DEFINITION January 2018

67 4K CAMERA LISTINGS

ARRI ALEXA SXT EV

ARRI ALEXA SXT W

120FPS

14STOPS

PLMOUNT

2880x2160

SxS/SXR

120FPS

> 14STOPS

PLMOUNT

2880x1620

SxS

SXT ALEXAs get the sensor from ALEXA, the electronics from the A65 and the colour management from AMIRA. In-camera rec is ProRes 4K UHD/CINE. A direct response to requests for cutting-edge digital capture with traditional elements of the film cameras.

Based on the ALEXA SXT Plus, the SXT W has replaced the SXT Plus and Studio models with an industrial version of the Amimon chipset for wireless transmission. ARRI has ruggedised the W mainly for feature work.

SPECIFICATION

SPECIFICATION

16:9 or 4:3 sensor mode. 4:3 output only available for ARRIRAW and ProRes 2K recording At 16:9 – 0.75–120fps/60fps max when recording 2K ProRes/speeds

16:9 or 4:3 sensor mode. 4:3 output only for AR- RIRAW and ProRes 2K recording At 16:9 – 0.75-120fps/60fps max when recording 2K ProRes/speeds adjustable with 1/1000fps precision

SENSOR – FORMAT AND SIZE

SENSOR – FORMAT AND SIZE

FRAME RATES

FRAME RATES

+14

LATITUDE (STOPS)

14+

LATITUDE (STOPS)

PL

LENS MOUNT

54 mm stainless steel LDS PL mount

LENS MOUNT

2880x2160 uncompressed ARRIRAW

DIGITAL SAMPLING

2880x1620, Uncompressed ARRIRAW/1920x1080

DIGITAL SAMPLING

16-bit linear internal image processing in full ALEXA Wide Gamut/Log C colour space. Target output colour spaces: Log C, Rec. 709 or Rec. 2020

RECORDED BIT DEPTH FORMAT AND TIME

SxS PRO 64GB; SxS PRO+ 64GB; SxS PRO+ 128GB; LEXAR 3600x CFast 2.0 cards 256GB; XR Capture Drives 512GB; SXR Capture Drives 1TB & 2TB

RECORDED BIT DEPTH FORMAT AND TIME

6.9 with PL mount

WEIGHT (KG)

ARRI ALEXA 65

ARRI AMIRA

60FPS

> 14STOPS

XPLMOUNT

5120x2880

SXR/XR

200FPS

14STOPS

PLMOUNT

2880x1620

CFAST

With a sensor larger than a 5-perf 65mm film frame, ALEXA 65 heralds the start of Digital IMAX. Now shooting as a main production camera for Netflix, Amazon and the rest. Only available exclusively through their global network of rental facilities.

Amira is now split up into standard, advanced and premium. Features include in-camera grading with preloaded 3D LUTs, as well as 200fps slow motion. From reportage and corporate films to TV drama and low-budget movies. Multicam mode too.

SPECIFICATION SENSOR – FORMAT AND SIZE

SPECIFICATION

ARRI A3X CMOS sensor, 54.12x25.58mm active image area. Open Gate aspect ratio of 2.11:1 (6560x3100) Capable of recording 20-60fps (open gate) using new SXR media. XR drives allow 27fps

Single CMOS, 16:9 (1.78:1), 28.17x18.3mm – 35 format

SENSOR – FORMAT AND SIZE

Up to 200fps in ProRes

FRAME RATES

FRAME RATES

14

LATITUDE (STOPS)

14+

LATITUDE (STOPS)

PL, B4 mount w/ Hirose connector

LENS MOUNT

ARRI XPL mount with Lens Data System (LDS)

LENS MOUNT

1.78 crop mode (5-perf 65mm): 5120x2880 and 1.50:1 crop mode – 4320x2880 Codex SXR Capture Drive 2000 GByte capacity Max. frame rate capability: 60 fps (Open Gate) Recording time: 43 minutes at 24 fps

2880x1620, uncompressed ARRIRAW/1920x1080

DIGITAL SAMPLING

DIGITAL SAMPLING

HD 1920x1080, 2K 2048x1152, 3.2K ProRes 3200x1800 4K UHD 3840x2160

RECORDED BIT DEPTH FORMAT AND TIME

RECORDED BIT DEPTH FORMAT AND TIME

4.1 with PL mount

WEIGHT (KG)

10.5 kg | 23.2 lb

WEIGHT (KG)

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JANUARY 2018 DEFINITION

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