TIPA Awards | agenda
Tamron 35-100mm f/2.8 Di III VXD
Our pick of the rest
Best full-frame superzoom lens Sigma 20-200mm f/3.5-6.3 DG Contemporary Best full-frame standard zoom lens Nikon Nikkor Z 24-70mm f/2.8 S II Best full-frame travel lens Tamron 35-100mm f/2.8 Di III VXD Best full-frame telephoto zoom lens Sony FE 50-150mm f/2 GM
Best content creator camera Canon Powershot V1 Best APS-C camera Fujifilm X-E5 Best full-frame advanced camera Nikon Z 5II Best full-frame expert camera Sony Alpha 7 V Best professional fixed-lens camera Sony RX1R III
Best professional cinema camera Fujifilm GFX Eterna 55
What the judges said: “This medium format cinema camera is designed to offer exceptional image quality. Built around Fujifilm’s large format sensor and colour science, it produces rich tonal gradation and dynamic range suitable for theatrical release and streaming content. The camera supports high-resolution recording, advanced codecs and flexible frame rates, giving cinematographers creative control. By combining medium format imaging with modern cinema workflow tools, the GFX Eterna 55 is a powerful platform for next-generation cinematic storytelling.”
Best macro lens Sony FE 100mm f/2.8 Macro GM OSS
Best APS-C compact camera Ricoh GR IV Best speciality lens Canon RF 7-14mm f/2.8-3.5L Fisheye STM Best full-frame telephoto prime lens Sigma 200mm f/2 DG OS Sports Best full-frame wide-angle zoom lens Tamron 16-30mm f/2.8 Di III VXD G2 Best full-frame wide-angle prime lens Sigma 35mm f/1.2 DG II Art
Best ultra macro lens Laowa Axon 1-5X & 5-10X Ultra Macro APO Best tilt-shift lens TTArtisan Tilt-Shift 17mm f/4.0 ASPH
Best action cam Insta360 Go Ultra
Best tripod Manfrotto One Photo
Best professional photo/ video monitor BenQ PD2770U Pro Monitor
Best hybrid full-frame camera What the judges said: Canon EOS R6 III
“The Canon EOS R6 III joins the new breed of hybrid cameras that offer both high-end stills and video recording. This full- frame camera sports impressive recording features thanks to its 32.5-megapixel semi-stacked sensor that can handle up to 7K/60p open gate video and up to 40fps stills, along with up to 8.5 stops of image stabilisation, an added advantage in both low-light and fast- action imagery. Given these robust specs and its revised handling and design, the Mark III has high appeal.”
Sigma 200mm f/2 DG OS Sports
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