Big test
PERFORMANCE: HEAD IN THE CLOUD
Early last year, Fujifilm became the first-ever stills camera manufacturer to offer a direct camera-to-cloud solution using Frame.io, part of Adobe’s Creative Cloud. Initially, this was available on the X-H2 and X-H2S via an optional file transmitter, but the GFX100 II is the first model to offer native connectivity. Frame.io was conceived primarily for video users, but can also be used for still images. The primary benefits include being able to share images for collaboration in real time and safe storage of files, without the risk of loss or corruption of memory cards. The former is great for working professionals, while the latter is handy for anyone. There’s a free option for trialling the service, but for any meaningful level of storage, you need to choose the Pro option for $15 a month, which includes 2TB. Once you have an account, connection to the service is made via the network/
USB setting menu on the GFX100 II and can be done wirelessly, via smartphone, or a wired Ethernet cable. It takes a few steps, but I had no problem connecting via my home router.
FINDERS KEEPERS The detachable EVF features 9.44 million dots. Plus, it can be tilted in multiple directions for extra versatility with the optional EVF-TL1 adapter
Pixel Shift Multi-Shot is available too. Limited to static subjects, this mode uses the camera’s in-body image stabilisation (IBIS) system to record 20 frames, each one slightly shifting the sensor to ensure every red, green and blue pixel has the same information. These are then stitched together to create a single, 400-megapixel file. While you may not need this, the IBIS will certainly come in handy. Offering an eight- stop benefit, it helps retain every bit of detail from the sensor, even when light levels are against you.
While fully appreciating that video functionality won’t be top of every PN reader’s wish list, it’s worth noting a little of what awaits those switching to the Movie option via the camera’s top-plate control. In pure resolution terms, 8K is available, but with a near 1.5x crop of the sensor. More usable (and with less rolling shutter) is the 4K option up to 60p. Support for several cine recording formats makes the GFX100 II a viable option for all kinds of production, with a whole raft of lens options available using an optional GF to
PL mount adapter. There are some video-centric functions including waveform and vectorscope, improved subject tracking AF, plus F-Log2 which widens the dynamic range for extra flexibility in post- production. Further video highlights include 10-bit internal recording in Apple ProRes, a full-sized HDMI port for Raw recording to an external device and the option to record to an external SSD via the USB-C port. The latter is handy if you don’t think the CFexpress and SD slots are going to cut it for you. PN
Final word
Verdict In the GFX100 II, Fujifilm has taken the concept of medium format and moved it forward in one seismic step. It delivers outstanding stills and video footage – without the need for a tripod – across a broad range of disciplines, light levels and formats. It could be argued that previous incarnations of the GFX System have done this too, but the GFX100 II is sharper, handles better and is more accomplished as an all-rounder than any of its predecessors. Is it a true alternative to a full-frame model? That depends on your preferences. For me, the AF performance still has room for improvement, but if fast-moving action isn’t your bag, this could be all the camera you’ll ever need. And then some. 24 /25 FEATURES It’s hard to think of anything this camera lacks. Whether you’re a stills, video or hybrid creator, this has all you need
23 /25 HANDLING
Great body design, excellent viewfinder and a fully customisable layout, there’s little to complain about. That said, we’d prefer a fully articulated rear LCD No other manufacturer comes close for straight-out-of-camera results. Files display wonderful levels of detail and beautiful colours. AF performance on faster subjects is the only real blemish here
23 /25 PERFORMANCE
23 /25 VALUE FOR MONEY
While it’s undeniably costly, you’re getting a great deal of camera. The larger sensor does push up prices for lenses, however
93 /100 OVERALL
No question, the best medium format camera on the market. Capable of so much and lacking in so little, it is an outstanding piece of kit that manages to blend Fujifilm design aesthetics with cutting-edge functionality. Start saving!
THE LIGHT (NOT SO) FANTASTIC ISO performance and in-body image stabilisation mean the GFX100 II can be confidently handheld when conditions might suggest otherwise. Low light and overcast weather are no barriers to great results
More than half of us have camera gear we no longer use. Don't sit on it. Sell it. Sell your gear and upgrade your visual storytelling. Trade up for new adventures.
PROS Image quality, breadth of specification for both stills and video, handling and build, camera-to-cloud functionality, familiarity for X Series users, lens range CONS Rear LCD not fully articulated, autofocus not great for fastest- moving subjects, significant computer power needed to process files, cost (for some)
Find out more at mpb.com/sell
Issue 113 | Photography News 37
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