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strong, making the camera highly appealing for solo operators, vloggers and documentary shooters. It is clear that Canon has also leaned into creator ergonomics. There’s a front-facing record button, a tally lamp, vertical shooting support with a second tripod thread and customisable controls geared towards video operation. The fully articulating screen is responsive and bright, and the interface feels cleaner and more streamlined than many cinema-focused bodies. Canon claims up to 7.5 stops of IBIS, giving smooth handheld footage without relying entirely on digital correction such as in the EOS C50. Combined with lightweight RF lenses or Canon’s new RF 20-50mm f∕4L IS USM PZ lens launched alongside the body, the set-up is ideal for run-and-gun use. Of course, the EOS R6 V lacks a mechanical shutter and flash compatibility, so it is clearly a creator-first camera designed around video production. canon.co.uk
Power broker The new RF 20-50mm f/4L IS USM PZ is a
perfect companion for video-first users as it’s stabilised and has an internal power zoom
The power zoom era Canon’s RF 20-50mm f/4L IS USM PZ is the first full-frame RF L-series lens with built-in power zoom
esigned as the perfect partner for the new EOS R6 V, the new RF 20-50mm f∕4L IS USM PZ full-frame lens combines premium L-series optics with something Canon has never offered before on an RF lens – an
integrated internal power zoom. Unlike traditional zoom lenses that rely purely on manual movement, the RF 20-50mm features a built-in servo system for smooth, controlled focal length changes during filming. The zoom ring doubles as a manual zoom-by-wire control, giving creators the best of both worlds. The focal range itself is highly practical. Starting at a wide 20mm makes it ideal for handheld vlogging, interiors and establishing shots, while the 50mm long end offers more natural framing for interviews, portraits and product work. Canon has clearly focused heavily on video usability. Focus breathing is optically suppressed to prevent distracting framing shifts during focus pulls, while the Nano USM autofocus motor delivers fast, silent and highly accurate tracking. Despite the advanced technology, the lens remains compact at just 420g/ 0.93lb. Optical image stabilisation offers up to six stops of correction, increasing to eight stops when paired with compatible in-body stabilised cameras such as the EOS R6 V. To go along with the new EOS R6 V, Canon has also launched a range of accessories. The first is the £149∕$159 HG-200TBR tripod grip that comes with a remote control that can be used wirelessly and controls shutter, zoom, AF and recording. The £199∕$179 AD-M1 macro flash head adapter works with Canon’s Macro Twin Lite and various RF lenses to light close-ups.
Free tune-up for Canon range
Canon has released a fresh round of firmware updates for its EOS R-series mirrorless and Powershot cameras, adding new features and workflow improvements. Highlights include enhanced custom controls for the EOS R1 and EOS R5 Mark II, with four more colour temperature memory settings. There’s also improved wireless connectivity and new video grid display options, all available as free downloads. canon.co.uk
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July/August 2026
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