executive Claire Cornish 01223 499462 clairecornish@bright.uk.com
Design team Design director Andy Jennings Design & ad production Hedzlynn Kamaruzzaman and Man-Wai Wong Distribution Distribution and subscription manager Phil Gray philipgray@bright.uk.com Publishing team Managing directors Andy Brogden & Matt Pluck As well as your local camera club, you can pick up Photography News in-store from: Cameraworld, Castle Cameras, Jessops, London Camera Exchange, Park Cameras, Wex Photo Video, Wilkinson Cameras
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Round table
Garry Hume is product manager at the Imaging Warehouse, a supplier of photographic film, photo paper, chemicals and darkroom equipment as well as inkjet and fine art printing services. For over 35 years, the Imaging Warehouse has owned, manufactured and supplied brands such as PermaJet, Nova Darkroom and NovajetPro. GARRY HUME Product Manager The Imaging Warehouse
NEVELLE BOWER CEO Innova Art
Nevelle Bower has been chief executive officer at Innova Art for over five years. The company is a manufacturer of archival inkjet paper for fine art and photographic printing. He has a background in management, business development and technical support, particularly in the speciality papers market.
Sustainability round table Going green: There’s a lot of talk surrounding environmentalism. How are organisations putting these words into practice?
Rachel Thompson is the head of sustainability at MPB, the world’s largest platform for buying, selling and trading photo and video equipment. She previously worked for Gatwick Airport, where she coordinated the development of its ‘Decade of Change’ sustainability strategy. Her specialities include emissions and global trade policy as well as project management. RACHEL THOMPSON Head of Sustainability MPB
The photography industry is ripe with opportunities to do this, ranging from manufacturing to distribution to kit rental and resale. We spoke to decision-makers at the Imaging Warehouse, Innova Art and MPB, gaining insight into their current practices, future plans and overarching ideas about sustainability in photography.
In 2023, sustainability is at the forefront of social responsibility, at the individual level and at large. With the UN currently on its 28th iteration of the Climate Change Conference (COP28), it’s clear that governments, agencies and other bodies are focused on addressing the climate crisis. The onus is now on industries to enact measurable change.
“The photography industry is ripe with opportunities to enact change, from manufacturing to distribution to kit rental and resale”
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Round table
NB: We only use base papers from sustainable sources (for example, FSC), and cotton bases from fair- trade suppliers. In addition, we use renewable energy solutions in our production facilities, like solar panels. Furthermore, we insist that our suppliers adopt the same attention to detail and determination to work leaner and more sustainably. GH: Our couriers are converting to an all-electric fleet, to reduce the emissions of our deliveries. Last year, we purchased an industrial shredding machine to allow our warehouse to recycle any cardboard to use for packaging. Any excess is picked up by local companies who can then use it for their own packaging. We have recently launched our new Heritage Range, four new papers manufactured using 100% cotton. Not only do they look and feel superior to wood-pulp papers, these papers are made from cotton linters – a waste product from the cotton fabric production process. Cotton linters are the short fibres left on the seed head after the long fibres of the cotton have been removed. PN: What positive impact are these measures making? GH: We only deal with paper mills that have sustainable sources of pulp – and our CO2 reduction is coming fully on stream. RT: We have reached zero waste to landfill and 45% of renewable electricity across our operations – and our packaging is plastic-free, reusable and recyclable. In the past year, we have sponsored over 15 visual storytelling
PHOTOGRAPHY NEWS: Why do you think sustainability matters within the industry? RACHEL THOMPSON: Visual storytelling is powerful and ubiquitous, with millions of participants, from pros and content creators to students and amateurs using a wide range of kit and technology. This creates human, ethical and environmental impacts. industries, but it especially matters in industries that depend on raw materials such as wood pulp. Our customers care about what materials we use and where we source them from, and so do we. NEVELLE BOWER: I believe sustainability matters in all GARRY HUME: A significant proportion of our products are based on wood pulp and/or cotton rag, meaning we can have a very direct impact on improving the sustainability of our industry – by dealing only with mills that are taking steps to ensure their sources of wood pulp are sustainable. PN: What measures are your companies currently taking to be more sustainable? RT: MPB buys, sells and trades used kit and we do so in a purposeful way that is good for people and the planet, so we’ve always incorporated green, inclusive principles in our operations and recruitment. Last year, we formalised our approach which includes initiatives in zero waste, reusable packaging, working with suppliers that invest seriously in net zero and promoting inclusion and diversity in our workplaces.
