HOUSES OF WORSHIP 38 Production
of assets between storages, archive, or for distribution.”
and transitions, before being pushed back to Portal once finished. The integration capability allows the church to refine video content and edit content from the Final Cut Pro interface, while Portal ensures this material is organised centrally and securely.” Using the Cantemo Rules Engine, the church’s production team can automate tasks and workflows. The church can also automate the transcoding of files into different formats for the separate satellite broadcasters, which streamlines the workflow and saves the production team valuable time. “With Rules Engine,” says Azimi, “it is possible to automate the formatting of content so that a video file is automatically correctly formatted once it is marked as approved within Portal. Other capabilities include the automated access rights control of assets for individual users or groups and the automated movement
Theatre in London. This allows our lead pastor to share the same message and themes across all our UK churches, allowing our many locations to feel part of the same church.” DEPENDABLE AND EASY TOMANAGE WE ARE PARANOID ABOUT RELIABILITY, SO THE SYSTEM IS DESIGNED TO BE SIMPLE,
JOINING TOGETHER On the other side of the world, London’s Hillsong Church is also using top broadcast tools to reach its congregation. Founded in 1999, today more than 8000 people attend one of the four Hillsong Church’s services held each Sunday throughout the day at the Dominion Theatre in London’s West End. In addition, the church holds services at nine other locations across the UK. “Every Sunday, each of our ten locations will have their own church service, consisting of praise and worship and a message,” says James Taylor, head of Film & Television at Hillsong Church UK. “These services will mostly run autonomously, however, on an approximately monthly basis, using a video link, all the churches join to our services at the Dominion
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