Brand new issue out now! The brand new issue of Photography News is out right now and packed with news of the latest kit, tests and reviews of cameras, lenses and lots more. Plus a mega Christmas Gift special to help you choose the presents you’d really like. We’ve got inspirational images from some of the UK’s best camera clubs and from international contests like the long-running and influential Oskar Barnack Awards. With full tests on the Hasselblad flagship X2D II and Sony FX2 as well as a trio of super-fast Sigma lenses, it’s a treat for keen photographers and content creators everywhere.
ISSUE 124 18 NOV-12 JAN 2025
@photonewspn photographynews.co.uk
Your free newspaper packed with the latest news, views and stories
Bladdy brilliant! We test the Hasselblad X2D II 100C, which rips up the rulebook
Special FX The Sony FX2 might be the best content creator camera
Speedy Sigmas Superfast 12mm, 135mm and 200mm lenses all tested
Gifts galore! Your Xmas prezzies sorted in our festive guide to top treats
Page 30
Page 35
Pages 42-46
Page 25
It’s our tenth annual kit and service awards. Time’s running out so have your say now! Get voting!
READ MORE ON PAGE 17
Canon raises the bar Brand-new EOS R6 Mark III and affordable 45mm f/1.2 prime set a new standard
Canon has come out all guns blazing in a bid to dominate
Type B card. Additionally, a clever pre-continuous shooting mode captures 20 frames before the shutter is pressed. Canon’s famous Dual Pixel CMOS AF also benefits from a huge upgrade and can track people, animals and vehicles. The R6 III uses the same sensor as the recent EOS C50 hybrid cinema camera and retains the majority of its video specs, but adds in-body image stabilisation. As a true high-end hybrid, the R6 III offers 7K Raw Light video at
up to 60fps in a full-sensor open gate format, which gives users greater flexibility for cropping, stabilisation and output options for social media. Also new is Canon’s RF 45mm f/1.2 STM lens, a surprising £479, less than a quarter of the price of the flagship 50mm f/1.2L USM optic. Weighing just 346g, it’s the company’s lightest ever f/1.2 prime lens, featuring an STM autofocus motor and a nine-blade aperture for smooth bokeh. READ MORE ON PAGES 4 AND 5
the enthusiast and professional photo markets with the brand- new full-frame EOS R6 Mark III mirrorless and an affordable 45mm f/1.2 standard prime lens. In response to calls for a camera packing higher resolution, faster autofocus and frame rates, and uncompromised video spec for hybrid shooters, the R6 III is not just an upgrade from the older 24-megapixel Mark II version but is designed to be best in its class.
The £2799 newbie includes a recently developed 32.5-megapixel full-frame sensor, an electronic- shutter burst rate of up to 40fps and a huge buffer of up to 150 Raw frames, thanks to the CFexpress
ISSUE 124
2
@photonewspn | photographynews.co.uk
NEWS / 3
LIGHT SHAPERS Aputure’s smart, speedy diffusion
FROM THE EDITOR
It’s fascinating to see how far Canon has come in blurring the lines between stills and video cameras. Nowhere is that clearer than with the launch of the new EOS R6 Mark III and its sibling, the EOS C50. On paper, they share the same sensor, image processor and core technology. In practice, they serve different audiences. The R6 III is built for stills shooters who want to film professional-quality video. The C50 is a compact Cinema EOS camera for content creators who often need to shoot stills without switching cameras. It’s a strategy most camera brands are following and, despite a few diehard stills-only shooters, reflects the way many of us now work. The line between photographer and filmmaker is becoming increasingly blurry, especially among professionals since clients expect both stills and moving images. Also in the mix is the growing band of content creators who expect hybrid gear that performs seamlessly, whether it’s a high-megapixel burst of action or a 10-bit 4K sequence at golden hour. By developing parallel models built around the same imaging heart, Canon acknowledges that hybrid creativity means choice not compromise. Each camera is tuned for its core task. That’s ergonomics, codecs and cooling for the C50 versus compact handling and IBIS for the R6 III. Together, they show how one impressive piece of sensor technology can power two very different creative tools – a true convergence of Canon’s photographic and cinematic DNA.
Aputure has released refreshed versions for two of its best-loved LED diffusion systems, offering faster set-up and greater flexibility. The new Quick Domes are fast- assembly parabolic softboxes available in three sizes – 90cm, 60cm and 40cm – that can be assembled or collapsed in seconds thanks to a robust, quick- click frame and integrated handle. The larger domes use a Bowens mount, while the 40cm version employs a Mini Prolock mount for the Storm 80c. All three include removable diffusion, a light control grid and a carry bag. The Storm 80c three-light kit now includes the Quick Dome 40 as standard. Latest lighting upgrades make life far easier for content creators
The Infinimat line has been upgraded with a new clear airbag design and interchangeable diffusers. Optional collapsible frames with swappable diffusers provide greater versatility, and replacement airbags are available for current owners. No prices have yet been announced. aputure.com
UPGRADE PATH New softbox attachments for Infinimats (above) and fast-action
Quick Domes (below), both from Aputure
Editor
EDITORIAL TEAM Editor Adam Duckworth adamduckworth@bright.uk.com Editorial director Nicola Foley nicolafoley@bright.uk.com Chief sub editor Matthew Winney Junior sub editors Tabitha John & Kezia Kurtz Contributing writer Jess Hurley ADVERTISING TEAM Sales director Sam Scott-Smith 01223 499457 samscott-smith@bright.uk.com DESIGN TEAM Design director Andy Jennings Design & ad production Carl Golsby and Holly May DISTRIBUTION Distribution and subscription manager Phil Gray philipgray@bright.uk.com PUBLISHING TEAM Managing directors Andy Brogden & Matt Pluck As well as your local camera club, you can pick up Photography News in-store from: Cameraworld, Castle Cameras, Jessops, London Camera Exchange, Park Cameras, Wex Photo Video, Wilkinson Cameras
Photography News is published 6 times a year by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior
written permission of Bright Publishing Ltd. Photography News is
a registered trademark of Bright Publishing Ltd. The advertisements published in Photography News that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. While Bright Publishing makes every effort to ensure accuracy, it can’t be guaranteed. Street pricing at time of writing is quoted for products.
