ROUND TABLE
ROUND TABLE
As the role of pan-tilt-zoom cameras continues to expand in production workflows, experts consider the trends & tech ahead
Definition: What advancements in PTZ tech do you think will have the biggest impact on film production workflows over the next few years? Dan Miall: The biggest game changers will be AI-driven automation and cloud connectivity. Advanced AI tracking systems are making dynamic, precision- driven shots possible with minimal input, while cloud integration enables seamless collaboration between on-set and remote teams. Features like Wi-Fi 6 connectivity and innovative e-ink labels in our BirdDog X series are streamlining multicamera workflows, reducing set- up time and clutter. These advancements simplify complex set-ups, allowing filmmakers to focus on storytelling rather than technical challenges. As PTZ cameras continue to integrate into traditional cinematic pipelines, they will redefine both studio and on-location production, reducing costs and opening doors to more creative possibilities. Claire Lam: Innovations like AI-based auto framing stand out for their ability to analyse complex scenes and adapt dynamically. This reduces the reliance on manual adjustments, making them well
suited for fast-paced or multicamera productions. We can expect AI to integrate even further into workflows for live and cinematic productions. Graham Payne: The quality of PTZ cameras is and has been rapidly improving over the past few years. People used to view them as glorified surveillance cameras with very little difference in image quality. However, since coming to market with products, we have seen them used in a wide spectrum of environments – ranging from football stadiums to music festivals. With evolving lens, processor and sensor technology, the image will continue to improve. For Canon, PTZ cameras can be used over the same network as large-sensor cinema cameras, providing not only shot variation but also a huge amount of remote control. PTZ cameras can all be remotely controlled, and cinema cameras can be managed remotely as well, utilising Canon’s XC protocol. This allows operators to control all camera settings and zooms with appropriate lenses. Remote heads allow cinema cameras to operate like PTZ cameras, giving directors various shot types and
FRAME OF MIND The CR-N700 (right) features a 1.0-type CMOS sensor, Digic DV7 processor and HDR imagery
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