Nearly 25 years in the making, Ridley Scott’s Gladiator II delivers a blood-soaked, unabashedly entertaining sequel to the Oscar winning original. We dissect the cinematography with DOP John Mathieson and discuss crafting the film's look with colourist Stephen Nakamura in this issue. There's also a chat with DOP Jarin Blaschke about his work on Robert Eggers’ Nosferatu, plus we hear from Tim Cragg – one of the most in-demand documentary DOPs in the game, examine the latest innovations in broadcast camera robotics and hear from a panel of experts on the future of PTZ technology. Enjoy!
Cover | 1 |
Welcome | 3 |
Contents | 5 |
Production - Gladiator II | 6 |
Post-production - Gladiator II | 12 |
Gear - Camera robotics | 18 |
Thought Leader - Mo-Sys | 27 |
Production - Nosferatu | 30 |
Take Two - Nosferatu | 37 |
Defintion X The Flint | 38 |
In Short - Red Soil | 45 |
Interview - Tim Cragg | 46 |
Gear - Batteries | 52 |
Round Table | 54 |
Careers - Trailblazers | 62 |
VFX - Paris Has Fallen | 66 |
Industry - Briefings | 69 |
Toolkit | 74 |
Camera Listings | 79 |
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