LAOWA POWER Seeing double with superfast 200mm It’s taken 21 years for any new
200mm f/2 AF lens to hit the market, and now there are two! Hot on the heels of the Sigma version, which we also test in this issue, Laowa has revealed its own. While the £2999 Sigma is made for mirrorless in Sony E and Leica L mounts, the full-frame Laowa 200mm f/2 AF FF comes in Sony E, Nikon Z – and also Canon EF for DSLR diehards. That version will cost $1799, while the mirrorless variants are $1999. No UK price has yet been revealed. The Laowa version is around 100g lighter and 30mm shorter than the Sigma, and the mirrorless versions come with a built-in 43mm
ISSN 2059-7584
When you have finished with this newspaper, please recycle it Photography News is a member of TIPA (Technical Image Press Association)
Follow us:
@photonewsPN
filter holder. The Sigma has a more advanced optical build and more iris blades for smoother bokeh. venuslens.net
CLONE WARS Laowa joins
Sigma in the fast 200mm f/2 club
ISSUE 124
4 / NEWS
MILESTONE MIRRORLESS Why Canon’s EOS R6 III really matters This full-frame mirrorless all-rounder has the makings of an all-time great
The history of digital photography has seen a few
leap, making it a tempting upgrade for event, portrait and wildlife shooters who need high performance. It’s the same sensor as in the EOS C50 hybrid cinema camera, but instead of losing video features the R6 III keeps the majority of them. Speed is still a major focus on the R6 III, which maintains an electronic- shutter burst rate of up to 40fps and supports 12fps with the mechanical shutter. Add support for CFexpress Type B cards and UHS-II SD, plus a deep burst buffer reportedly up to 150 Raws with CFexpress, and you have a stills shooter built for serious intent. It’s an ideal buy for sports and wildlife shooters, all aided by a pre-continuous shooting mode that captures 20 frames before the shutter is pressed. Autofocus has also received major upgrades. Canon’s Dual Pixel CMOS AF now brings more refined subject recognition algorithms that track people, animals and vehicles, and supports pre-registrable faces for priority tracking: a real boon for wedding, sports and documentary shooters. The system is designed to be just as effective in video as in stills. In terms of video, the R6 III makes an impressive leap. It now supports 7K Raw Light recording at
landmark cameras that made a real impact as they moved the needle in terms of performance and usability. Take the EOS 5D Mark II with its full- frame HD video or the Sony A9 with its blackout-free stacked sensor, for example. Now, it seems like the Canon EOS R6 Mark III could be joining them as it promises a lot for stills and video users, with no obvious compromises. It’s more than an upgrade to the already impressive R6 II, as it has a boost in resolution, focusing, shooting speed and video spec that Canon says its customers were begging for. In many ways the spec is better than most rivals – and at a competitive £2799 body-only price. That’s sure to tempt professional image makers, content creators and lots of enthusiast photographers. Sat between the R6 II and high- end R5 II, this camera signals a clear intention from Canon to bridge the gap between photo and video in one body. At the heart of the R6 III is a newly developed 32.5-megapixel full-frame sensor, replacing the 24-megapixel unit of its predecessor. This bump in resolution offers better cropping flexibility and image detail without sacrificing speed. Canon claims a big
up to 60fps in a full-sensor open gate format, giving filmmakers greater flexibility for cropping, stabilisation and multi-aspect output. Additionally, oversampled 4K/60p, 4K/120p and Full HD in 180p slow-motion options are all supported, making the camera capable for serious video work. It also has professional features like waveform monitoring, metadata tagging, HDMI output and better stabilisation claimed to be up to 8.5 stops. From a workflow standpoint, the R6 III continues the trend toward a
multi-use hybrid camera. Connectivity includes 2.4/5GHz Wi-Fi and Bluetooth 5.1, with a refined user interface and ergonomics that will feel familiar to Canon shooters. The body maintains Canon’s strong build quality, weather sealing and intuitive controls, ensuring that it works in real-world, professional scenarios. It’s tough to spot any features or specifications it lacks compared to rivals. This is a do-it-all camera, high resolution and unashamedly stills-first but with uncompromised video spec, that will be very popular.
NO APOLOGIES The latest EOS has most of the video spec from the Cinema line C50, including open gate, but also adds IBIS
@photonewspn | photographynews.co.uk
NEWS / 5
Quick snaps
How the new Canon is set to outgun the rest
The EOS R6 Mark III signals Canon’s acknowledgment that photography and videography are no longer separate silos and many creators expect one body to do both. The new EOS delivers on this with serious specs and functionality in one package. Secondly, it offers big upgrades in areas where its predecessor was already strong: resolution, autofocus, video, card formats – all wrapped into a capable frame that doesn’t demand the flagship price tags of the ultra-professional models. For many users, it hits the sweet spot. It’s also a strategic move in Canon’s line-up. By upgrading the R6 series so aggressively, Canon ensures that its mid-tier mirrorless block remains competitive against key rivals such as the Sony A7 IV, Panasonic Lumix S1 II and Nikon’s Z series offerings. With many hybrid shooters, freelancers, content creators and wedding or event professionals looking for versatility over ultra-high-end spec or cinema-only models, the R6 III may be a go-to recommendation. Of course, no camera is perfect. Some users may question why the sensor isn’t stacked for pure speed or why it’s not Dual Base ISO, for example. But for what it offers – speed, reliability, hybrid workflow and a full feature set for stills and
Float on Zoom Zoom’s Instamic Pro Plus C is the world’s smallest waterproof 32- bit float recorder. It has 135dB SPL handling, IP67 waterproofing, built-in timecode, Bluetooth control and 4.5 hours of battery life. It also doubles as a bluetooth mic for action cameras. sound-service.eu 1
Adobe’s AI frenzy
2
motion – the R6 III stands out as one of the most-rounded choices in the full-frame mirrorless field. If you are a photographer who shoots video, or a filmmaker who still wants uncompromised stills capability, the Canon EOS R6 Mark III deserves serious consideration.
