DOWN THE TRACK PTZs are visible on broadcasts of every kind
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INTRODUCTION TO THE BIRDDOG P110 AND P120
sensor and more powerful processing engine; enhancing zoom capability and flexible wide-angle shooting; enhanced and user-friendly remote control – and fast autofocus. These are all in our future.” Taylor highlights increased interest in 4K – and even 8K – although not everyone is compelled to keep chasing higher resolutions: “Many people still use HD and are happy with that.” After acquiring the rights to manufacture and distribute Agile Remote Cameras’ products in September 2021, MRMC has recently brought the ARC-360 PTZ back into availability – a process protracted by the global supply chain crisis. But with this key product now in stock, Taylor is evidently optimistic about the expanding possibilities of PTZ in sports, music and beyond. “We see lots of scenarios where PTZs are becoming more popular,” he confirms. “It could be a sports
venue where the cameras are rented from us and employed on an ongoing basis; or maybe the venue will invest in them permanently. You see PTZs in combination with other types of camera for coverage of smaller courts in tennis. Then you find them a lot in live music, where you might set up four or eight cameras on stage to livestream a performance. “The quality and control capability of PTZ cameras will go on rising, so I see a huge amount of potential for the future,” Taylor concludes. THE QUALITY AND CONTROL CAPABILITY OF PTZS WILL GO ON RISING
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