Step into the new season with a bounty of delights to discover on your doorstep. This issue, we take a trip to Mill Road to reveal its must-visit restaurants and shops, highlight some sensational staycation spots, serve up some tasty recipes and bring you all the latest from the local culture scene.
YOUR MONTHLY FIX OF
LOCAL LIFE
DECEMBER 2022
Blitz your Christmas list with our round-up of perfect presents from local independents Indie Gift Guide
£3,500+ giveaway inside this issue! See page 41
PANTOS, PRESSIES, PRIZES & SACKFULS OF FESTIVE CHEER... WE’VE GOT CHRISTMAS IN CAMBRIDGE ALL WRAPPED UP! CHRISTMAS! Step into
SIGN UP TO OUR DIGITAL ISSUE AT CAMBSEDITION.CO.UK
WELCOME
Let’s get merry!
Cambridge Edition Magazine Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridgeshire CB22 3HJ, 01223 499450, cambsedition.co.uk • All rights reserved. Material contained in this publication may not be reproduced, in whole or in part, without prior permission of the publishers. • Views expressed in this magazine are not necessarily those of Cambridge Edition or Bright Publishing Ltd, which do not accept any liability for loss or damage. • Every effort has been made to ensure all information is correct. • Cambridge Edition is a free publication that is distributed in Cambridge and the surrounding area. EDITORIAL Editor in chief Nicola Foley 01223 499459 nicolafoley@bright.uk.com Assistant editor Miriam Balanescu Editorial assistant Alex Fice Editorial director Roger Payne Deputy chief sub editor Matthew Winney Sub editors Harriet Williams & Ben Gawne ADVERTISING Sales director Sam Scott-Smith 01223 499457 samscott-smith@bright.uk.com Ad manager Maria Francis 01223 492240 mariafrancis@bright.uk.com CONTRIBUTORS Mark Box, Lawrence Brown, Charlotte Griffiths, Anna Taylor & Elisha Young DESIGN & PRODUCTION Senior designer Lucy Woolcomb Designer Emma Di’luorio Junior designer Hedzlynn Kamaruzzaman Ad production Man-Wai Wong MANAGING DIRECTORS Andy Brogden & Matt Pluck
fter the subdued celebrations of the past couple of years, it’s great to see Cambridge gearing up for an all-singing, all-dancing extravaganza again this year. For those who love a Christmas show, we’ve rounded up the best of the bunch over on page 19 – chatting to Cambridge’s grand dame Matt Crosby about the art of panto, hearing more about the Junction’s colourful, inclusive take on The Nutcracker and getting the lowdown on the Footlights’ festive offering. We also bring news of the best Christmas lights (page 24), and chat to the organisers of the beloved Mill Road Winter Fair, which returns this month after a two-year break (page 27). It wouldn’t be our December issue without the Edition Christmas Giveaway – and we’ve got an absolute cracker for you this year, with over £3,500 worth of prizes for one lucky reader! Head to page 41 to get the scoop on our biggest ever giveaway! We’re also championing our favourite independent shops, offering three pages of gifting inspiration from Cambridge indies: check it out from page 67. If you’ve been wondering how to enjoy a greener Christmas – turn to page 72 and see how to make your celebrations more planet-friendly, or discover ways you can support local charitable initiatives during the season of giving on page 64. Over in Savour & Sip (from page 51), we’ve got foodie gift ideas, Christmas recipes and the latest food news – plus we catch up with Cambridge chef and TikTok star Tristan Welch to hear about his favourite festive foods. I’m not sure I’m sold on his recommendation of Christmas pudding with eggs and chilli – but I’ll definitely be giving the Boxing Day burrito a spin. However you’re spending it, have a brilliant Christmas – we’ll see you on the other side!
EDITOR IN CHIEF
FIND US @CAMBSEDITION | CAMBSEDITION.CO.UK
Contents
57
07 Culture Club Art, theatre, carols, illuminations, this month’s street style portraits and lots more 41 Christmas Giveaway! A massive prize bundle is up for grabs for one lucky Edition reader 51 Savour & Sip Christmas recipes, top gifts for foodie friends and all the latest openings 64 Charity Spotlight Get involved with one of these local initiatives
74 Multicultural City Christmas traditions from around the world – and how they’re being celebrated in Cambridge! 76 Cambridge Half Marathon We seek advice on training like a pro in the run-up to next year’s race 79 Beauty Our essential makeup picks to get you glammed up for the coming party season 81 Winter Weddings Planning your big day? Check out these superb suppliers from around the city 83 Education Spotlight Gresham’s School on the far-reaching benefits of adding arts to the world of STEM 85 Home Edition Ideas for decking your halls in style, plus a little inspiration from the great outdoors with Anna
– it is the season of giving after all! 67 Indie Gift Guide
From bicycles, booze and books, to knits and cute toys: our round-up of the best presents in town! 72 Eco Cambridge Have a greener Christmas with the help of these tips from local experts
Illustration by Hedzlynn Kamaruzzaman, inspired by an Instagram photo by @viniiith
CAMBSEDITION.CO.UK DECEMBER 2022 03
LOCAL LIFE
STARTERS
@BANDRIU01
@CLASSICCAMBRIDGE
FOLLOW @CAMBSEDITION ON INSTAGRAM FOR LOTS MORE STUNNING SNAPS OF THE CITY
@THECAMBRIDGEACADEMIC
@QUIETLYCAMBRIDGE
#instacamb
OUR FAVOURITE CAMBRIDGE INSTAGRAM PICS OF THE MONTH. USE THE #INSTACAMB HASHTAG FOR A CHANCE TO FEATURE!
CAMBSEDITION.CO.UK DECEMBER 2022 05
Culture Club THE STUFF
OF LEGENDS The Cambridge Greek Play came back for its 45th production this year – find out what we made of it on page 10!
ON THE SHOULDERS OF GIANTS feast your eyes! FROM FESTIVE THEATRE TO CAPTIVATING CABARET, TAKE A GOOD LOOK AT DECEMBER’S ENTICING CULTURAL OFFERINGS
© ZOE BIRKBECK
CAMBSEDITION.CO.UK DECEMBER 2022 07
CULTURE CLUB Arts & Culture THE MUST-SEE EVENTS AROUND CAMBRIDGE THIS MONTH
17 Dec
Christmas Crackers UNWRAP CHECK OUT OUR TOP PICKS FOR STARTING THE FESTIVE SEASON WITH A BANG!