Although the EOS R6 Mark III might be hogging the headlines, perhaps the biggest news of all for Canon users is the new 45mm f/1.2 STM lens at a shockingly affordable price of just £480. This is the answer to those who have yearned for a fast standard lens but were put off by the huge bulk and sky-high price tag of models like the £2450 50mm f/1.2L USM optic. Of course, some compromises have been made when compared to the L-spec pro lens, such as a lack of hardcore weather sealing, slower AF motors, a less complex optical design as well as nine aperture blades instead of ten. The pro version can also focus 5cm closer. But you still get the wafer-thin depth-of-field and blurry bokeh, as well as low-light performance. Weighing just 346g, it’s Canon’s lightest f/1.2 lens to date, features an autofocus stepping motor, nine- blade aperture and focus breathing correction compatibility, making it ideal for both stills and video. With a minimum focus distance of 45cm and a 67mm filter thread, it’s a practical, everyday creative tool that’s bound to sell like hot cakes! Enthusiast prime is fast and affordable It balances the demands of both disciplines, delivers meaningful upgrades and positions itself as a future-proof hybrid tool for the creative. Canon is redefining what a mid-tier full‐frame camera can do in the hybrid age. canon.co.uk
An update to the Creative Cloud suite debuts Firefly Image Model 5, enabling native four-megapixel image generation and prompt-based edits without upscaling. Workflows include ‘Assisted Culling’ in Lightroom to filter images by focus, angle and sharpness. adobe.com
3 Ultimate toy For a photographer with everything, there’s a camera car built by Porsche, based on the 718 Boxster S. Made for close-ups of moving cars on a track by Porsche engineering apprentices, it’s not officially for sale, but they might make you one if you ask nicely… porsche.com
4 Spyder upgrade Datacolor’s new Spyder Pro software redefines display calibration with pro-level tools. It supports ultra-bright 12,000-nit displays, 3D LUT export and side-by-side content simulation. Integration with the Light Color Meter ensures adaptive ambient calibration. datacolor.com/spyderpro
ISSUE 124
6 / NEWS
Panasonic’s stylish Lumix S9 full- frame camera just got a bold new Colour choice for Lumix S9 range stickers and a personal thank-you note from the designers – a nice touch for collectors and fans alike. At £1199 for any of the kits, the S9
time recognition autofocus with PDAF and image stabilisation with up to 6.5 stops of shake correction. Panasonic has also unveiled a series of updates for its Lumix ecosystem. The Lumix Lab app gains a new AI-powered Magic LUT feature that creates custom colour profiles from any image to use across cameras and smartphones, and
the Lumix Flow app now supports the S5 II, S5 II X and GH7, adding multi-device connectivity, improved live view and vertical UI support. Firmware updates for cameras and lenses improve autofocus, start- up times, Bluetooth connectivity and focus ring customisation. panasonic.com
PANASONIC PANTONES The mirrorless range comes in even more colourways
look with three fresh colourways – Jet Black, Smokey White and Ocean Blue – plus a limited-edition Titanium Gold version that’s sure to turn heads. The Titanium Gold edition ships as a premium kit, complete with an exclusive strap, limited-edition
remains Panasonic’s most compact full-frame camera to date, tipping the scales at just 403g. Despite its size, it’s packed with pro-level tech such as a 24.2-megapixel CMOS sensor, real-
A camera that belonged to the late Pope Francis is heading to auction. His Holiness’ Leica M-A with Noctilux lens is under the hammer at the 47th Leitz Photographica Auction to raise funds for charity on 22 November in Austria. Finished in silver chrome and wrapped in angelic white leather, the Blessed be thy frame camera is engraved with the Keys of Peter, the Vatican coat of arms and the Pope’s motto ‘Miserando atque eligendo’ which means ‘Lowly but chosen.’ The set even bears Roman numerals marking the year it was made: AD MMXXIV. leica-camera.com
Benro flies in with Cyanbird kit
Benro has expanded its Cyanbird series with the launch of two Pro Hybrid photo/video tripod kits, the brand’s most travel-friendly yet. Each kit uses the FS20PROC501 hybrid head, pairing the precision of a ball head with the fluid movement of a video head. The inverted ball design and spring-assisted tilt and pan system deliver smooth movement, while the dual 501 and Arca plate compatibility ensures it can be used with mirrorless and DSLR set-ups. With a maximum height of 160cm and a split centre column for low-angle
HEAVENLY LOT A unique Leica kit made for the late Pope Francis is up for auction
shooting, the Cyanbird Pro costs £260 for aluminium, £350 for carbon fibre or £130 for the head alone. benroeu.com
OM shoots for the stars
The E-M1 Mark III Astro is a special- edition Micro Four Thirds camera that’s purpose-built for astrophotography. Only available via OM System online stores, the £1899 kit has two body-mount filters – the BMF-LPC01 light pollution filter and BMF-SE01 soft filter – mounted inside the body between the lens and sensor. These can be bought separately for £259 and £179. This tuning enhances the capture of vivid red nebulae that are invisible to the naked eye. Combined with OM System’s computational High Res Shot mode, it facilitates ultra-detailed, low- noise captures of deep-sky objects. The OM System E-M1 Mark III Astro also features Starry Sky AF, Live
Composite for star trails and full USB power compatibility for long nights spent under the stars. Pair it with any M.Zuiko lens – or even a telescope – and it’s ready to turn celestial wonder into wall-worthy art. explore.omsystem.com
@photonewspn | photographynews.co.uk
ADVERTISEMENT FEATURE / 7
Give the gift of creativity MPB’s expertly checked used cameras and lenses
Click here to buy kit with MPB
