DEFINITION October 2018

4K CAMERA LI STINGS

ARRI ALEXA SXT EV

ARRI ALEXA SXT W

120FPS

14 STOPS

PL MOUNT

2880X2160

SXS/SXR

120FPS

PL MOUNT

2880X1620

SXS

> 14 STOPS

SXT ALEXAs get the sensor from ALEXA, the electronics from the A65 and the colour management from AMIRA. In-camera rec is ProRes 4K UHD/CINE. A direct response to requests for cutting-edge digital capture with traditional elements of the film cameras.

Based on the ALEXA SXT Plus, the SXT W has replaced the SXT Plus and Studio models with an industrial version of the Amimon chipset for wireless transmission. ARRI has ruggedised the W mainly for feature work.

SPECIFICATION

SPECIFICATION

16:9 or 4:3 sensor mode. 4:3 output only available for ARRIRAW and ProRes 2K recording At 16:9 – 0.75–120fps/60fps max when recording 2K ProRes/speeds

16:9 or 4:3 sensor mode. 4:3 output only for ARRIRAW and ProRes 2K recording

SENSOR – FORMAT AND SIZE

SENSOR – FORMAT AND SIZE

FRAME RATES

At 16:9 – 0.75-120fps/60fps max when recording 2K ProRes/ speeds adjustable with 1/1000fps precision

FRAME RATES

LATITUDE (STOPS)

+14

LATITUDE (STOPS)

14+

LENS MOUNT

PL

LENS MOUNT

54 mm stainless steel LDS PL mount

DIGITAL SAMPLING

2880x2160 uncompressed ARRIRAW

DIGITAL SAMPLING

2880x1620, Uncompressed ARRIRAW/1920x1080

16-bit linear internal image processing in full ALEXA Wide Gamut/Log C colour space. Target output colour spaces: Log C, Rec. 709 or Rec. 2020

RECORDED BIT DEPTH FORMAT AND TIME

SxS PRO 64GB; SxS PRO+ 64GB; SxS PRO+ 128GB; LEXAR 3600x CFast 2.0 cards 256GB; XR Capture Drives 512GB; SXR Capture Drives 1TB & 2TB

RECORDED BIT DEPTH FORMAT AND TIME

WEIGHT (KG)

6.5 (SXT EV body with PL mount)

ARRI ALEXA 65

ARRI AMIRA

60FPS

> 14 STOPS

XPL MOUNT

6560X3100

SXR/XR

14 STOPS

CFAST

200FPS

PL MOUNT

2880X1620

With a sensor larger than a 5-perf 65mm film frame, ALEXA 65 heralded the start of large-format. Now shooting as a main production camera for Netflix, Amazon and the rest. Only available exclusively through Arri’s global network of rental facilities.

Amira is now split up into standard, advanced and premium. Features include in-camera grading with preloaded 3D LUTs, as well as 200fps slow motion. From reportage and corporate films to TV drama and low-budget movies. Multicam mode too.

SPECIFICATION

SPECIFICATION SENSOR – FORMAT AND SIZE

ARRI A3X CMOS sensor, 54.12x25.58mm active image area open gate aspect ratio of 2.11:1 (6560x3100) Capable of recording 20-60fps (open gate) using new SXR media. XR drives allow 27fps

Single CMOS, 16:9 (1.78:1), 28.17x18.3mm – 35 format

SENSOR – FORMAT AND SIZE

FRAME RATES

Up to 200fps in ProRes

FRAME RATES

LATITUDE (STOPS)

14

LATITUDE (STOPS)

14+

LENS MOUNT

PL, B4 mount w/ Hirose connector

LENS MOUNT

XPL (LDS); LPL; MAXI PL; PL

DIGITAL SAMPLING

2880x1620, uncompressed ARRIRAW/1920x1080

Crop modes – 1.78 Crop Mode (5-perf 65 mm): 5120x2880 /1.50 Crop Mode (8-perf 35 mm): 4320x2880/LF open gate: 4448x3096/4K UHD: 3840x2160 (SUP 3.0 update) Codex SXR Capture Drive 2000 GByte capacity Max. frame rate capability: 60fps (open gate). Recording time: 43 minutes at 24fps

DIGITAL SAMPLING

RECORDED BIT DEPTH FORMAT AND TIME

HD 1920x1080, 2K 2048x1152, 3.2K ProRes 3200x1800 4K UHD 3840x2160

RECORDED BIT DEPTH FORMAT AND TIME

WEIGHT (KG)

4.1 (camera body with PL lens mount)

OCTOBER 20 1 8 | DEF I N I T ION 75

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