Brand new Awards special issue out now! The latest issue of Photography News is out right now as the winners of the tenth annual awards are revealed. We celebrate the best kit, software services and products – as voted for by readers. In an issue crammed with news of the latest kit, tests and reviews of cameras, lenses and lots more, we try out Leica’s radical M camera that doesn’t have a rangefinder, Nikon’s ZR aimed at content creators plus some cool tilt and shift lenses, close-up filters and a top-end tripod. We’ve got amazing images from top international photo content and news from some of the UK’s best camera clubs, and lots more.
ISSUE 125 20 JAN-2 MAR 2026
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Your free newspaper packed with the latest news, views and stories
Sony speedmaster Does the rapid Alpha 7 V set a new high standard for mid-range mirrorless? Page 4
Ray to go! The new Amaran lights that pack a mean punch Page 6
Zed’s not dead The ZR heralds Nikon’s attack on the content creator market Page 51
Going all PC! Perspective-control lenses put through their paces
Page 54
The people’s choice Our tenth-anniversary awards celebrate the cameras, accessories and services readers trust most
It is time to reveal the very best hardware, software and
Since their launch, these distinguished awards have been about giving photographers and content creators a genuine voice. Rather than relying on lab tests or spec sheets, they reflect real-world experience. It’s the kit that image makers choose, trust and depend on when it really matters.
What makes these awards special is the diversity of the PN readership. Voters are working professionals, keen enthusiasts, hybrid shooters and content creators who use their gear in different ways – in studios, on location, for personal projects and much more.
The response this year is the strongest yet, with thousands of votes cast. From entry-level cameras to pro tools, lighting solutions, storage, software and retail services, readers voted for the products and brands that have delivered consistent performance, reliability and value.
Such breadth of experience gives the results real weight and credibility, so each award is a true reflection of what genuinely works in today’s fast-moving imaging landscape. Read on inside to discover the full roll call of this year’s winners.
services for our tenth-anniversary Photography News Awards. These prestigious awards celebrate the cameras, lenses, accessories, software and services that have truly made a difference to image makers over the past year.
READ MORE ON PAGE 25
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TRIBUTE
Martin Parr: May 1952-December 2025
FROM THE EDITOR
Tributes from around the globe flooded in when iconic Magnum photographer Martin Parr passed away in December at home in Bristol aged 73. He died after a four-year battle against cancer. He has long stood among the most distinct and influential voices in contemporary photography. With an eye attuned to the humour and poignancy of everyday life, his work ranged from saturated snapshots of British seaside culture to incisive global explorations of consumption and community. Renowned for his unflinching gaze and wry wit, he blended documentary rigour with a distinct visual style, challenging conventions and inspiring countless photographers to embrace beauty in the ordinary.
At a time when spectacular images can be conjured from a computer prompt in seconds, something reassuring is happening in photography – real, documentary-style reportage is finding its voice again. As AI-generated imagery floods timelines, viewers are becoming more visually literate and more sceptical. Perfect skies, flawless faces and impossible moments are often no longer impressive by default. Instead, what cuts through is authenticity. Images that feel observed rather than engineered. Photographs that carry the mess, tension and unpredictability of real life. It’s no coincidence that recent high-profile work has leaned heavily into colour reportage. Leica’s Picture of the Year, rooted in classic street photography from back in 1963, and a major international calendar campaign shot entirely in a candid, documentary style, both celebrate the same thing – human presence. Reportage photography has always been about trust between photographer and subject, and between image and viewer. In a world where AI can fabricate anything, a sense of ‘being there’ has become a powerful currency. This isn’t nostalgia but relevance. Documentary photography answers a growing hunger for truth, context and emotional connection. It values observation over spectacle and patience over perfection. And it reminds us that photography
Parr’s legacy extends far beyond his iconic photographs. Through mentorship, exhibitions and books as well as his own foundation, he helped expand the possibilities of photographic expression. His work will spark conversation, laughter and reflection for years to come. martinparr.com
MARTIN PARR At home in his studio in a photo courtesy of the
Martin Parr Foundation
OPTICS Nikon zooms in a walkaround wonder
is not just about what a camera can produce, but what a photographer chooses to notice.