For photographers and filmmakers, the best Christmas gifts spark creativity rather than clutter. A used camera or dream lens you’ve always wanted makes the perfect festive present and, by purchasing through MPB, they all come with quality assured. Whether it’s helping a budding photographer upgrade or giving a content creator the video gear on their wish list, buying used is a way of giving better. With MPB, you can do something good for your art, budget and the world around you. MPB’s mission is to keep great gear in circulation and help tomorrow’s image makers progress, rather than it being hidden away in cupboards. Serving the UK, US and EU, MPB has become the go-to destination for photographers who value sustainability as well as quality and value for money. make it simple to find the perfect present for any photographer while saving money
Buy smarter to shoot better Whether you’re looking for the perfect Christmas gift for a fellow creative or treating yourself to a long-awaited upgrade, MPB’s easy-to-use website makes it simple to find exactly what you need. You can search by individual brands for a specific camera or lens you want, or browse to see what grabs your attention. Dig even deeper and the model overview section provides information on the model itself, exploring its history, performance and specialities. Here you can view the specifications of the item, including its performance, weight and more. Every item is individually photographed and includes any observations made by the specialist product team at MPB, who check each item individually, as well as the cosmetic condition and shutter count, if applicable. You can see which accessories each item will include, such as the battery and charger. Since all items are used, the accessories vary from listing to listing and will not affect the overall condition grading of the product itself. The result is tested, MPB-approved gear that’s ready to go – often with savings of up to 35% compared to new. And MPB gives you complete peace of mind with a 12-month warranty and no hidden surprises. You know exactly what you’re getting. Here to help Buying the right kit can be a big decision, and MPB is here to help by providing first- class customer service. Receive support by speaking with an expert via email or live chat, or through the website’s help centre. This is a go-to resource for everything related to buying and selling, with a wide
collection of articles covering general information, important guidelines and policy updates to keep you informed. Whether you’re a first-time user or a seasoned buyer or seller, these detailed guides will walk you through every step of the process. And if you want to trade in old equipment, MPB allows you to get an instant quote. It’s much easier to access high-quality used kit at better prices, with standout service. The trusted way to buy used MPB is not only the largest global platform for buying, selling and trading used camera kit, but is committed to transparency, trust and secure shopping. Customers receive tracking updates by email once an order has been dispatched. If you register for an account, you can track orders, download invoices and manage your purchase history. No wonder MPB is rated Excellent on Trustpilot with more than 51,000 reviews. Nobody wants to get a nasty surprise, especially when it comes to a festive gift. That’s why MPB is not only the best choice when it comes to upgrading kit and saving money, but it takes the worry out. It’s the smart, sustainable and secure choice.
FESTIVE FOCUS Find the ideal gift for the image maker in your life this season with MPB. Choose from compact options like the Sony RX1R III (above) or Fujifilm X-T5 (below)
m pb.com
ISSUE 124
8 / ADVERTISEMENT FEATURE
New perspectives: time to go beyond your kit lens Looking to move on from your starter lens? Check out these affordable X Mount options from Fujifilm that will transform your photography TAKE IT ANYWHERE A lightweight pancake prime like the FUJINON XF23mmF2.8 R WR is ideal for carrying around in urban environments
These days, it’s easy to feel spoiled for choice when looking for X Mount optics. However, a Fujinon lens guarantees you seamless autofocus integration and the tactile design philosophy and outstanding optical performance that made you pick an X Series camera in the first place. Drawing on decades of expertise in cinema and broadcast optics, Fujinon lenses deliver professional image quality in compact, beautifully made packages. Read on for some suggested starting points. Pancake lenses For portability, a pancake lens is a great option that prioritises a compact build. The newest addition to the range, the £399 FUJINON XF23mmF2.8 R WR is a weather-resistant pancake prime with a full-frame equivalent focal length of 35mm. At 90g and 23mm, it’s ideal if you want your system to be as small as possible while maintaining excellent image quality and autofocus performance. Alternatively, the £419 FUJINON XF27mmF2.8 R WR offers a slightly longer focal length (a full-frame equivalent of 41mm), but with the same compact and weather-resistant build style at just 23mm in length and around 84g in weight. Compact primes For those who want to explore new prime perspectives, these small, lightweight and affordable Fujinon lenses offer a variety of focal lengths that open up exciting, new creative opportunities.
The £169 FUJINON XC35mmF2 is a fantastic option for your first foray into prime lenses, delivering excellent image quality, fast AF and a wide f/2 aperture in a 130g form, which lets you experiment in lower-light settings and achieve a dreamy bokeh effect in out-of-focus areas. Offering the same 53mm equivalent focal length but with a robust metal build is the £389 FUJINON XF35mmF2 R WR. At 170g, it’s compact and lightweight, as well as adding a tactile aperture ring and weather-sealed construction so those who anticipate tough conditions are covered. Telephoto lenses For those seeking a new point of view, a longer lens opens up a whole realm of possibilities, compressing compositions and revealing details of distant subjects. The £349 FUJINON XC50- 230mmF4.5-6.7 OIS II delivers amazing utility for such a lightweight lens. At just 375g, it pairs well with your existing kit lens for brilliant coverage in a portable set-up. Stretching from 76 to 350mm (full-frame equivalent), this zoom includes an Optical Image Stabilisation (OIS) system to steady your images while working handheld. For even more reach, the FUJINON XF70-300mmF4-5.6 R LM OIS WR offers an astonishing full-frame equivalent focal range of 107-457mm, as well as full professional specifications, including an ultra-fast linear motor for improved AF, up to 5.5 stops of OIS and a fully weather- sealed body for £749.