On 3 December at Cambridge Corn Exchange, Aled Jones and Russell Watson reunite to share their brand-new Christmas album – full of favourite Yuletide hits, including a special duet of Walking in the Air . Also at the Corn Exchange, on 10 December, join Rick Wakeman for his Grumpy Christmas Stocking Tour , which will feature songs from his personal back catalogue, plus covers and some festive tunes with a Wakeman twist! At the Junction on 13 and 14 December, Mince Prize Party promises a night of amusing group challenges, quizzes, feasting and dancing in the company of comedy legends Figs in Wigs. Then on 17 December, folk favourite Kate Rusby takes to the stage at Cambridge Corn Exchange for an unmissable evening of Christmas cheer. On 21 December, head to the Junction to see The Albion Christmas Band ’s seasonal show.
CAMBSEDITION.CO.UK DECEMBER 2022 09
CULTURE CLUB
Greek out!
Edition Reviews: The Cambridge Greek Play
ALEX FICE TRACKS DOWN CAMBRIDGE’S QUIRKIEST SHOWS AND BRINGS YOU THE LOWDOWN
Rarer than a total solar eclipse, the triennial Cambridge Greek Play was always bound to create a stir when it returned. Arriving at Cambridge Arts Theatre on its opening night, the scene was suitably packed out. Corridors hummed with excitement as we waited for the theatre doors to open, before pouring inside to take our seats for a double bill of The Persians by Aeschylus and Cyclops by Euripides. It’s worth pointing out to the uninitiated that the Cambridge Greek Play is not simply a modern recreation of Ancient Greece’s greatest theatrical hits; it is also performed in the original language – that is, ancient Greek – a language that has been out of use for more than two millennia. Generally, the play is performed by a crew of students and alumni from the University of Cambridge, the vast majority of whom have studied classics, giving them at least a bit of a head start when it comes to tackling the script. I, on the other hand, speak only a handful of words from modern Greek (the kind that come in handy in a restaurant or bar on holiday). So, I was enormously relieved to see two screens on either side of the stage, ready to deliver a steady stream of surtitles throughout the show. The curtain flew up to reveal the striking stage design for The Persians , featuring an impressive step-like structure that combined the linear forms of brutalist architecture with classical Greek flourishes, set against a dramatic crimson backdrop – foreshadowing the bloodshed to come. The play offers a devastating account of how the Persians were annihilated by the Greeks in the Battle of Salamis, a historic event that took place in 480 BCE. Written for Greek audiences, the play has long presented a colossal challenge to directors who have sought to communicate the visceral feelings it would have evoked at the time, while respecting its characteristically static and song-laden nature. Taking on this Herculean task was professional director Dan Goldman, who also directed the play in 2019. Through a combination of discordant musical narration and sound effects from the
TALE OF TWO HALVES Following the tragedy of the first play, Euripides’ Cyclops provided some comic relief
chorus – including a stream of soul-piercing moans after the resurrected King Darius warns of further defeats to come – the tragedy befallen by the Persians was emphatically captured. Compelling performances by recent grads Maria Telnikoff as Atossa and Saul Barrett as Xerxes also helped cast a spell over the audience, inviting us to empathise with the grief of the Persians. After such a harrowing first half, the second instalment offered plenty of sweet relief. The earliest indication of this change in tone came not from the performers, but from the trusty surtitles. They had provided a fairly neutral commentary on events thus far. Not so for Cyclops , as they took on a voice of their own, eliciting chuckles before the play even began. The set design also reflected this shift in tone, with playful primary colours and a cartoonish style that was echoed in the design of the props and the cast’s costuming – which saw a dazzling revival of light-up trainers (a fashion statement now as dated as the classic Greek tunic). The bawdy chorus of satyrs also lowered the tone
appropriately, proudly rising to the occasion – quite literally, if you’ll excuse the pun – as they channelled their lascivious side with the help of some tongue-in-cheek touches from the costume department. Both Ilya Wray and Saul Bailey excelled in their slick interpretations of the heroic Odysseus and the pusillanimous Silenus. But the star of the show was Polyphemus the cyclops, a 12ft puppet brought to life by two cast members, including Jude Ashcroft, who effortlessly provided the simpering tones of the beastly baddie. The masterful handling of this technical challenge perfectly demonstrated the ambition of the play, catapulting it from the realm of student production into professional territory. As eccentric as it is academic, the Cambridge Greek Play has now spanned three centuries, survived two World Wars and side-stepped a global pandemic. If there was ever any doubt if such a tradition could continue into the 21st century, then this production has proven it to be thoroughly alive and kicking; we await its return!
10 DECEMBER 2022 CAMBSEDITION.CO.UK
CULTURE CLUB
Alice Through the Looking Glass comes to the ADC Theatre from 6-10 December, as Bawds present a sparkling adaptation of Lewis Carroll’s best-known series. Over at the Town and Gown Theatre, a festive programme awaits – beginning with It’s a Wonderful Life: A Live Radio Play , from 7 to 24 December. This innovative show brings to life the heart-warming story of Frank Capra’s classic film, as told by five actors gathered in a New York studio for a Christmas Eve broadcast. Later, Father Frost promises to inject excitement into the post-Christmas lull, with a funny, musical adaptation of this wintry tale. See it from 27 to 30 December. THEATRE ROUND-UP RAISE THE CURTAIN CATCH ALICE AT ADC There in the mirror. There’s an Alice like me. Only everything is back to front. How nice it would be if we could only get through and explore Looking-Glass World
ALL IMAGES © ZOE BIRKBECK
Don’t Miss! FROM COMEDY GOLD TO CHRISTMAS QUEENS – A GLITTERING ARRAY OF ENTERTAINMENT AWAITS
LIVE AT CHRISTMAS Cambridge Corn Exchange, 15 December, 7.30pm, £28
TENEBRAE AT CHRISTMAS Saffron Hall, 10 December, 7.30pm, tickets from £20 One of the world’s leading vocal ensembles sings a feast of festive favourites, including Benjamin Britten’s Ceremony of Carols , Gustav Holst’s In the Bleak Midwinter and The Twelve Days of Christmas .
KITTY & ELLA’S CHRISTMAS CRACKER
Cambridge Junction, 12 December, 7pm, £29 Fans of RuPaul’s Drag Race will want to sashay down to the Junction for an extra special show from Series 3 stars Ella Vaday and Kitty Scott- Claus. Expect plenty of gags, lip-syncs galore and some fabulous festive outfits.
