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MARSHALL AMPS UP PTZ RANGE Marshall’s latest PTZ camera can track, follow and frame presenters automatically with AI facial learning. With advanced tracking, it learns the prime subject and won’t lose them USB-C while outputting via SDI and HDMI, making it an ideal solution to stream live to YouTube, Livestream, Facebook or Twitch.
The PTZ features a pan rotation of 170°, tilt of -/+90° as well as variable pan-and-tilt and preset speeds. Set- up and manual control are available via Ethernet Network, RS-232 3-wire and USB-C interfaces. One Ethernet (CAT) cable installation with PoE+ simplifies set-up and operation. Its control interface includes RS- 232, Visca, Pelco, Visca-over-IP and Onvif protocols as well as LAN control. Also included is a handheld IR remote control. marshall-usa.com
when other people enter the shot. The CV612 possesses a 12x optical and 15x digital zoom, offering a 4.1- 49.2mm focal length to give a 6.6- 70.3° field of view. It’s built around a professional-grade, two-megapixel 1/2.8in HD CMOS sensor. Available in black or white, the CV612 has an interface that offers simultaneous 3G-SDI, HDMI, RTSP streaming and USB 3.0 Type C outputs. It can stream HEVC directly from the camera over IP (RTSP) or
AN AVID IMPROVER OF TECH! The latest version of Avid’s video editing software Media Composer includes the new Transcript Tool, enhanced compatibility with audio production software Pro Tools and expanded compatibility with Huddle Avid’s cloud service for real-time collaborative editing. The new Transcript Tool allows Media Composer now supports sub-frame automation for volume and audio pan. Pro Tools can export Media Composer-compatible session files that preserve metadata. Using Avid Huddle, editors can
A minimum focus distance of just 19cm/7.5in gives a magnification ratio of 1:2.8 at the wide end. It also features a Focus Set button and connection port for Tamron Lens Utility software so you can alter settings and update firmware. The lens is moisture-resistant with a protective fluorine coating on the front element, constructed with XLD and LD elements and a nine-bladed aperture. There’s a 67mm front filter thread, focus lock and zoom lock mechanism. tamron.com
stream the output of Media Composer directly to collaborators connected via Teams, allowing for real-time reviews and time-stamped annotations. Time- based text comments can be imported back into Media Composer as markers. avid.com
editors to jump to specific moments in a clip based on spoken phrases, editing directly from selections in the transcript into the timeline.
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