NIGHT FEVER A fast-aperture lens will help when light levels start to drop The £349 wide-angle FUJINON XF16mmF2.8 R WR matches the build quality and spec of the XF35mmF2, but with a 24mm equivalent focal length – excellent for landscapes, interiors, architecture and astrophotography. The £429 FUJINON XF23mmF2 R WR bridges the gap between the XF35mmF2 and XF16mmF2.8, and offers the same 35mm full-frame equivalent perspective as the fixed lenses on Fujifilm’s X100 camera range. A versatile option that’s perfect for street, travel and more. Standard primes If your current lens collection only consists of the zoom your camera came with, a great first step is to get your hands on a standard prime. These lightweight optics offer a natural field of view, typically feature wider apertures than what’s offered by a kit lens and will introduce you to a new style of framing your images.
RAISE YOUR GLASS From fast primes to portable pancake lenses and wide-range zooms, lenses make a great investment
fujifilm-x.com
@photonewspn | photographynews.co.uk
NEWS / 9
Sigma pushes boundaries with fast full-frame glass
The Sigma Art line expands once again with the 35mm f/1.2 DG II prime and the groundbreaking 135mm f/1.4 DG – tested this issue. The £1299 35mm f/1.2 DG II Art is a successor to the 2019 version, the world’s first 35mm mirrorless prime
with such a fast aperture. Launched for Sony E-mount and L-Mount, the new version has sharper optics, faster autofocus and is smaller by around 30% in weight and 20% in length. A new floating focus system enables the size while minimising focus breathing.
Dual HLA motors drive the autofocus and a mix of aluminium, magnesium alloy and TSC composite make up the lens. Controls include a lockable, declickable aperture ring, an AFL button and a focus mode switch. sigmauk.com
SHOT THROUGH THE ART The 35mm prime boasts a fast f/1.2 aperture
Ten times stretch for £799 lens The new 20-200mm f/3.5-6.3 DG Contemporary lens from Sigma is the first 10x zoom lens starting at an ultra- wide 20mm for full-frame mirrorless cameras. Available in both Sony E-mount and L-Mount versions for £799, its maximum magnification ratio of 1:2 between 28mm and 85mm even brings half-macro shooting into play. This highly portable lens weighs just 550g and measures 115.5mm in length and 77.2mm in diameter. Practical touches include a zoom lock switch to prevent lens creep, a dust- and splash- resistant structure, and oil- and water-repellent coatings. Sigma’s engineers have also worked to minimise flare and ghosting, especially when used in strong backlight.
Tamron marks anniversary with wider superzoom
Nanlux has unveiled the first eight- colour light technology, Nebula C8, along with two new fixtures in its Evoke family that use it: the 600C and 150C. The Nebula C8 integrates deep red, red, amber, lime, green, cyan, blue and indigo emitters, extending beyond traditional RGBW/RGBWW engines to deliver richer skin tones, deeper reds, true indigos and a 1000–20,000K CCT range with ±200 green-magenta adjustment. Powered by the new tech, the £1080 Evoke 150C has an all-in-one 150W body weighing just 2.65kg. Delivering 22,230 lux at 1m/5600K with a 45° reflector, it runs on mains, V-Mount batteries or USB-PD power. For big projects, the £2580 Evoke 600C Nanlux to the power of eight
Tamron has launched the 25–200mm f/2.8-5.6 Di III VXD G2, a second-gen all-in-one zoom lens for Sony E-mount full-frame mirrorless cameras. Marking the company’s 75th anniversary, the £729 lens succeeds the 28-200mm version, while retaining its compact build and fast aperture. The lens features Tamron’s VXD linear motor system for fast, quiet autofocus, and is said to offer sharper results across the zoom range. It has half life-size macro capability with a 1:1.9 magnification ratio at 25mm. Compatible with Tamron Lens Utility software for customisation and updates, the G2 shares the 67mm filter size of most Tamron E-mount lenses. tamron.eu
is a 600W full-colour point source boasting IP66 protection, magnesium- alloy housing and an output of 20,820 lux at 3m/5600K with a 25° reflector. nanlux.com
GOOD LUX The latest Nebula C8 tech powers the new range of Evoke LEDs
ISSUE 124
10 / NEWS
The G Master of macro The first medium telephoto macro lens in Sony’s acclaimed
perfectly for the likes of portrait and wedding work. With up to 2.8x magnification when used alongside the optional teleconverter, the lens offers detailed close-ups from a practical working distance, ideal for delicate subjects or reflective surfaces. Its optical formula includes two XA (extreme aspherical) and two ED (extra-low dispersion) elements, while Sony’s Nano AR
Coating II keeps issues like flare and ghosting in check. Four XD (extreme dynamic) linear motors deliver autofocus almost twice as fast as the 90mm non-G model, while an integrated optical stabiliser compensates for shift, angular and front-back shake. There’s an aperture ring and sliding focus mechanism to improve manual control. sony.com
G Master series for E-mount cameras is its new FE 100mm f/2.8 Macro GM OSS. It combines 1.4x magnification, advanced optical stabilisation and G Master-grade image quality in a compact design. Sony claims the £1399 optic exceeds traditional lenses for macro photography because it also works
CLOSE-UP CHAMPION The latest macro lens from Sony is the new 100mm GM
Big screen test for Atomos
Atomos has unveiled its first 27in reference-grade desktop monitor plus a probe to keep it calibrated. The brand, famed for its on-camera monitors and recorders, claims its Studio Pro-2710 monitor promises total colour fidelity in a slim, portable form. At its core is an OLED panel that eliminates colour fringing and aliasing for sharper, cleaner visuals. One unique addition to the new monitor is its surround lighting system, which monitors the ambient room light alongside the display to create a more consistent environment for editing. There are front-facing input/output ports and four integrated USB-C ports for peripherals and the Studio K-100 probe. The screen uses a touchpad interface and the monitor comes with a factory-calibrated preset. No prices have yet been announced. atomos.com