It’s a chocolate box of comedy, as Dylan Moran is joined by The Last Leg regular Rosie Jones, Taskmaster favourite Mike Wozniak and the multi-award-winning Celya AB, hosted by podcast star John Robins.
CAMBSEDITION.CO.UK DECEMBER 2022 11
CULTURE CLUB
LUCY PORTER: WAKE UP CALL CAMBRIDGE
31 Dec
JUNCTION, 19 JANUARY 2023, 8PM, £21
PARTY PIECE
NEW YEAR, NEW YOU ALEX FICE SPEAKS TO NEON MOON FOUNDER CATHERINE WATLING BREEN, FINDING OUT WHAT TO EXPECT FROM THE HOTTEST NEW YEAR’S EVE PARTY IN CAMBRIDGE!
Revelations and epiphanies abound in comedy queen Lucy Porter’s latest show, covering topics from the Scottish Enlightenment to pressure washers and Huel.
and even took part in a stage takeover at the Commonwealth Games. Audiences are encouraged to engage with the show by dressing to a theme or coming as their alter ego – the more extravagant, the better. “Most nights out tend to be a very formulaic experience,” says Catherine. “I wanted to totally get away from that and create a space where, if you want to turn up painted head to toe in gold, then you can!” Originality and self-expression are also key when it comes to selecting the line-up of artists. Over the years, Neon Moon has hosted some of the best talent, from international aerial acts to Cambridge-based artist Bendy Bendini and Alex the Mind Reader from Champions of Magic . “The burlesque, cabaret and circus scene in the UK is really active, and there is incredible talent out there,” comments Catherine. “Every performer I choose has to have the wow factor – but they need to be nice. You have to work intensively with people, it’s important to feel at ease.” Following a sensational Halloween spook- tacular at the Junction in October, Neon Moon will return on 31 December for a more intimate party at Bar -OH. “We’re bringing back the Moonlight Speakeasy – but with a Cyber City theme!” enthuses Catherine. “The whole thing is based around the idea of entering a dystopian reality where it feels like you’re in a cyberpunk bar. We’re working with a fantastic mixologist who is helping us make some amazing drinks. In the past he’s created poison-themed and neon-glowing cocktails, along with smoke-filled bubbles! There will be loads of music, including live accompaniment sets with trombones and trumpets. I want it to have a Jazz Age feel, but with a Neon twist!” For more information and to snap up the last remaining tickets, visit neonmoon.co.uk
Imagine a place where everyone is free to express the most creative version of themselves. For the last ten years, Neon Moon has brought these fantasies to life by hosting spectacular cabaret parties across Cambridge – featuring some of the most astonishing local and international talent on the circus and burlesque scenes. Neon Moon was founded in 2012 by Catherine Watling Breen, a dancer who studied fine art in Manchester and Norway before spending ten years touring the world communicating artistic and scientific concepts through immersive and interactive installations. In 2010, the Junction invited Catherine back to her hometown to be part of an immersive cabaret show called Salon Rouge – setting her on a path that would change local nightlife forever. “I’d not been part of the cabaret world before, but fell in love with it straight away,” she beams. “I was working with a dance partner at the time and quite quickly we moved onto the burlesque and cabaret circuit; within a year we were performing internationally!” However, Catherine soon found that she was struggling with the one-sided nature of the art world. “The reason I got into cabaret is that I’ve always been interested in going out into live spaces and making sure people are having a good time. I wanted to create a show where the audience immediately feels part of it, and that’s where the idea for Neon Moon came from.” Starting out in a tiny bar in Cambridge with an audience of 75 people, Neon Moon went on to have a three-year residency at Anstey Hall where it held lavish parties to rival Gatsby himself; with champagne-spraying burlesque acts in the Venetian ballroom, a Victorian menagerie and sword swallowers. More recently, it hosted a sold- out show at Brighton Fringe, dazzled audiences at the Swingamajig Festival in Birmingham,
TORI AMOS CAMBRIDGE CORN EXCHANGE, 1 APRIL, 7.30PM, TICKETS FROM £32.50 Global music sensation Tori Amos comes to Cambridge next year following the release of her critically acclaimed album Ocean to Ocean .
RUSSELL HOWARD LIVE CAMBRIDGE CORN EXCHANGE, 8-9 APRIL, 2.30PM AND 7.30PM, £33 Heralded as one of the world’s top comedians, Russell Howard returns to put the world to rights in his hilarious live show.
12 DECEMBER 2022 CAMBSEDITION.CO.UK
CULTURE CLUB
EDITION’S GUIDE TO
HARK! THE CAMBRIDGE ANGELS SING – EXPLORE THE MOST FINELY TUNED CHORAL ARRANGEMENTS THIS DECEMBER
KING’S COLLEGE CHAPEL: A FESTIVAL OF NINE LESSONS AND CAROLS Every year, people across the UK tune into the BBC’s live radio broadcast of A Festival of Nine Lessons and Carols (3pm on 24 December, BBC Radio 4) – and we’re fortunate to live close enough to get an in-house seat. That is, of course, if you managed to secure a place through November’s ballot, which replaced the pre-pandemic approach of queuing outside King’s from the early hours of Christmas Eve. If you weren’t successful this year, fear not – you can listen to the service from the comfort of your own home, savouring the familiar sound of Once in Royal David’s City alongside cosy carols and this year’s specially commissioned new piece.
ALLELUIA!
On 2 December, Gabrieli Roar presents In Dulci Jubilo , a celebration of music by Michael Praetorius and Heinrich Schütz, including choral delights such as Puer Natus in Bethlehem . To send your spirits soaring ahead of the big day, don’t miss Hark! The Herald , an evening of traditional music sung by the Cathedral Choir on 22 December.
