Although you maybe suffering from Churchill lag with the large number of sightings of the great man in movies recently, Darkest Hour might be worth the wait. We have a shoot and grade story. We also dissect the Netflix dark drama Mindhunter from director David Fincher; there is an unusual sighting of an ARRI Amira on a scripted comedy drama; a critical lighting design for the remake of Snowpiercer; a look at the state of stabilisation; some advice for video pros looking to build audio suites; reviews from Resolve 14. Panasonic EVA1; Sigma cine lenses; Fiilex lighting; Shure microphones and our review of our 2017.
Cover | 1 |
Welcome | 3 |
Contents | 5 |
Title sequence – Jedi Goodbye | 6 |
Review of the year – 2017 | 8 |
Shoot story – Darkest Hour | 14 |
Shoot story – GameFace | 19 |
Shoot story – Mindhunter | 26 |
Gear group – Stabilised systems | 34 |
Lighting – Snowpiercer | 40 |
Audio special – Setting up a mixing suite | 47 |
Audio special – Shure Motiv MX88 Microphone | 52 |
Audio special – Shure VP83F Lenshopper Microphone | 53 |
User review – Panasonic EVA1 | 56 |
User review – DaVinci Resolve 14 | 60 |
User review – Sigma Cine Zoom | 64 |
Review – Fiilex Matrix Travel Kit | 65 |
4K camera listings | 66 |
Next month | 74 |
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