CAMERA L I STINGS
I N ASSOC I AT I ON WI TH
ARRI ALEXA LF
ARRI ALEXA MINI
ARRI ALEXA MINI LF
ARRI ALEXA SXT W
SPECIFICATION
Large format Arri Alev III (A2X) CMOS sensor with Bayer pattern colour filter array
SENSOR – FORMAT AND SIZE
Full-frame CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm
Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm
Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm
LF Open Gate ProRes 4.5K: 0.75 – 40 fps; LF Open Gate Arriraw 4.5K: 0.75- 40fps; LF 16:9 ProRes HD: 0.75-90fps LF 16:9 ProRes 2K: 0.75-90fps
Arriraw: 0.75-150fps ProRes: 0.75- 100fps
Arriraw: 0.75-30fps, ProRes 0.75-200fps
Arriraw and ProRes: 0.75-120fps
FRAME RATES
LPL lens mount with LBUS connector PL-to-LPL adapter Leitz M mount (available from Leitz)
LPL, PL, EF, Leitz M, B4 w/Hirose connector
LPL, PL
LPL, PL
LENS MOUNT
3840x2160 ProRes4K, 3424x2202 Arriraw, 2880x2160 Arriraw and ProRes,1920x1080 ProRes HD and Anamorphic
MXF/Arriraw MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 (HQ)
3424x2202 Arriraw and ProRes, 3414x2198 ProRes, 2880x2160 Arriraw and ProRes, 2560x2146 ProRes and Anamorphic
4448x3096 Arriraw and ProRes 4.5K open gate and 2.39:1, 3840x2160 Arriraw and ProRes 16:9
RECORDING OPTIONS
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the Arri Dynamic Range Test Chart (DRTC-1)
EXPOSURE LATITUDE
14+ stops from EI 160-3200
14+ stops from EI 160-3200
14+ stops from EI 160-3200
BLACKMAGIC DESIGN URSA
BLACKMAGIC DESIGN URSA MINI PRO G2
CANON EOS C200
CANON EOS C300 MARK III
SPECIFICATION
Super 35 CMOS 25.34x14.25mm. Now joined by the mighty 12K version offering 12,288 x 6,480
New Super 35mm sensor with Dual Gain Output (DGO) delivering 16+ stops of dynamic range
SENSOR – FORMAT AND SIZE
25.34x14.25mm – 4.6K 22x11.88mm – 4K
Super 35mm CMOS, 4096x2160
Blackmagic Raw 4.6K to 120fps, UHD windowed 150fps, HD windowed 300fps, ProRes 4.6K to 80fps, UHD windowed 120fps, HD windowed 240fp.
High frame rates including continuous recording up to 120fps at 4K Cinema Raw Light and XF-AVC, 180fps at 2K (crop)
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60fps supported
4K 24/25/30/50p. HD 120fps
FRAME RATES
N/A
EF, PL, B4, F
EF
EF (PL optional upgrade)
LENS MOUNT
4608x2592, 4608x1920 (4.6K 2.40:1), 4096x2304 (4K 16:9), 4096x2160 (4K DCI), 3840x2160 (Ultra HD), 3072x2560 Anamorphic
4096x2160, 3840x2160, 2048x1080, 1920x1080, Cinema Raw Light, XF-AVC, MP4
Multi recording formats – 4K Cinema Raw Light or XF-AVC 4:2:2 10-bit All- Intra / Long-GOP
RECORDING OPTIONS
CinemaDNG Raw 3:1 – 180MB/s CinemaDNG Raw 4:1 – 135MB/s
EXPOSURE LATITUDE
N/A
15 stops
15 stops
16 stops
JANUARY 202 1 | DEF I N I T ION 31
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