Harlowe brightness my old friend
The brand that changed its name from Hobolite to Harlowe has announced new additions to its range of portable LEDs. The Atom 2 is a modular on-camera light designed for pocket cameras, while the Sol 40 and Sol 100 Spectra lamps are ultra- thin panels for soft illumination. The Sol 100 Spectra produces white light and colour, offering more than 36,000 colour variations and a colour temperature range of 1700 to 10,000K. It uses a 100W LED engine, providing high accuracy with a CRI/
Samyang– Schneider collab continues
Samyang’s latest lens is the AF 24-60mm f/2.8 FE, its second co- developed zoom with German optical specialist Schneider-Kreuznach. The new lens follows the 14-24mm f/2.8 version introduced earlier this year, the world’s first front filter-compatible super-wide zoom for Sony E-mount. The 24-60mm is designed for both stills and video with a compact, lightweight construction and an optical build of 14 elements in 11 groups. The £636 optic takes 72mm filters and has nine aperture blades. samyang.com
TLCI ≥95 while maintaining a quiet cooling system. C ontrol is via a wireless remote with a 20m range. The smaller Sol 40 Spectra is a multifunction light using a 40W bicolour LED engine with a colour temperature range of 2700 to 6500K.
The Harlowe Atom 2 is a lightweight fill light engineered for mobile creators and ideal for pairing with DJI’s Osmo Pocket 3. Weighing only 33g, it features a fresnel lens that boosts brightness. Various kits are available. harlowe.eu
SOL STYLE The new Sol
range features funky designs with unique features
@photonewspn | photographynews.co.uk
ADVERTISEMENT FEATURE / 11
When only the very best will do WhiteWall has been nominated in two categories in this year’s prestigious Photography News Awards
When your photography deserves gallery-level presentation, a carefully chosen print house makes all the difference. For the most discerning photographers, that choice is WhiteWall. And this year the brand’s excellence has been recognised in no fewer than two categories of the annual Photography News Awards: best processing lab and best photo books & gifts. A nomination for best processing lab honours WhiteWall’s core expertise: premium print production. It’s the service trusted by professionals for gallery- standard output on exotic substrates, exacting quality control and true colour accuracy. The nod for best photo books & gifts celebrates the brand’s premium line of photo books, calendars and bespoke gift items, showing it’s not just about fine art prints but also crafted presentation pieces. The double nomination signals a brand that delivers across two key fronts in imaging – craft-driven production and superbly packaged output. When you choose a premium lab and presentation partner, you’re making a statement that your work matters, with quality you can rely on. WhiteWall’s global reputation has been built on using high- end materials to a professional standard, with acrylic, aluminium, fine art papers, premium frames and precision finishing. On its UK site, the brand highlights awards including the TIPA World Award 2025 for best photo lab for its Basel 6mm frame profile and ultra-HD sharpening. Photo books with pro pedigree For photographers who want their work bound, WhiteWall’s coffee table book range brings premium finishes to personal projects. Six formats, multiple premium papers including fine art photo paper, full layflat binding and optional
VOTE FOR US
DESIGN FOR LIFE From stunning print solutions to incredible photo books, WhiteWall leads the way
WhiteWall’s must-try products
1 Gallery prints under acrylic glass WhiteWall’s signature product and the one that built its reputation. Your photo is exposed on premium paper, mounted under crystal-clear acrylic glass and sealed to protect against UV and moisture. 2 HD metal prints Printed directly onto an aluminium panel, these are sleek, lightweight and ultra-durable – ideal for high- contrast black & white images or bold contemporary work. The matte finish reduces reflections, while the colour version brings out incredible vibrancy.
4 Coffee table books Available in six formats, with layflat binding, matte or gloss photo papers, and elegant linen covers. These are professional-grade photo books with no branding or barcodes, making them a great choice for client portfolios and personal projects. 5 Acrylic photo blocks These free-standing blocks may be small but they are absolutely striking, making excellent gifts or fantastic desktop display pieces. They are the perfect way to turn a single image into a sculptural keepsake. 6 Calendars and wall art gifts From panoramic wall calendars to stylish desk versions, every piece is printed with the same precision as WhiteWall’s gallery products. A thoughtful way to give the gift of imagery, all year round.
linen or printed linen covers go beyond standard photo book fare. You don’t have to be a design expert to make a stunning book. From the intuitive web editor and PDF upload options to full ICC soft-proofing profiles, WhiteWall makes it simple for professionals and keen hobbyists. The interface is user-friendly yet the quality is high end. WhiteWall also offers calendars, metal prints, acrylic blocks, frames, giclée prints and large format Masterprint services. Whether printing a blue-chip fine art exhibition or crafting a gift book for a loved one, the tools are in place. Consistent quality every time If you have a compelling image project, WhiteWall’s double nomination should
signal confidence. You will undoubtedly appreciate the lab’s consistency and its service infrastructure. It’s not just about printing, but a crafted print. It’s not just binding a book, but printing a story that lives on paper, fabric, frame or glass. And that’s why WhiteWall has been shortlisted by Photography News for our tenth annual awards. The winners are decided by real photographers, so please vote for WhiteWall by heading over to photographynews.co.uk
3 Fine art prints and frames Produced on premium papers
from Hahnemühle and Canson, each giclée print meets archival standards. Choose from many handcrafted frame options, including the new Basel 6mm profile that won a TIPA World Award.
