ACADEMY SOHO EDITORS
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SPEEDY GRADING IN PREMIERE The latest Adobe Premiere Pro CC software offers intuitive tools to get the colours right. Soho Editors boss Rory Cantwell explains the basics
WORDS RORY CANTWELL IMAGES SOHO EDITORS
O ne of the great things about the Premiere Pro approach to colour correction is that it adopts the same basic controls as Adobe Lightroom, where photographers fix hundreds of images fast and on the go. With Premiere Pro‛s integrated Lumetri Color correction tools, you can do many of the same fast corrections on video, with a whole host of other tools available help stylise your footage and design more
creative looks. Let‛s have a quick look at some of the features, and how and why to use them. Colour correction and film grading is usually a two-part process. Different people use different terminology with the same aim– to make shots look great. Colour correction Fixing issues that become apparent in the edit is the first step. This might be due to
“The bright highlights on the car and horizon looked very strong in the Luma Scope”
ABOVE Colour correction in Premiere Pro is efficient and effective, using the same basic controls as Lightroom
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PRO MOVIEMAKER SUMMER 2019
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