Jingle Baroque Eboracum Baroque returns this Christmas for a festive feast of musical hits from the 17th and 18th centuries. This year’s line-up sees the award-winning ensemble perform works by Handel, Telemann and Charpentier at A Baroque Christmas in Wimpole on 4 December, followed by two candlelit performances of Handel’s iconic Messiah in Grantchester on 16 December and at Great St Mary’s in Cambridge on 17 December. “For a lot of people, Messiah is a Christmas staple,” says Chris Parsons, director of Eboracum
hear a lot of detail.” For an even more distilled version, don’t miss the group’s performance at The Church of St Andrew and St Mary in Grantchester, which provides a smaller and more intimate setting. A Baroque Christmas will take place at Wimpole Church, a very familiar bolthole for Eboracum Baroque. “What we love about smaller churches is that the audience is right up close, so they really feel a part of it,” says Chris. “At this year’s concert, we might even get people involved with some singing and teach a wassailing song!” Eboracum Baroque’s upcoming performances make up just a handful of the choral celebrations coming to Cambridge this December. “We’re very lucky in Cambridge that there’s so much great music happening at Christmas,” adds Chris. “The choral scene is such a vibrant part of Cambridge – you can go and watch Choral Evensong every day in multiple venues, if you want to – which is incredible. The fact that it’s still happening is brilliant because it’s a really important tradition.”
Baroque. “It’s always gone down really well – and if you haven’t heard it before then you’re guaranteed 2.5 hours of really amazing music, even if you’re not a classical fan.” Whereas most renditions of Handel’s Messiah feature a full chorus and four soloists, Eboracum Baroque deliver a more pared-back version, with a small choir of ten singers. “This way you get to hear all ten voices, both as chorus and as soloists,” says Chris. “It still really packs a punch when it needs to, but also allows you to
© JAMES BILLINGS
14 DECEMBER 2022 CAMBSEDITION.CO.UK
CULTURE CLUB
FAIRHAVEN SINGERS: MUSIC FOR ADVENT AND CHRISTMAS Hosted in the spectacular setting of Trinity College Chapel, Fairhaven Singers’ Christmas concert is an annual highlight for choir members and audiences alike. This year’s performance on 11 December will see the choir perform masterpieces by Lassus, Rheinberger and Vaughan Williams, in addition to a world premiere of a new carol by Sarah MacDonald called Love Has Come . “It’s a setting of a new poem by Reverend Sharon Grenham-Thompson and is a charming and gently tuneful carol for choir and organ,” comments musical director Ralph Woodward. There will be the chance to warm your pipes with a number of favourite congregational carols, and a complimentary glass of wine will be waiting on arrival!
“Over five festive days from Saturday 10 to Wednesday 14 December, Stapleford Granary will be filled with candlelit concerts, market stalls, mulled wine and seasonal treats,” says Kate Romano, CEO of Stapleford Granary. “We’ve got glorious Yuletide music from the Middle Ages (GreenMatthews’ Gaudete! ) on 14 December, Bach, Handel and Purcell performed by some of Europe’s finest early music practitioners on 12 December (Music for Awhile), plus classy arrangements from Onyx Brass on 13 December.”
Let’s Go Punting: Christmas Carols on the River Let’s Go Punting is joining forces with the Traditional Punting Company and the choir of St John the Evangelist for its annual charity Christmas carol event on 4 December. Raising money for local charity Blue Smile, members of the public will be guided down the Backs in chauffeured punts as the choir floats alongside them, singing traditional carols and festive favourites.
CAMBRIDGE CHORALE
CHRISTMAS CAROLS AT THE LEPER CHAPEL A rare opportunity to step through the threshold of the oft-closed Leper Chapel, with a service from 4-5pm on 11 December featuring carols and the story of Christmas, followed by refreshments.
CHRISTMAS CONCERTS Join Cambridge Chorale for its Christmas concerts on 3 December at Great St Mary’s Church in Cambridge, starting with its popular family concert at 10.30am, followed by a slightly more serious – yet equally festive – service at 6pm.
CAMBSEDITION.CO.UK DECEMBER 2022 15
CULTURE CLUB
DEFACED! Money has been a hot topic of late. With its value in flux and the format in which we exchange it constantly evolving, currency is a barometer for our times – making it an excellent vehicle for political dissent. The Fitzwilliam Museum’s latest exhibition, Defaced! Money, Conflict, Protest , offers a look at how money has been punched, scratched, engraved, overprinted and digitally manipulated over a 250-year history of protest. It explores the stories behind these ‘attacks’ on money, taking the viewer on a whirlwind tour – from the French and American Revolutions, to the First World War, the Troubles in Northern Ireland and the Black Lives Matter movement. Defaced! has been curated by Richard Kelleher, who in 2018 received an Art Fund New Collecting Award that allowed him to build a collection of monetary objects related to conflict, revolution, dissent and war. “I was able to acquire over 650 objects in total, the earliest from 1745 and the latest from 2022,” he explains. “A significant chunk of this was a collection of politically defaced coins from the past 250 years, acquired over a period of 40 years. It would not have been possible for me to bring together this quantity and variety of material during the two-year collecting project, so this is important in terms of the exhibition, but also for future research.” The display celebrates the collecting project and its new acquisitions, while contextualising them with supporting artworks by the likes of James Gillray, kennardphillipps, Stik and Banksy. “People enjoy exhibitions in different ways, so reactions will vary,” notes Richard. “ Defaced! uses money objects to show how the state manipulates money in times of crisis – during THE FITZWILLIAM MUSEUM
GIGS
