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CLAIRE WILKIE: That’s right. It is anything that separates your MCR or gallery from the studio, so they are operating in different locations. It streamlines your workflow, plus it’s sustainable. TIM PUSCHKEIT: In the early days, we called it a remote production. However, you perhaps only used a few services remotely, while everything else was on-site with OB vans. It changed, especially throughout the pandemic. That was our comfort zone and the established business practice over the past couple of years. But we were asked to leave our comfort zone and do it in a different, new way.
NORBERT PAQUET: There is another term I employ: ‘distributed production’. That gives a better idea of how we’re distributing resources. In terms of these, two main elements compose a production process. The first is technical resources – acquiring, processing or distributing content. Then, there are people who operate or manage the technical infrastructure. NEAL ROMANEK: To start, how exactly would you define ‘remote production’?
Remote controller: Are on-site OB vans a thing of the past?
“WE WERE ASKED TO LEAVE OUR COMFORT ZONE AND DO IT IN A DIFFERENT, NEW WAY”
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