REDUCE, REUSE industry leaders like MPB are making bold pushes to reduce their dependency on non-renewable energy
PN: What sustainable choices do you think consumers should be making now? GH: Choose from our range of cotton-based papers. They look and feel better than traditional alpha-cellulose, wood-based papers. While more expensive, they are manufactured using a waste product from cotton fabric manufacturing as the main raw material. The cotton linters are a byproduct that would otherwise go to waste. RT: Selling or trading kit they don’t need any more so that another photographer can reuse it – and then buying used themselves. Making the effort to scout out reliable recycling for batteries and filters. More broadly, travelling sustainably by using public transport instead of road transport for short and medium journeys will have an immediate impact, and making sure to choose airlines that are investing seriously in cleaner fuels and aircraft. NB: I think that our customers already make good sustainable choices, and will in fact demand more and more as others in custody of the product chain become more aware. But again, it’s about education. As we apply and communicate our sustainable focus and efforts, we are trying to help our customers to understand what it really means for all our stakeholders, and that includes the end consumers. PN
GH: We are investigating if there are any other areas of our business where we can make a positive contribution. We have recently joined the Woodland Trust as a corporate member. The Woodland Trust invests in replanting and restoring broad-leaf woodland, providing habitats in the UK for a wide range of native species of plants, animals and insects. PN: How do you think sustainability will change products in the future? RT: On the product side, we’ll likely see more reuse and repair. Quality camera bodies and lenses are designed for durability, interoperability and repair, so there is a built-in circularity that more photographers, videographers and content creators can embrace by selling, trading and buying used. Kit with less plastic and more reuse of metal is also on the agenda. That said, I think the bigger changes are likely to be around how products are used, for example access to more sustainable transport and travel, and greater focus on diverse representation and ethical practices. NB: We will consider the product life cycle in more detail, including the ‘post-use’ recycle-ability of the products we develop as well as the waste involved in production, with the aim of making products that have less impact on the environment from start to finish.
events or awards with a focus on the environment, diversity and accessibility. And we are proud that our first advertising campaign, Change, won the 2022 AdNetZero award for the technology sector. PN: What future targets have you set for yourself as a business from a sustainability perspective? RT: Our goals include being the most-trusted platform for used kit and for the circular economy – choosing used by default – to become mainstream. We also want to reach 100% renewable electricity by 2025 and net zero carbon for our buildings and data centres before 2030 – which means no fossil fuels for heating or cooling, only renewable electricity. NB: This year we are working towards the ISO 14001 certification to increase our sustainability focus and awareness even further. For us, this is a continuous effort. We are also moving closer towards our target of 100% plastic-free packaging, as well as focusing on other areas where wasteful practices can be addressed and ultimately eliminated.
“We want the circular economy – choosing used by default – to become mainstream. We also want to reach 100% renewable electricity by 2025”
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WhiteWall
ADVERTISEMENT FEATURE
Class behind glass Make a statement with WhiteWall’s laminated acrylic prints. We discover what makes them so special
If it’s an understated look you crave, the matte surface is the one to choose. It displays depth and contrast, but is well-suited to rooms with plenty of light bouncing around because it reduces reflections. If, on the other hand, you have a vibrant image with colourful properties you want to accentuate, or are producing prints to exhibit, the glossy finish is the solution, showing images in all their brilliant glory. The glossy acrylic comes in 2mm or 4mm thicknesses, while matte is available in 2mm only. Head to the WhiteWall website to find out more about its fine art pigment prints set behind acrylic glass. A huge variety of sizes and formats are available, including 3:2, 4:3, square and 16:9, as well as standard paper sizes from A6 to A0. Prices start from just £14.95 for a 10x10cm print, and all come ready to mount on your wall with one of three different hanging systems, depending on the print size. WhiteWall currently holds both TIPA and Photography News Awards,
WHITEWALL PRIDES ITSELF on bringing quality and ingenuity to photo finishing, with impressive craftsmanship and cutting-edge technologies combining to deliver outstanding results. The company’s latest innovation is testament to that, offering an ideal solution for photographers wishing to make a statement with their work, especially those who want to print big! Large prints laminated behind acrylic make for great wall art, and WhiteWall has years of experience in producing acrylic laminations. Now, that service has taken a giant step forward with the introduction of fine art pigment prints set behind acrylic glass. Available in formats up to 290x180cm, these vibrant prints are the perfect way to show off your finest work in phenomenal high resolution, with a broad colour spectrum delivered from the high- end professional papers used to create them. Initial prints are made with a solvent-free inkjet process in which
brilliant colours are created using pigment particles suspended in liquid ink. The secret lies in the paper, with Fujifilm and Ilford media delivering premium results. The subsequent lamination process takes meticulous care and attention to ensure a flawless end product. WhiteWall’s acrylic glass is lightweight, colour-neutral and unbreakable – simply choose the surface and thickness to display your images at their very best.