wartime, sieges, etc – and how the individual defaces money as a form of protest, messaging or a cry for help.” True to the disruptive nature of the objects on display, the exhibition space deliberately subverts our expectations of what a museum should look like. Created by theatre designer Tom Piper and architect Alan Farlie, the rooms of the exhibition provide a thematic backdrop. “The first room has a street feel, with concrete and scaffold poles, OSB board and graffiti, while the second has a gallery feel with a large central installation,” explains Richard. “The first section of room three feels enclosed and confined – in keeping with the idea of a siege or prison camp – and then opens up into a white cube gallery space beyond.” The exhibition even conceals some explosive surprises: “The real stand-out of the show for me has to be the Big Bang 2 project,” says Richard. “This was a project based in Walthamstow by artist Hilary Powell and filmmaker Dan Edelstyn that made money-like artworks. It raised funds for the four local causes depicted on the notes and helped to buy out local payday loan debt. I think I like it because it’s more than an artistic commentary on a societal problem; it provided a way to raise awareness, while doing something practical to alleviate the problem.” Defaced! is free to visit and open until 8 January 2023. To find out more or book tickets in advance, head to fitzmuseum.cam.ac.uk
ELEPHANT SESSIONS 1 DECEMBER
Cambridge Junction, 7pm, £19 DAFT FUNK LIVE 2 DECEMBER Storey’s Field Centre, 7pm, £13.20 ELIZA CARTHY & THE RESTITUTION 5 DECEMBER Cambridge Junction, 7pm, £29 JESCA HOOP 8 DECEMBER Storey’s Field Centre, 7pm, £20.35 THE TRIALS OF CATO 9 DECEMBER Cambridge Junction, 7pm, £18
MAKES THE WORLD GO ROUND Defaced! charts 250 years of money and protest in a unique way
16 DECEMBER 2022 CAMBSEDITION.CO.UK
10 DEC 3pm to 5.30pm Christmas FAIR Come with your family & friends to our Food, Games, Live music Tombola, stalls and much more! Bring your Christmas spirit! L'Alliance Française Cambridge presents
Saints' projects trust
1 red cross lane - CB2 0QU Tel: 01223 561 854
✧
✧
✧
CHRISTMAS THEATRE
✧
GET THIS CHRIMBO ON
✧
✧
✧
✧
MAKE YOUR CHRISTMAS SPECTACULAR WITH ONE OF THE MANY PANTOMIMES AND PAGEANTS POPPING UP AROUND CAMBRIDGE THIS FESTIVE SEASON, FROM FOOTLIGHTS TO DICKENSIAN CLASSICS
✧
✧
WORDS BY MIRIAM BALANESCU
✧ ✧
As Cambridge’s leading lady, Matt Crosby – Cambridge Arts Theatre’s ruling dame for nigh on 17 years – has all sorts of tales up his dress sleeves. “Stephen Hawking would come along every year and programme his computer to join in, which was phenomenal!” cries Matt. “He’d never be there at the start, but he’d always appear when I do my song. You’d see the chair surrounded by an entourage. The people you meet in Cambridge – it’s completely bonkers.” Among those in attendance include Mary Beard (‘she’s my celebrity crush’) and John Major, who, after a less savoury MP sat in the show, approached the cast backstage: “He apologised for the guy being in the audience,” recalls Matt. “We were like, we had no idea but thanks for letting us know. “It’s always the same faces now,” says Matt, who in his spare time tries his hand at carpentry (‘it’s a bit like Daniel Day-Lewis with shoes’). “That’s the reason why I come back to Cambridge every year – because I just love the people. I love the theatre, the vibe of the city. It’s a real family feel.” This year, the crew is setting sail with Dick Whittington and his Cat , partly set aboard a ship and following Dick as he arrives in London on the hunt for fame and fortune. With the full cast yet to be announced, Rolan Bell, who appeared in Morbius and Goodbye Christopher Robin , has been confirmed to star alongside Matt in the role of King Rat.
✧
“I don’t think Dick Whittington is that well known, but it’s my favourite,” declares Matt. “The slosh scene is a riot.” Taking place up on deck – which rocks back and forth – expect a lot of slipping and sliding. “The injuries that take place: oh my goodness me, the bruising! Oh, it’s wonderful.” A whole comical spectrum will be on show, from pantomime’s
hallmark slapstick, to the obligatory digs at today’s catastrophic politics. “There are certainly enough gags to go round this year, considering Number 10’s been a pantomime for the past three months,” Matt laughs. “Pantomime is about making light of the year.” Back in 2005, Matt had little inkling that he would become Cambridge’s prevailing pantomime dame. From a background in acting, he was nervous performing in front of university students and a stranger to the panto style. “To begin with, I didn’t really get it,” Matt recounts. “I knew I liked it. It would make me chuckle, but I didn’t get it. Talking to people in the audience when you’re stood on stage made me very nervous. It’s you on your own, speaking to strangers – or it was then.” Mentored by panto dame Brad Fitt, Matt eventually found his footing and has never looked back. “I keep hinting that it’d be lovely to get the key to the city, an honorary degree from Cambridge University, or just a parking spot instead of constantly parking in the Grand Arcade,” Matt laughs. That’s not to say nothing has changed. “Pantomime in some ways is a bit cleaner, for the better. It’s not
CAMBRIDGE ARTS THEATRE 1 DEC - 8 JAN
as scathing,” Matt explains. “I always thought that Cambridge was ahead of its time when it came to pantomime. The jokes are very clever. You’ve got a sensitive production team. You still have the naughty jokes, as long as they go over children’s heads!”
© RICHARD HUBERT SMITH
CAMBSEDITION.CO.UK DECEMBER 2022 19
✧
✧
✧
CHRISTMAS THEATRE
✧ ✧ ✧
’TWAS THE NIGHT BEFORE A CHRISTMAS CAROL
✧
TOWNLEY MEMORIAL HALL 16 DEC
Finding himself again in Fulbourn after last year’s performance of Under Milk Wood by Dylan Thomas, Olivier award-winning producer Guy Masterson will offer up his rendering of Charles Dickens’ festive ghost story A Christmas Carol on 16 December at 7.30pm. Using only a chair and a raincoat, Guy crowds the stage with the various characters which populate the grisly tale, from the malevolent Marley to the spine-chilling ghouls of past, present and future. With music from Robb Williams and a script by Nick Hennegan, this nostalgic yarn will light up the Townley Memorial Hall stage.
✧
✧
✧
✧
✧
✧ ✧
THEATRE ROYAL 25 NOV - 14 JAN
✧ ✧ ✧
(C)TOM SOPER PHOTOGRAPHY
ROUND ROBIN THE LEGEND OF ROBIN HOOD
✧
Stealing from the rich and giving to the poor, a Robin Hood romp will play out at the Theatre Royal in Bury St Edmunds from 25 November to 14 January. With Chris Clarkson returning to don the panto dame wig for his sixth year running, expect big laughs from local baker Little Joan. Craig Painting will star as the Sheriff of Nottingham – the arch-nemesis of Robin Hood, played by Samuel Knight. Also among Robin’s bandits is Major Maureen McTavish, played by Britain’s Got Talent semi-finalist Nerine Skinner. Find unlawfully fun musical numbers and tights aplenty, as the prince of thieves contends with the sheriff to save the people of Nottingham.