whitewall.com
ISSUE 124
12 / NEWS
Fujifilm X-T30 III gets speed boost with new processor X-TREME VALUE
Fujifilm has revealed its affordable X-T30 III, the
sensor, but the big news is that it now houses the latest X-Processor 5 engine. The result is improved power efficiency, double the image processing speed of its predecessor and autofocus powered by deep learning – capable of recognising faces, eyes, animals, vehicles and drones. The body is almost identical except for some changes to the controls. The top-left dial is now a Film Simulation dial, like the X-E5 and X-T50 cameras. This gives you simulation modes with 20 options including Reala Ace and Nostalgic Neg, plus a custom setting
and three fully customisable film recipes that can be saved. For vloggers and aspiring moviemakers, the X-T30 III supports 6.2K/30p 10-bit video and features enhanced image stabilisation for handheld shooting, although a tilting 1.62-million-dot LCD isn’t fully articulated. An auto mode lever and pop-up flash are nice touches. Available also as a £999 kit with the new XC 13-33mm f/3.5-6.3 OIS lens, this compact star is ideal for everyday and travel photography and a great gateway into serious photography.
latest model in its X Series of APS- C mirrorless cameras, in time for the Christmas rush. Available now in black, silver and charcoal for £829 body only, the X-T30 III offers sensible upgrades over the Mark II version and promises high-end performance from a legendary sensor in a stylish body weighing just 378g. The camera continues Fujifilm’s tradition of blending vintage design with its latest tech. It features a proven 26.1-megapixel X-Trans CMOS 4
GREYSCALE The latest X-T30 III comes in a choice of three colours
Panasonic has revealed the first ultra-telephoto zoom in its Lumix S series, the 100-500mm f/5-7.1 OIS, which can be stretched to 1000mm using an optional teleconverter. Measuring just 196.1mm long and weighing only 1.3kg, this £1799 lens is powered by a Dual Phase Linear Motor for fast, precise and near-silent autofocus. It also features Panasonic’s Dual IS 2 stabilisation system, providing up to seven stops of impressive shake correction. Video shooters benefit from focus breathing suppression, micro-step aperture control for smooth exposure transitions and a customisable focus ring and assignable focus button. panasonic.com Lumix zooms further with ultra-tele
The Blackmagic Camera Pro Dock transforms Apple’s latest iPhones into seriously capable cameras, especially for video. The £225 dock adds connections including HDMI, timecode, external audio inputs, USB-C expansion ports and SSD recording. Designed for use with the free Blackmagic Camera app, the Pro Dock enables iPhone 17 Pro and iPhone 17 Pro Max to record directly to external SSDs and monitor via HDMI – all while powering the device. blackmagicdesign.com Pro Dock boost for new iPhones
Smallest ever X Mount zoom Fujifilm’s smallest and lightest ever zoom for its X Series of mirrorless cameras combines wide-angle
four aspherical and three ED lenses to minimise distortion, field curvature and chromatic aberration across the zoom range. A minimum focusing distance of 20cm and 0.25x magnification make it ideal for close-ups, while a four-stop OIS system ensures sharp handheld results even in low light. Autofocus speed clocks in at a rapid 0.025 seconds, powered by a responsive internal focusing system. The nine-blade aperture produces smooth, rounded bokeh for pleasing background separation, enhancing portraits and creative compositions.
versatility, image stabilisation and sharp optics in a compact design. The Fujinon XC 13-33mm f/3.5- 6.3 OIS is just 125g and 37.5mm in length, offering a balance of portability and image quality. Covering a 20-50mm full- frame equivalent focal range, the £329 zoom lens is designed to handle everything from expansive landscapes and interiors to natural portraits and street photography. Its optical construction is ten elements in nine groups, including
BIG VALUE The new 13-33mm Fujifilm zoom might be very compact but at £329 it's a bargain buy
@photonewspn | photographynews.co.uk
NEWS / 13
CLASSIC SOUL Leica M takes a new view
After a mere 100 years making a name for itself with its rangefinder cameras, Leica has done the seemingly unthinkable and released a Leica M with an electronic viewfinder only. The rangefinder is gone in the new Leica M EV1 – which still carries the official branding ‘M’ for messsucher. That’s German for rangefinder, the optical and mechanical system that allows photographers to focus manual lenses by viewing two superimposed images in the viewfinder. The EV1 joins Leica’s family of digital and analogue rangefinders as a new option rather than replacing any other models. It uses a 5.76-megapixel EVF to display an accurate real-time look at the scene including focus, field of view and exposure. It’s a big benefit when using ultra wide-angle, telephoto or macro lenses where the rangefinder system was not always ideal. To help focus, especially using fast Leica lenses with very wide apertures,
the camera also has focus peaking and instant punch-in magnification. There is an integrated dioptre adjustment and a customisable front lever for activating focus assist or digital zoom. Built around a 60-megapixel full- frame back-side illuminated CMOS sensor like the M11, the M EV1 offers Triple Resolution Technology, which allows stills to be captured at 60, 36 or 18 megapixels in DNG or JPEG. The M EV1 has Bluetooth, Wi-Fi and Leica Fotos app integration. The M EV1 is handmade in Germany and features a distinctive diamond-pattern leatherette finish to set it apart from traditional rangefinder models. It includes Content Credentials technology too, adding a tamper-proof digital signature which allows you to verify image authenticity. Maybe the best news is that the M EV1 is £6840 – cheaper than the £7900 M11. A matching handgrip is £340. leica-camera.com
SL3 gets a rugged makeover
Leica’s new Reporter-spec SL3 full- frame mirrorless is £6200 and has been upgraded for toughness, so it will develop a battle-scarred patina over years of use. It is coated in scratch-resistant olive-green paint and wrapped in aramid fibre for increased grip and protection against abrasions,
dust and harsh environments. The minimalist design removes the red Leica badge to help it blend in. Inside, it mirrors the standard SL3 specs with a 60-megapixel full-frame BSI CMOS sensor, fast autofocus and easy connectivity through the Leica Fotos app. The camera also shoots 8K video.