confirming its status as one of the world’s best photo labs. So if you want to show your work off at its most impressive, there’s no better place to start your journey.
whitewall.com
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Awards
What happens when journalists from 25 market-leading imaging publications get together to recognise outstanding equipment and services? You get the TIPA World Awards. We look closely at a selection of this year’s winners
manufacturers, suppliers and consumers, and the TIPA logo became a common sight on packaging and marketing materials. As TIPA’s reputation and credibility grew, its reach expanded beyond European borders – and now its 25 titles include those from Australia, China, India and the USA. Photography News is incredibly proud to be the sole title aimed at enthusiasts from the UK. Here, we have the 2023 winners together with TIPA citations and selected highlights that are of significant interest to PN readers.
WORDS BY WILL CHEUNG
TIPA, THE TECHNICAL Image Press Association, started in 1991 with leading photo publications across Europe getting together to share information, expertise and resources. One key early objective was to launch an annual awards scheme recognising outstanding gear, imaging services and technological achievements. The awards proved a success from the onset, appreciated by
THE WINNERS
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Cameras
BEST APS-C PROFESSIONAL CAMERA Fujifilm X-H2S TIPA SAYS
The camera market is not in great shape in terms of sales. To mitigate this, manufacturers are working extra hard to attract customers – by bringing in brand-new and innovative features as well as beefing up existing technologies. New models sport all the advancements in video to produce cameras that are truly hybrid, with features that can satisfy experienced stills shooters as well as those who have a foot in the video camp. It was no surprise to see how well hybrid cameras did in this year’s TIPA Awards, and that trend is very likely to continue.
The X-H2S offers a fully capable hybrid camera for pro users. Its impressive still and video capabilities incorporate refined AF and subject detection tools and deliver improved low-light performance, all with reduced noise and enhanced tonality and clarity. On the stills side, a remarkable 40fps and 140-frame consecutive Raw format capture means no action will be missed, while video flexibility includes the ability to record in DCI/UHD 4K at 120p and Full HD at 240p, with recording times up to 90 minutes at all frame rates and resolutions. PN’S VIEW The X-H2S is a superb camera and its long feature list will tempt stills and video shooters. It’s a 26-megapixel APS-C camera with Fujifilm’s renowned X-Trans 6x6 colour array sensor rather than the 2x2 array of the Bayer sensor. This model features a stacked sensor for superfast performance so, for example, it can shoot at 40fps with its blackout-free electronic shutter making tracking easy. Keeping pace with this is an advanced autofocusing system with improved tracking and subject detection.
BEST FULL-FRAME PROFESSIONAL CAMERA Sony Alpha 7R V
BEST FULL-FRAME EXPERT CAMERA Panasonic Lumix S5 II TIPA SAYS Pro content creators will welcome the capabilities of this hybrid. It’s the first Lumix to offer Phase Hybrid AF, which greatly benefits fast and precise autofocus performance. The S5 II features a new Active IS system that is especially designed to compensate for recordings made while walking, an exciting development for ‘on-the-ground’ event coverage. PN’S VIEW Panasonic is the only camera maker committed to both Micro Four Thirds and 35mm full-frame formats. ‘No compromise’ was the mantra when it launched its 35mm S-system in 2019, and that holds sway today – as the S5 II testifies. It’s a mid-priced mirrorless with features aimed at stills and video shooters – while the DC-S5 IIX has a more extensive set of video features. Highlights include 24.2-megapixel resolution, with multi-shot high-res shot mode giving 96-megapixel files, 30fps shooting in Raw plus continuous AF and hybrid phase-detect AF. And you get all this tech in a very compact body.