20 DECEMBER 2022 CAMBSEDITION.CO.UK
CHRISTMAS THEATRE
EDITION HEARS FROM THE CAPTAINS HELMING THE ANNUAL FOOTLIGHTS PANTO BEFORE IT SETS SAIL AT THE ADC
True to the Footlights’ hallmark inventiveness – plus the fact that, steered by students in their free time, this is purely a passion project – this year’s panto is packed with all the wit and wonder the creative team could muster. Three writers are behind the Christmas extravaganza, which puts a modern spin on this unshakeable theatrical tradition. Hand in hand with Treasure Island ’s modern transformation have come updates to the story. “It’s really nice in this setting, which is very family-friendly and open to all, that we are introducing things you may not see in normal panto,” reflects Hayley. “For example, we have a lesbian relationship, comments on class and social commentary.” ‘A story of community at its heart’, Hayley insists, Treasure Island is guaranteed to see audiences of great numbers, both students and locals alike. Aoife notes that this panto has the largest percentage of sales for any show in Cambridge throughout the year. “It’s the show that best intersects new writing and wholly devised-for-the-ADC stage productions,” she explains. “It takes a truly interesting script with messages and meaning – and is not solely an amalgamation of the usual panto tropes.” On why the pantomime is such a deep- seated custom, Aoife says: “One of the things that’s so interesting about pantomimes is they’re rarely about Christmas – or even winter – which is pretty wonderful. The end of November running into December is a time we all collectively associate with past memories, repeating traditions and being with family. Those messages are at the heart of pantomimes: togetherness and belonging.” These themes are at the core of the Footlights’ Treasure Island . For an evening of merriment, head to the ADC Theatre from 23 November to 3 December.
Synonymous with Cambridge’s theatre scene, the Footlights is responsible for an important part of Cambridge’s Christmas merrymaking. The Footlights Pantomime, bringing big laughs, improbable plot lines and just a sprinkling of magic, returns year on year to enchant audiences of all ages. “I’ve been really itching to get involved in storytelling for families and children, things to which a whole family goes together,” says one of this year’s directors, Aoife Pallister Begadon. “Having done many shows for adults over the last few years, I was really interested in going back to my initial experience in theatre, particularly something like the panto, which is such a British cultural experience.” This year’s show is Treasure Island , the classic Robert Louis Stevenson tale of pirates and their booty. Planting the story in the present day, this adaptation follows a group of schoolchildren on the geography trip of a lifetime. “I think panto, especially Cambridge panto, is a big responsibility,” adds fellow director
Hayley Canham. “It requires a lot more stamina. It’s a creative challenge. You have a huge production team and cast to grapple with – to lead, direct and helm.” Often bringing its own
brand of offbeat humour to bear on performances, the Footlights panto is wildly different to its monthly shows in terms of scale
and ambition. “This is not just a student
show,” says Hayley. “It should be accessible, welcoming and inclusive to anyone and everyone.”
ADC THEATRE 23 NOV - 3 DEC
CAMBSEDITION.CO.UK DECEMBER 2022 21
CHRISTMAS THEATRE
✧ ✧
✧
CAMBRIDGE JUNCTION 7-31 DEC
✧ ✧
✧ ✧
✧
BRINGING BELOVED TALE THE NUTCRACKER BACK WITH A BANG, MIRIAM BALANESCU SPEAKS TO ARTISTIC DIRECTOR OF THE JUNCTION’S CHRISTMAS SHOW, SARAH BLANC
Dance is at the fore for Moxie Brawl. Despite the plethora of Christmas stories out there, this made The Nutcracker an obvious choice. “It already has a physical language,” explains Sarah. “People associate it with movement. Also, it’s the kind of story people only ever pay around £30 or £40 to see, it’s only ever in massive opera houses done by massive companies. What if we did a version that’s in Cambridge Junction – a really gorgeous, accessible venue that welcomes everybody?” Sarah’s version sets out to be thrillingly subversive, remedying the sometimes gendered tropes of the original, as well as turning other aspects on their head. “What’s the opposite of ballet? Punk!” Sarah laughs. With music from Quiet Boy, The Nutcracker will of course include Tchaikovsky’s much-adored suite, though it will be a cover unlike any you’ve heard before. Her previous show, Punk Alley , exposed Sarah to the transformative potential of the genre. “It really awoke something in me, the style of music, the freeness of it,” she recalls. From dancing on tables to morph suits and wigs – courtesy of designer Kat Heath – expect riotous fun. “I really hope kids find their voices in the show,” concludes Sarah.
Telling of a little girl, a magical doll and a kingdom of sentient mice, ETA Hoffmann’s 1816 The Nutcracker and the Mouse King has, over the decades, become a Christmas classic. Adapted most famously into Tchaikovsky’s ballet and more recently Matthew Bourne’s bubblegum-coloured expedition to Candyland, nearly 200 years of reworkings make for a tough act to follow. Taking on the tale for this year’s Christmas show at the Junction, Sarah Blanc and her dance theatre company Moxie Brawl are set to perform a rollicking, riotous performance. “Our journey into Candyland goes down as more of an East London on a Saturday night kind of vibe,” Sarah asserts. “We were thinking about the parents just as much as the kids when creating the show.” Opting for a punk aesthetic and following a girl who breaks the mould, Sarah hopes her show helps kids that think they don’t quite fit in feel at home – something she found herself when Irish drama company Little Red Kettle visited her school: “That was my first experience of seeing theatre and going, ‘They’re my people. I want to be like them, I want to do that.’” Sensing a sore absence of diverse theatre groups in the UK incentivised Sarah to set up her own in 2014. “The stage needs to represent the world,” she declares. “What you get in dance, generally, is one body shape and one skin colour up on stage, but the world is very different to that. I’m a size 16 – my body shape is not a typical dancer – but I deserve to be on that stage and call myself a dancer and choreographer. “I need to say something about the world that’s going to shift my own perspective – and hopefully the audience’s – on how we see things or reflect on what we’re watching,” continues Sarah. “Working with a diverse group of people is the number one way of doing that, by bringing their experiences onto the stage.” The Nutcracker aims to embrace audiences of all demographics, with care taken to make the show as accessible as possible; a British Sign Language creative interpreter will be present and audio description will be displayed. This all-inclusive approach is taken even further by tempting audiences to become part of the performance. “If kids need to get up, move and dance, shake or make noises, they can,” enthuses Sarah.
