ACADEMY POST-PRODUCTION
MAKING THE CUT WORKING HDR IN FINAL CUT PRO X In the first of a new series, founder of freelance post and production agency Soho Editors, Rory Cantwell, looks at Final Cut Pro X’s newHDR capabilities
WORDS RORY CANTWELL
F inal Cut Pro X 10.4 is the first content. Here, I’ll highlight the key steps to successfully workflow an HDR project in version of Apple’s flagship editing tool capable of post-producing amazing High Dynamic Range (HDR)
Final Cut Pro X, addressing important areas to consider for anyone wanting to create HDR content. For this edit I used content shot on a Panasonic camera and recorded on to an Atomos Sumo 19 in the Apple ProRes Raw codec.
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PRO MOVIEMAKER WINTER 2018
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