TIPA SAYS TIPA editors picked out the Alpha 7R V as a responsive, flexible camera that raises the bar on features and functions for pro photographers. It offers a 61-megapixel full-frame sensor, 8K video recording and eight stops of image stabilisation, plus it offers unprecedented accuracy and speed in tracking and predicting movement with its advanced AI-powered autofocus system. Thanks to its Exmor R BSI and Bionz XR Processor, the Alpha 7R V features a remarkable 15-stop dynamic range and expanded low-light capability. PN’S VIEW Sony’s mirrorless range goes from strength to strength, but filling the high- resolution shoes of the Alpha 7R IV was always going to be a challenge. As you’d expect, it was a challenge Sony met head on – the Alpha 7R V is a simply stunning camera. It uses the same sensor as the A7R IV, but a new, more powerful Bionz XR processor makes the most of its potential.
BEST FULL-FRAME ADVANCED CAMERA Canon EOS R8 TIPA SAYS The EOS R8 brings all Canon’s expertise to bear, with subject tracking, a broad ISO range for enhanced low-light options, low-light AF capability (-6.5EV) and rapid burst mode (40fps up to 120 frames, JPEG). PN’S VIEW The R8 is Canon’s mid-range full-frame offering and comes at a great price – currently £1899 body only. Typical of recent cameras, it’s equipped for stills and movie shooters and while it might lack IBIS, key selling points include a more portable body and highly advanced autofocusing skills – and it’s one of the few Canon cameras with focus stacking. It can rattle through frames too, and there is a Raw burst mode with the option of preshot, another new feature for Canon mirrorless.
› BEST APS-C ENTRY-LEVEL CAMERA Canon EOS R50 › BEST APS-C EXPERT CAMERA Fujifilm X-T5 › BEST APS-C VLOGGER CAMERA Nikon Z 30 › BEST FULL-FRAME ADVANCED CAMERA Canon EOS R8 › BEST PROFESSIONAL CONTENT CREATOR CAMERA Sony ZV-E1 › BEST PROFESSIONAL VIDEO CAMERA Canon XA70/XA75 OTHER WINNERS
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Awards Lenses
BEST WIDE-ANGLE PRIME LENS Sigma 24mm f/1.4 DG DN Art TIPA SAYS
The lens market is a vibrant sector fuelled by several driving forces. A big one is the impetus provided by the mirrorless revolution, causing lens designers to develop whole new systems, notably Canon and Nikon with their very successful RF and Z systems respectively. Fujifilm, Olympus, Panasonic, and Sony are a little more established in the mirrorless sector, and at the point where existing lenses are often being updated, although new focal lengths are still appearing. The independent brands are throwing in their two pence and as mirrorless systems have gained market traction, it made sense for them to produce compatible products – although the Canon RF fitting is the exception here and we’re not seeing third- party brands coming out with AF lenses.
Poll serious photographers about their favourite street, architecture and even landscape prime lens and the 24mm focal length is sure to be a top choice. This fast f/1.4 maximum aperture, 11-bladed diaphragm lens also delivers ideal specs for night-time and low-light capture, including astrophotography, featuring two FLD and one SLD glass elements and four aspherical elements that eliminate distortion and significantly suppress coma flare. PN’S VIEW Sigma is a serial winner of TIPA Awards – 20 since their inception – and the 24mm f/1.4 DG DN Art thoroughly deserves its success. Headline feature, of course, is its f/1.4 maximum aperture, making it a prime candidate for astro shooting among other low-light subjects. An advanced construction of 17 elements including seven advanced elements arranged in 14 groups helps deliver pin-sharp images free of optical aberrations, plus it has a dust- and splash-proof build.