22 DECEMBER 2022 CAMBSEDITION.CO.UK
CHRISTMAS LIGHTS
GLOW AND BEHOLD
© ENGLISH HERITAGE
ANGLESEY ABBEY Winter Lights: Nature by Night, Nature by Light – Anglesey Abbey’s biggest annual fundraiser – is back from 9 to 21 December. This year’s display features visuals and sounds inspired by The Lost Words and The Lost Spells books by Cambridge author Robert Macfarlane and artist Jackie Morris. Music from the Cambridge Folk and Jazz festivals will add a spring to your step, with warming fare in The Heritage Orchard to enjoy en route. FROM CITY CENTRES TO ESTEEMED ESTATES, SEE THE BEST ILLUMINATIONS IN CAMBRIDGE AND THE SURROUNDING AREA THIS WINTER WORDS BY ALEX FICE
ENCHANTED AUDLEY END Experience Audley End in a new light at its enchanting winter display, which will see the grounds transformed into a magical world of illumination, sound and colour. There will be plenty of festive fare, plus traditional fairground rides providing fun for all. Tickets are available on specific dates throughout December; head to english-heritage.org.uk to book your visit.
WINTER WONDERLAND Following the news that the North Pole will not return to Cambridge this year, Cambridge City Council has begun exploring opportunities for the city’s winter special on Parker’s Piece for 2023. This means there will be no Winter Wonderland this year as hoped; however, the council will use the break to review its options before making plans for next year. One key consideration will be its environmental impact – including carbon footprint and the effect on ground conditions – given the council’s commitment to becoming net zero by 2030. Watch this space!
GRAND ARCADE Each year the Grand Arcade is decked out in festive finery – a sparkling backdrop for Christmas shopping. Until 24 December, you’ll find a festive scene with a carolling reindeer, Christmas throne and enchanted letterbox; bring your gift list to post and you might get an answer from Santa! Mrs Claus will be appearing on 3, 10, 17 and 18 December for some storytelling, while the Grand Arcade’s Dinky Present Hunt, in collaboration with Dinky Doors’ secret artists, will run until 23 January.
24 DECEMBER 2022 CAMBSEDITION.CO.UK
CHRISTMAS LIGHTS
CAMBRIDGE CITY CENTRE Cambridge BID is pulling out all the stops to ensure our city streets sparkle this holiday season. “Cambridge is a wonderful place to visit at Christmas. The festive lights add a vibrancy throughout the city, making it a wonderful place to visit, shop, live and work,” says Becky Burrell, marketing manager for Cambridge BID. “The walk through Christmas trees in the Market Square and near the train station make wonderful photo opportunities – and the lights on Magdalene Bridge give a truly beautiful reflection on the River Cam.”
© RICHARD MARSHAM
WARESLEY PARK ESTATE The Christmas Courtyard at Waresley Park Estate combines the best of the holiday season, offering a selection of crafted gifts, festive fare and magical lights. Enjoy acoustic music as you explore the courtyard, where you’ll find various artisan makers before wandering down a hidden pathway to discover an illuminated water garden. In collaboration with foodPark, there will be sweet and savoury treats plus home-roasted coffee from Waresley Park Estate Coffee.
BURY ST EDMUNDS The foodie capital of Suffolk, Bury St Edmunds makes a great day trip from Cambridge – especially at Christmas, when the town is adorned with both lights and decorations. Pair your pilgrimage to see the lights with a trip to the market, which will be increasingly festive in the run-up to Christmas, with artisan gifts, regional produce, handmade bakes, craft ales and more.
WIMPOLE HALL A spellbinding sight awaits at Wimpole Hall, as its spectacular Christmas illuminations return! Running until 1 January, expect over a million twinkling lights including surprises around every corner. Discover tunnels of light, walk under giant baubles and magnificent trees dripping with multicoloured glow. You might even catch a sight of Father Christmas along the way! Among new installations is In Bloom , by London-based art collective ToyStudio – a beautiful star- like light that casts intricate shadows across the surrounding landscape. Other highlights include a huge heart-shaped tunnel with over 1,000 pea lights, a snowflake walk, giant reed-shaped neon plants and Floraison, which features hundreds of poppy-shaped flowers suspended in the trees. Independent street food vendors will be on hand to offer deliciously tempting treats, including spiced winter warmers, hot chocolate and toasted marshmallows.
PETERBOROUGH CITY CENTRE
Pay a visit to Peterborough to see the city bedecked in shimmering lights. In the Cathedral Square, you’ll find a majestic Norway Spruce Christmas tree, while the city centre plays host to an indoor ice rink – a highly anticipated new addition for the festive season!
CAMBSEDITION.CO.UK DECEMBER 2022 25
LOCAL LIFE
Mill Road Winter Fair Returns! QUALITY STREET A CELEBRATION OF LOCAL CULTURE AND TALENT,
MILL ROAD WINTER FAIR HAS HERALDED THE START OF CHRISTMAS IN CAMBRIDGE SINCE 2005 – HERE’S WHAT TO EXPECT THIS YEAR
performers in Cambridge, and this year is no exception. Live music hotspots include Ditchburn Place, St Barnabas Church, the Argyle Street Housing Co-operative and the area around the Salisbury Club – but you’ll also find buskers, circus performers, dancers and storytellers along Mill Road throughout the day. Look forward to an enthralling line-up of experiences, beginning with a fire engine pull from East Road to Mill Road Bridge at 10.30am. At midday, don’t miss the marching band parade – a true Winter Fair staple – which will see young people from the area bring the streets to life with live music and dancing. The day’s festivities will conclude with a performance by Arco Iris, a local samba band that was one of the first acts to ever perform at Mill Road Winter Fair. As well as welcoming back regular and much-loved partners such as Cambridge Hands-On Science, the University of Cambridge Museums and Cambridge 105 Radio, there will also be some new additions to look out for in 2022. This includes a full day of film screenings at the ARU Drama Studio at the end of Covent Garden, as well as group yoga sessions at the newly refurbished Salvation Army Centre on Tenison Road. Run entirely by volunteers and supported by the charity Love Mill Road – set up in 2019 to fund projects in the neighbourhood that tackle inequality, enhance the environment and support local arts and culture – the Winter Fair perfectly encapsulates the community spirit that’s an integral part of Mill Road’s heritage. It’s also the ideal way to kickstart the merriment of the month of Christmas – a festive treat not to miss.