Nikon has expanded its full- frame Z mount line-up with the launch of the £529 Nikkor Z 24-105mm f/4-7.1, designed as a true everyday lens but lighter and more affordable than the £849 24-120mm constant f/4 version. Weighing just 350g, it pairs well with compact full-frame bodies such as the Z 5II, creating a lightweight kit that’s easy to carry all day. One of the lens’s standout features is its close-up capability. A 0.5x reproduction ratio and a minimum focusing distance of just 0.2m at the wide end lets you get in close. Fast, quiet autofocus driven by a stepping motor ensures smooth performance for both stills and video, while weather sealing adds protection for outdoors. nikon.co.uk The Z system expands with a lightweight and versatile 24-105mm lens that’s designed for everyday shooting
Editor
EDITORIAL TEAM Editor Adam Duckworth adamduckworth@bright.uk.com Editorial director Nicola Foley nicolafoley@bright.uk.com
Photography News is published 6 times a year by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior
Chief sub editor Matthew Winney Junior sub editors
written permission of Bright Publishing Ltd. Photography News is
a registered trademark of Bright Publishing Ltd. The advertisements published in Photography News that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. While Bright Publishing makes every effort to ensure accuracy, it can’t be guaranteed. Street pricing at time of writing is quoted for products.
Tabitha John & Kezia Kurtz ADVERTISING TEAM Sales director Sam Scott-Smith 01223 499457 samscott-smith@bright.uk.com DESIGN TEAM Design director Andy Jennings Magazine design manager Lucy Woolcomb Senior designer Carl Golsby Design & ad production Holly May DISTRIBUTION Distribution and subscription manager Phil Gray philipgray@bright.uk.com PUBLISHING TEAM Managing director Andy Brogden As well as your local camera club, you can pick up Photography News in-store from: Cameraworld, Castle Cameras, Jessops, London Camera Exchange, Park Cameras, Wex Photo Video, Wilkinson Cameras
WIDER CHOICE The new 24-105mm Z lens gives a more affordable choice to Nikon mirrorless shooters
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Ace audio is a Shure thing
Shure’s MV88 USB-C stereo mic is designed to bring professional-quality audio to smartphones and tablets. A modern reworking of the original MV88, it swaps Lightning for USB-C. This offers compatibility with both Android and newer iOS devices and eliminates the need for batteries, pairing or wireless connections.
The £145 mic uses Shure’s auto level mode to adjust gain in real time and keep audio clean and consistent while a built-in, real-time denoiser reduces background noise. It has four selectable polar patterns, and Shure’s free MOTIV apps unlock deep customisation. shure.com
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MIC DROP Shure has launched a new microphone for mobiles
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VICTORY V Sony’s speedmaster sets the pace Learn about the fifth- gen Alpha 7 and its brand-new sensor with AI-powered AF for a boost in shooting speed
The middle ground of full-frame mirrorless cameras is hotting up
as Canon’s all-rounder EOS R6 Mark III now faces a new challenge from Sony with its rival A7 V, the long-awaited fifth-generation model. The £2799 Sony features a newly developed 33-megapixel, partially stacked Exmor RS CMOS sensor and the all-new Bionz XR2 processor with integrated AI acceleration for a boost in autofocus performance, shooting speed and video capability. Paired with the announcement of a new FE 28-70mm f/3.5-5.6 OSS II lens, Sony is positioning the A7 V as the definitive all-rounder for filmmakers, photographers and hybrid content creators alike. Sony’s upgraded AI processing unit working inside the next-generation processor gives an approximate 30% increase in real-time recognition AF performance with 759 phase-detection points covering 94% of the frame and sensitivity down to EV -4.0. While rival mid-range cameras offer either a 24.5-megapixel semi-stacked sensor or a 33-megapixel conventional, the new Sony is the only one to offer a 33-megapixel semi-stacked sensor that boasts 4.5x faster readout. This allows blackout-free stills bursts up to 30fps, complete with full AF/AE tracking in 14-bit Raw. Sony also introduces
Sony offers a 33-megapixel semi- stacked sensor that boasts 4.5x faster readout for blackout-free stills up to 30fps
ERGONOMICS UPGRADE
The all-new touchscreen makes low-angle shots a breeze, in horizontal or vertical modes
It has dual card slots, one CFexpress 2.0 Type A as well as one UHS-I/II SD card. Noise reduction and an improved internal mic offer cleaner audio, while the thermal design supports extended 4K recording without overheating. Sony has redesigned the A7 V’s ergonomics and workflow features, adding a four-axis multi-angle touchscreen, dual USB-C ports, an improved grip and battery life rated at approximately 630 shots. sony.com
Pre-Capture, allowing the camera to retrospectively record up to one second before the shutter is pressed. In terms of video spec, the camera secures a major upgrade with new oversampled and high-speed video modes. There is 7K oversampled 4K/60p in full-frame mode, 4K/120p in APS-C crop mode, full pixel readout without binning, advanced Dynamic Active mode stabilisation and new AI- powered auto framing. But there’s no open gate mode or internal Raw video.