BEST STANDARD PRIME LENS Sony FE 50mm f/1.4 GM TIPA SAYS
BEST TELEPHOTO PRIME LENS Canon RF 135mm f/1.8 L IS USM TIPA SAYS
Offering a superfast f/1.4 maximum aperture, this prime is ideal for low-light and candid shooting. With an 11-blade diaphragm and 40.6cm close-focusing capability, this G Master is ideal as a general-purpose lens that can deliver startlingly smooth backgrounds and rich bokeh. TIPA editors were impressed by the incorporation of new design and control features that make it as ideal for video as it is for still photography, including two focus-hold buttons and a Linear Response manual-focus ring for fine focus control. PN’S VIEW For Sony owners, the FE 50mm f/1.4 GM is potentially the ultimate standard lens. Its fast maximum aperture allows greater control when the light is very poor, and it’s designed to give creamy bokeh when used wide open. The new optical construction which includes two XA (extreme aspherical) and one ED (extra-low dispersion) element delivers excellent sharpness with Nano AR Coating II to prevent flare and ghosting.
This medium telephoto is perfect for people, travel, landscape and candid photography. Its aperture range offers an excellent team for both shallow (at f/1.8) and deep depth-of-field (f/22) capture, plus many benefits for low-light shooting with an Optical Image Stabiliser system offering eight stops of compensation when paired with a body featuring IBIS. PN’S VIEW The usual lens recommendation for portrait photography is to use a short telephoto, typically 85mm in the 35mm format. At this focal length you get a flattering perspective, a comfortable working distance from your subject and a nice shallow depth-of-field if you use a wide lens aperture. Essentially, the RF 135mm f/1.8 L IS USM gives you more of the same, and then some. This is a top-end prime telephoto, and its premium optical construction of 17 elements in 12 groups delivers an impeccable optical performance aided by a 5.5EV optical image stabiliser.
BEST TELEPHOTO ZOOM LENS Tamron 50-400mm f/4.5-6.3 Di III VC VXD TIPA SAYS
The Tamron 50-400mm lens is an ideal choice for a wide range of photographic applications, thanks to its close-focusing distance of 25cm (9.9 inches) at the 50mm setting. Whether you’re shooting sports events, wildlife or landscapes, this lens is compact and easy to transport, with an overall length of only 183.4mm (7.2 inches). To ensure sharp and stable shots, the lens features a VXD linear-focusing mechanism and a vibration-compensation system (VC) that helps reduce camera shake in low light or when shooting at slower shutter speeds. This allows you to take advantage of a wider range of shooting opportunities, even in challenging lighting conditions. PN’S VIEW Versatility is very much a key word of Tamron’s 50-400mm f/4.5-6.3 Di III VC VXD, which is compatible with Sony’s E-mount full-frame and APS-C cameras. Its 8x zoom range starts from a standard focal length through to long telephoto, making it a great buy for photographers with a wide range of interests. It even holds a strong hand for close-up shooting, with a minimum focus of just 25cm at the 50mm end giving a half-life-size magnification. You get all this flexibility in a compact body, and despite its weight it’s very usable handheld with sharp shooting assisted by Tamron’s vibration-compensation system.
BEST SUPER-TELEPHOTO PRIME LENS Nikkor Z 600mm f/4 TC VR S TIPA SAYS The Z 600 is a dream lens for wildlife photographers. Working outdoors often means challenging light and weather conditions, so a newly developed Meso Amorphous Coat offers the greatest anti-reflective performance from a Nikon lens while ARNEO and Nano Crystal coats reduce ghosting, reflections and glare. AF is greatly enhanced with a Silky Swift Voice Coil Motor that uses magnets rather than gears to move focusing groups, benefiting both still and video recording. PN’S VIEW Nikon has been working incredibly hard on its long telephoto offerings, probably encouraged by the success of its incredible Z 9. The Z 600mm f/4 TC VR S has an integral 1.4x teleconverter which instantly extends the focal length to 840mm. Of course, with such a long lens you need fast AF, and this is provided by Nikon’s Voice Coil Motor and an optical ABS encoder, a high-precision sensor that detects and communicates lens position.
OTHER WINNERS
› BEST MACRO LENS AstrHori 28mm f/13 2x Macro Probe
› BEST CONTENT CREATOR LENS Tamron 20-40mm f/2.8 Di III VXD › BEST SUPERZOOM LENS SIGMA 60-600mm f/4.5-6.3 DG DN OS | Sports
› BEST WIDE-ANGLE ZOOM LENS Sigma 16-28mm f/2.8 DG DN Contemporary › BEST STANDARD ZOOM LENS Sony FE 20-70mm f/4 G
› BEST PORTRAIT LENS Nikkor Z 85mm f/1.2 S
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