Podcasting | academy
Identity parade If your camera has it, face recognition is ideal for prioritising focus on a particular person (left)
light performance. At the professional end of the market, Canon’s Cinema EOS range provides the control, recording options and reliability. The EOS C80 offers a 6K back-side illuminated sensor and sophisticated subject detection covering faces, eyes, heads and bodies. Its advanced autofocus and customisable recognition settings are particularly valuable during unscripted conversations, where presenters rarely remain perfectly still. Another option is the compact EOS C50, which brings full-frame 7K capture and professional Cinema EOS functionality to a smaller body. It’s particularly interesting for productions wanting a high-resolution master that can be reframed for different delivery formats. The benefits of sticking with one brand include software and connectivity options. Canon has the EOS Webcam Utility, which allows compatible cameras to be used through a computer – useful for live interviews, remote guests and streaming applications. For more elaborate
A solo presenter in a bedroom has different needs from a production firm
bedroom has different needs from a production company filming a celebrity interview with multiple cameras. But taking out the variables of different brands and types of cameras makes things much easier.
productions, clean video outputs can feed external switchers and recording systems, allowing producers to combine multiple camera angles and create a live edit. Ultimately, there is no single perfect podcast camera. A solo presenter in a
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