CLONE CAMERA It might look like a classic rangefinder but the Leica M EV1 uses an EVF
Free Affinity adds a million users in six days
One of the best alternatives to Adobe’s subscription-based creative tools has just changed the game. The photo, design and publishing suite Affinity is now free, following its recent acquisition by Canva. The response has been explosive as, in just six days, Canva says that one million new users joined the platform.
Affinity has consolidated all its apps into one unified and free platform, echoing Canva’s mission to democratise design. It’s called a freemium model, where optional upgrades and AI-powered tools fund development so that Canva can offer pro-grade software at no cost. It’s the same philosophy that helped the
company grow into one of the world’s biggest creative platforms. The strategy mirrors Blackmagic Design’s success with its DaVinci Resolve video editor – another professional-grade tool that built its huge popularity through a free core version and powerful paid upgrades. affinity.studio
ISSUE 124
14 / NEWS
Mega sensor, mini drone
The new DJI Mini 5 Pro is the first mini drone to feature a one-inch
plus slow motion at 4K/120p. It records 10-bit video in H.265 with expanded ISO options, supports DJI’s D-Log M and HLG modes, and has a 48mm Med-Tele mode for higher- resolution digital zoom. Safety has been improved, as the £689 Mini 5 Pro debuts nightscape
omnidirectional obstacle sensing using LiDAR and multiple vision sensors, letting it navigate low-light cityscapes and return home even without GPS. Flight time is up to 36 minutes with the standard Intelligent Battery, or 52 minutes with the Battery Plus option. dji.com
sensor for a boost in image quality. At 250g, it can be flown in most countries without certification, including the UK. It has a 50-megapixel sensor capable of capturing 4K/60p HDR with up to 14 stops of dynamic range,
DJI IN THE SKY The sub-250g drone’s one-inch sensor means its image quality is top-class
Do you take loads of photos on your phone, but find it hard to get them onto your computer? Then try PNY’s latest dual-interface flash drive as it’s rapid and cross- device compatible. The all-metal Duo Link V3 USB 3.2 Gen 2 Type C OTG flash drive has transfer speeds of up to 1000MB/s read and up to 800MB/s write. It features dual USB-C and USB-A connectors for transfers between mobile devices and laptops or desktops. Available in capacities from 256GB for £35 up to 2TB for £180, it’s compatible with Windows, MacOS, Android and Linux. We tried it on an iPhone 15 Pro Max running iOS 18.7.1, which will instantly recognise it as DuoLink32 in the Files folder. Simply access your photo library, select the photos you want to transfer and export them to the Duo Link. After they have transferred, plug it into your computer and it will see the PNY device as an external drive. It’s fast and uncomplicated. pny.com Next-gen USB speed boost in your pocket
Tascam brings pro audio to Nikon support, creators can use shotgun, condenser, lavalier or line level mics directly with the camera. Additional features include auto
Tascam’s new CA-XLR2d-N is a digital XLR mic adapter for Nikon’s ZR mirrorless camera. It connects via the camera’s new accessory shoe, transmitting high-resolution sound through Tascam’s HDDA preamps and A/D converters. With two XLR/TRS combo jacks, a mini jack input and phantom power
level, limiter and low-cut filter controls, as well as a headphone output for real- time monitoring. No price has yet been revealed for the CA-XLR2d-N. tascam.eu
UP TO THE TASK The new Tascam adapter plugs into the accessory shoe of Nikon’s ZR
APERTURE ASTRO BOKEH CANDLELIGHT EXPOSURE
WIN! A 512GB Samsung memory card
AARETTUHSTHGI LHGIH
JRZWSTABILISATIONJ
OS IBOKEHLYFEWIVJ LT
FLASH FOCUS GRAIN HIGHLIGHTS ISO LENS LONG EXPOSURE NIGHT NOISE PRIME SENSOR SHADOWS SHUTTER STABILISATION TRIPOD
EXPOSURENASQNJOEMG
THSALFCANDLEL IGHTF
If you have an eye for detail, you could win one of Samsung’s updated Pro Ultimate cards that let you shoot more, faster. Fast U3, Class 10-rated read and write speeds up to 200 and 130MB/s enable you to smoothly take and transfer masses of photos and video. The card also includes protection from water, extreme temperatures, X-rays, magnets, drops and wear out. Complete the word search, comprising 20 things associated with low-light photography, and find one word in the list that’s
not in the grid. Email puzzle@ photographynews.co.uk with that word in the subject box by 13 January and the card will be yours if your name is drawn at random from all correct entries received. Only entries from UK residents please. Congratulations to Caroline McLeary from London, who was our winner from issue 122. Last issue’s missing word was ‘aperture’.
OWMKI TRIPODKNSALBO
ALXOYES IONFSUSNRPC
YERUSOPXEGNOLUOEGU
FBFMOEPRIMETQAGRLS
OKBOYAYS JAPERTURED
*If you do not want to receive any marketing information from Bright Publishing or our partners, please type NO INFO in your email entry
LORTSAVTNIGHT IXAAG
Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48Powered by FlippingBook