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IMAGE Smith also used the WCU-4 in his set-up on The Batman, set for release in March 2022
“We discussed early on that we would need to remotely control the cameras placed on vehicles, which would be travelling at speed a long way away from where Tom was standing. Arri had just released a new piece of equipment called ERM-2400 LCS, and we were fortunate to be able to test this in prep. It has a range of 1km, so was perfect for what we needed. “Once we knew this, we then had to source several for the shoot – and this was an issue, because there weren’t many available at the time. Luckily, Aaron worked his magic and found us the only units on the market in time for production.”
who was also first assistant, but on the A camera. We decided early on that we would need identical equipment set-ups, as this would give us more fluidity to react to any situation on set. “After a lot of testing, DOP Bradford Young decided on a combination of Arri Alexa 65 and Alexa Mini cameras. Since Jake is a veteran Arri WCU-4 user, it was the perfect opportunity for me to follow suit and finally commit to a WCU-4 system. After talking with Aaron at CVP, I purchased two of them, alongside many other items, which included – but weren’t limited to – three CLM-4 motors, two CForce Plus motors, a CForce Mini motor and a UMC-4. “The kit was extensive, but it enabled us to shoot handheld on a Libra remote head
and in studio mode, with minimal re-rigging when moving between shooting modes on the Alexa 65 and Alexa Mini cameras. Also, with the production taking place in many unpredictable locations – from the sandy Canary Islands, to the snow-laden mountains in the Dolomites – we needed equipment that we could rely on. “With this kit, we were additionally able to supply Dan Carling, Bradford’s DIT, with a full WCU-4 handset. This enabled him to have full control of the camera and lens functions, and was therefore able to finesse the look throughout the shoot with minimal fuss.” DUNE “ Dune was also shot with Arri cameras – the Alexa LF. It was another opportunity to work with Jake, so using the WCU-4 as our wireless focus systemwas a no-brainer. The Cine RT had also just been released and it soon became evident that it was the go-to ultrasonic ranger for the industry. “After much debate, I ordered one. In conjunction with the WCU-4, this became our standard set-up. The Cine RT had the ability to be built into the camera without any extra boxes or kit and this, again, helped us when going between remote heads on a crane, handheld and Steadicam. Pulling focus on the larger sensor of an Alexa LF is also something that always keeps you on your toes, so the WCU-4 combined with the Cine RT was invaluable to us for this film.” THE BATMAN “Having just finished Vengeance – which is about a radio host fromNew York who attempts to solve the murder of his girlfriend – there’s not a lot I’m allowed to disclose. However, one thing I can talk about openly is a sequence in The Batman that first AC, Tom Lane, needed help with.
CVP | ARRI CREATIVE SPACE 81 CHARLOTTE STREET Designed as an exclusive space for networking, workshops and events, this exciting collaboration between CVP and Arri presents the latest in Arri technology – including the Alexa Mini LF and Signature lenses. To book a demo, talk to one of our experts and explore the CVP | ARRI Creative Space or Newman House showroom, call +44 (0) 208 380 7400 , email demo@cvp.com or visit cvp.com
“Aaron at CVP has become the only person I reach out to when I need to find a piece of equipment”
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ABOVE Smith prepares to shoot some pickups with the Arri Alexa 65 after wrapping Rogue One
46 DEF I N I T ION | AUGUST 202 1
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