ill Road has been at the centre of a thriving Cambridge neighbourhood
since the Victorian times, when relatively cheap housing and plentiful work enticed railway workers and migrants to settle in the area. Today, this multicultural heritage is evidenced in the wonderful mix of shops and independent businesses that give the road its unique character. Mill Road Winter Fair offers local shopkeepers, business owners and charities the opportunity to take to the streets and share Mill Road’s rich community spirit with locals and visitors alike. Forced to take a two-year hiatus during the Covid-19 pandemic, the fair returns on 3 December and is set to be a stellar event in this year’s Christmas calendar. “It’s so encouraging to once again be able to celebrate this iconic event that plays such an important role in the local community and Mill Road’s culture,” says committee member Kirsty. “We are really looking forward to welcoming back lots of familiar events, faces and sounds, as well as some exciting additions.” True to its roots, this year’s Winter Fair will see community centres, mosques, churches, cafes, pubs and shops throwing wide their doors to serve hot food, mulled wine and festive activities for all ages. A selection of over 100 stalls will offer tasty treats, as well as unique and sustainable gifts – making the fair an ideal destination for blitzing your Christmas shopping. On Donkey Common and Petersfield Green, expect to find an assortment of craft and food stalls – along with a mysterious, meditative labyrinth! Mill Road Winter Fair is known for spotlighting some of the best live
It’s encouraging to once again be able to celebrate this iconic event
SOMETHING IN THE AIR Mill Road Winter Fair is an energetic community celebration, attracting thousands of visitors to the bustling street. Pop along for great food, entertainment and stalls
CAMBSEDITION.CO.UK DECEMBER 2022 27
STREET STYLE
Cambridge PHOTOGRAPHER MARK BOX SHARES SOME OF HIS FAVOURITE PORTRAITS FROM THE STREETS OF CAMBRIDGE THIS MONTH – CAN YOU SPOT ANYONE YOU KNOW?
Life is about experiences and joy! Be like this human, try not to take life too seriously… you might have some fun on the way!
Just loved the energy emanating from this
Humans of Cambridge is an Instagram photoblog by local photographer Mark Box. It began as a ABOUT THE PROJECT lockdown project and has turned into a sensation, featuring an ever-growing number of Cambridge’s colourful characters on the @humanofcambridge grid. Mark is out most days snapping, and can usually be found in the Market Square, on King’s Parade, Burrell’s Walk and Garret Hostel Bridge – your best bet for being papped is to head out around lunchtime wearing something suitably eye-catching!
colourful, happy human! Rockin’ those curls!
Socks and sandals may not be everyone’s cup of tea, but when you’re looking as smooth as this human, who cares? Also, sweet jacket!
28 DECEMBER 2022 CAMBSEDITION.CO.UK
STREET STYLE
I took Carmen’s portrait back in 2021. I love her striking features – she’s also pretty cool!
Don’t worry, he’s not a real vampire! This human was on his way to audition for a part in a play, so why not look the part? Hope you got it!
Flower power, a mighty tache and a wicked pair of Crocs!
I love humans who express their personalities through the medium of fashion. Yellow – representing optimism, hope, creativity, joy and happiness – is definitely this being’s colour
CAMBSEDITION.CO.UK DECEMBER 2022 29
SCREEN TIME
Merry MOVIES THE BAND PLAYS ON EMBARK ON SOME CINEMATIC MAGIC WITH THE LONDON FILM MUSIC ORCHESTRA – MIRIAM BALANESCU MEETS THEM AHEAD OF THEIR ELY CATHEDRAL PERFORMANCE
FROM SMALL TO BIG SCREEN, HERE ARE YOUR CHRISTMAS ESSENTIALS
movies and great soundtracks. So people are really fascinated to see how this music becomes live.” Many of Rossi’s roster of talented musicians came on board in 2016 and 2017, fresh from the halls of the Royal Academy and Guildhall School. “It’s a very colourful, nationality-wide orchestra, which is great,” Rossi enthuses. “Everybody contributes with their own musicianship.” The orchestra joined forces with Mega Events earlier this year and have now taken their blockbuster sound to a new level. “We’ve done so many concerts in the past, but now it’s completely different,” explains Rossi. “We have a whole team behind us. It’s much more responsibility, with bigger audiences, and more exposed. So, we were excited for the very first concert with Mega Events at Clapham Grand.” Music is not the orchestra’s only strength; a concert promises a visually enthralling experience, with their usual Hans Zimmer repertoire coming complete with a luminous moon looming overhead. For their Christmas movies concert, London Film Music Orchestra will be lit up instead by hundreds of candles surrounding the stage. “Christmas is for families,” says Rossi. “For me, what’s special is when everything is a bit gloomy, then you have lights and candles. You put on your favourite movies and it’s nice and cosy. Those winter movies for me are Lord of the Rings , The Chronicles of Narnia or Frozen . “Our repertoire is a great mixture,” Rossi continues. “I am yet to see what will happen. But that’s how I’ve done my concerts in the past – a nice mixture so that it’s suitable for everyone. Not everybody loves old jazz or loves Christmas carols. We’ve put in a little bit of everything, so we can make it a nice, bright and shiny Christmas programme.” Christmas at the Movies by Candlelight will be at Ely Cathedral on 17 December
e all have our favourite Christmas films, from the snowy scenes of White Christmas to the
iconic placard-accompanied carolling of Love Actually . Aside from watching back Christmas classics, one great way to re-immerse yourself is to listen to their soundtracks. And what better way than experiencing a full, live orchestra? In 2014, London Film Music Orchestra was founded by two sisters – Rossi Dusheva and Ivelina Dusheva-Martial – to bring the wonder of music from the screen to live audiences. “We started playing in beautiful churches around the area of Notting Hill and Chelsea,” recalls Rossi. “Eventually, we stepped into the bigger theatres and bigger concert halls.” A classical pianist who trained in Paris and Glasgow, Rossi has now taken over the orchestra. Though she hasn’t abandoned the classical world altogether, what enticed her about film music is its unique potential. “It’s a little bit different, and for the wider audience,” she says. “There are a lot of film music lovers nowadays, and so many great
CHARLOTTE Keira Knightley is the voice behind Charlotte Salomon, the German-Jewish painter coming of age on the brink of World War II
in this stunning animated drama. Where to Watch: UK cinemas Release: 9 December
GUILLERMO DEL TORO’S PINOCCHIO
The mighty Guillermo del Toro spins his own fantastical version of the well-known fairy tale, with Ewan McGregor voicing the charismatic Cricket. Where to Watch: Netflix When: 9 December
HOOKED TO THE SILVER SCREEN Rossi Dusheva’s London Film Music Orchestra are bringing Hollywood’s greatest hits to Ely Cathedral for a candlelit concert this December
30 DECEMBER 2022 CAMBSEDITION.CO.UK
Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100Powered by FlippingBook