ISSUE 123
50 / GEAR
BEIGE BELTER The limited-edition camera is cloaked in earthy tones and is great for outdoor shooting
borrowed from the flagship OM-1, is far more intuitive than before, which helps when diving into the camera’s many customisation options. Perhaps the most useful update is the new Computational Photography button, which gives instant access to OM’s clever in-camera modes. These include HDR for capturing detail in skies and shadows, focus stacking for macro depth, High-Resolution Shot mode, which produces detailed 50-megapixel files and Live ND, which mimics neutral-density filters to blur water or moving clouds. This means you can leave the bagful of filters at home and still enjoy similar creative results with a single button press. These work surprisingly well, although nothing can truly match a camera locked down to a tripod with a high-quality ND filter attached. Although this is very much a stills-led camera, video hasn’t been ignored. The OM-5 Mark II records DCI 4K up to 30p, as well as options for slow motion up to 120fps in HD. The fully articulating touchscreen is great for vlogging, and the addition of a headphone jack makes it possible to monitor sound too. However, colour grading options are more limited than in higher-end OM models. There is no
Log profile or 10-bit capture, exposure aids are sparse and frame rates top out at 30p in 4K. For everyday travel clips, family films or behind-the-scenes footage, though, quality is clean and sharp, especially combined with the camera’s stabilisation system, which is still among the best in the business. Autofocus performance is quick and confident for most scenarios. Face and eye detection are accurate and tracking works well for everyday action, although the advanced AI detection modes are reserved for the flagship models. For stills, the system is fast enough to keep pace with travel, landscape, portrait and
street photography. And, of course, the strength of a Micro Four Thirds system lies in lens choice. With a huge range of small, lightweight primes and zooms available – plus the ability to use vintage glass via adapters – the OM-5 Mark II sits at the centre of a flexible, affordable ecosystem. The camera itself looks the part too. Available in classic black, silver or a limited-edition sandy beige, it’s styled with the same retro-modern aesthetic that photographers have long associated with the OM brand. But that styling is backed up by practicality – it’s tough, light, discreet and designed to be used in any conditions. The OM-5 Mark II isn’t the fastest or most advanced camera in the OM line-up. Instead, it strikes a balance between portability, image quality and creative flexibility few rivals can get close to. It’s a stills-first tool that delivers great results straight out of camera, with stabilisation that encourages new ways of shooting and computational tricks that unlock creative options without extra gear. For photographers who value compact size, weather-sealed reliability and the freedom to shoot anywhere, it’s an ideal companion. Whether you’re heading out on a long-haul adventure or a walk to the park, the OM-5 Mark II makes it easier than ever to travel light and come home with lasting images.
Verdict The new OM System OM-5 Mark II isn’t a flagship camera that offers the very best of technology, but what it does offer is remarkable for its size. For travel, vlogging and outdoor photographers who want shake- free images without the extra kit, it’s a serious tool. Add tough weather sealing, USB-C charging and computational tools, and it’s clear that this is more than just a refresh. Features 24/25 No stacked sensor, shoots 4K but with limited frame rates, has an articulated screen and new menus Handling 22/25 Small and light to hold, now with improved menus and better grip. IBIS is the best you can get for shake-free images Performance 21/25 Surprisingly noise-free and detailed stills and 4K footage, AF is dependable and, of course, that image stabilisation! Value for money 19/25 Decent spec in a weather-sealed, rugged build, but no massive improvements. Some rivals offer higher spec Overall 86/100 A great small camera with impressive stills and video but limited frame rates, and not as high-spec as other options. It’s in a competitive field, but its IBIS and weatherproofing make it stand out Pros Class-leading image stabilisation and very good low-ISO quality in stills and video Cons Limited frame rate options in video and also in stills when using continuous AF
GREEN WITH ENVY Colours are natural (left) and video spec is good (above)
Powered by FlippingBook