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ARRI ALEXA LF
ARRI ALEXA MINI
ARRI ALEXA MINI LF
ARRI ALEXA SXT W
ARRI ALEXA 35
Sensor Format & Size
Full-frame CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm
Super 35 CMOS, 28.25x18.17mm – 3424x2202, ø 33.59mm
Large format CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm LF Open Gate ProRes 4.5K: 0.75-40fps, LF Open Gate ARRIRAW 4.5K: 0.75-40fps, LF 16:9 ProRes HD: 0.75-90fps, LF 16:9 ProRes 2K: 0.75-90fps
Super 35 CMOS, 28.25x18.17mm – 3424x2202, ø 33.59mm
Super 35 CMOS, 27.99x19.22mm – 4608x3164, ø 33.96mm
ARRIRAW Open Gate: 0.75-90fps, ProRes 4K: 0.75-50fps
Frame Rate
ARRIRAW: 0.75-150fps, ProRes: 0.75-100fps
ARRIRAW 2.8K: 0.75-48fps, ProRes 2K: 0.75-200fps
ARRIRAW: 0.75-120fps, ProRes: 0.75-120fps
Lens Mount
LPL, PL
LPL, PL
LPL, PL to LPL adapter
LPL, PL
LPL, PL to LPL adapter
4448x3096 ARRIRAW and ProRes 4.5K, Open Gate and 2.39:1, 3840x2160 ARRIRAW and ProRes 16:9
3840x2160 ProRes 4K, 3424x2202 ARRIRAW, 2880x1620 ARRIRAW,
3424x2202 ARRIRAW and ProRes, 3414x2198 ProRes, 2880x2160 ARRIRAW and ProRes, 2560x2146 ProRes and Anamorphic
MXF/ARRIRAW MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ
MXF/ARRIRAW MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ
Recording Options
2880x2160 ProRes, 1920x1080 ProRes HD and Anamorphic
Exposure Latitude
14+ stops from EI 160 to 3200
14+ stops from EI 160 to 3200
14+ stops from EI 160 to 3200
14+ stops from EI 160 to 3200
17 stops from EI 160 to 6400
BLACKMAGIC DESIGN POCKET CINEMA 4K & 6K
BLACKMAGIC DESIGN URSA MINI PRO 12K
ARRI ALEXA 65
ARRI AMIRA
4K – Four Thirds CMOS, 18.96x10mm, 4096x2160 6K – Super 35, 23.10x12.99mm, 6144x3456
Sensor Format & Size
Super 35 ARRI ALEV III CMOS, 26.40x14.85mm – 3200x1800, ø 30.29mm
ARRI A3X CMOS sensor, 54.12x25.58mm, 6560x3100
Super 35, 27.03x14.25mm
12K 17:9 full sensor up to 60fps 12K 2.4:1 up to 75fps 8K DCI full sensor up to 120fps 4K DCI full sensor up to 120fps 8K 2.4:1 and 4K 2.4:1 up to 160fps 6K Super 16 up to 120fps 4K Super 16 up to 240fps
4K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps, windowed HD 120fps 6K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps
Frame Rate
ARRIRAW 2.8K: 0.75-48fps, ProRes 2K: 0.75-200fps
ARRIRAW: 20-60fps
Lens Mount
4K – Active MFT 6K – Active EF
LPL
PL, LPL, B4, EF
PL, EF, F
Blackmagic Raw Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288x6480, 11,520x6480, 12,288x5112, 7680x6408, 8192x4320, 7680x4320, 8192x3408, 5120x4272, 6144x3240, 4096x2160, 3840x2160, 4096x1704 and 2560x2136
4K – up to 4096x2160, ProRes 422 and 12-bit BRAW 6K – up to 6144x3456, 50fps, ProRes 422 HQ QuickTime, BRAW
6560x3100 (1.78 crop), 5120x2880, 4320x2880 (1.5 crop), 4448x3096 LF Open Gate and 3840x2160 ARRIRAW
3840x2160, 3200x1800, 2048x1152, 1920x1080 ProRes, 2880x1620 ARRIRAW
Recording Options
Exposure Latitude
14+ stops from EI 200 to 3200
14+ stops from EI 160 to 3200
13 stops
14 stops
75
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