To go along with its new Alpha, Sony has also launched the FE 28-70mm f/3.5-5.6 OSS II, a refreshed standard zoom lens designed to keep pace with the A7 V’s high-speed burst rate. Key improvements include up Both the new camera and lens are manufactured using 100% renewable energy as part of Sony’s Road to Zero sustainability plan, with packaging made from Sony’s Original Blended Material. Mid-range standard zoom gives boost in performance for everyday use to 120fps AF/AE tracking when paired with compatible bodies such as the A9 III, coordinated optical and in-body stabilisation, faster AF and reduced breathing with better zoom tracking. Lightweight and compact, it’s designed as an ideal everyday partner for hybrid shooters. At £429, it still features nine elements in eight groups, including a single ED element and a trio of aspherical lenses with a seven-bladed aperture.
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Quick snaps
Zipr head! The Zipr is a foldable, battery-powered mobility system. It holds a payload of up to 300kg and can be pushed, pulled or ridden! There’s a choice of 2WD long-range or 4WD off-road configurations, and pre-orders are open at $1499 with UK prices not set. zilrpro.com 1
2 8K 360 drone The £1219 Antigravity A1 is the first 8K 360° drone. It's built to be used with goggles with dual displays that mirror the pilot’s head movement. A dual-lens 1/1.28-in sensor captures every angle in 8K. Weighing just 249g, it offers up to 39 minutes of flight time. antigravity.tech
FOUR-MIDABLE! You can’t go wrong with any one of these mirrorless cameras but they do offer different features
It’s the awesome four-some for serious enthusiasts
If you are in the market for a do-it- all, enthusiast’s mirrorless camera for under £3000, then the new Sony A7 V joins the recent Canon EOS R6 III, Nikon Z6III and Panasonic Lumix S1 II as the most obvious choices. Of course, your current kit and lens armoury will likely sway any buying decision. But on spec alone, the Sony offers the fastest, highest-resolution sensor and early tests say it has the edge in dynamic range too. But although it’s fast, capable, clever and polished, it’s the most conservative Alpha model in years compared to others which are pushing the boundaries, especially in video spec. Sony’s big sensor pitch this time is ‘partially stacked’, a term
that Nikon invented to describe a faster-reading sensor that allows computing power to boost AF, frame rates and offer blackout-free viewing. However, it’s not quite as speedy or pricey as the fully stacked sensor invented by Sony in 2017 with the original A9. It has featured in Sony’s flagship cameras ever since, including the current Sony A9 III and A1 II. Canon says that its 33-megapixel sensor reads out faster but that it drops to 12-bit files in e-shutter mode. Sony’s one gives more dynamic range at 14-bit. Canon’s processor moves the equivalent of 66 million pixels thanks to Dual Pixel CMOS AF II, while Sony only has to move half that. Canon covers nearly 100% of the frame with AF points, while Sony hits around 90% but has a far better battery life.
Then you get to the pure video situation where Sony once crushed the competition but now appears to be content with no open gate recording or internal Raw video. Canon’s EOS R6 III offers more video formats including internal Raw. Nikon has been even more aggressive with its new ZR. And Panasonic’s latest partially stacked S1 II was king of the hybrids – until now. The gap between all these cameras has never been smaller, which means it’s an even more difficult decision to make if you are considering switching systems. These relatively affordable full- frame hybrids from Sony, Canon, Nikon and Panasonic are all insanely good.
3 Nanlite’s mini The Nanlite Pavo Tube II 6CP packs serious lighting power into a sleek 25cm tube for just £89. It is now 10% brighter with a 2400-12,000K colour range and 78-minute battery life. Built-in magnets make it fast to mount and there’s USB-C charging. nanlite.com
STEADY SHOT Shooting the new Sony A7 V handheld is aided by improved image stabilisation
4 Pocket podcaster The £169 Zoom Podtrak P4next is a portable podcasting recorder. It has four XLR audio inputs and AI-powered noise reduction that removes hum but keeps speech natural. It offers 48kHz/24-bit recording, mobile-video support and smartphone compatibility. sound-service.eu
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Benro goes for video Benro’s four new tripods aimed at video shooters are making waves in the video market. For big payloads is the £500 Mammoth, a premium carbon-fibre beast that supports up to 18kg while weighing just 2.2kg. It has a removable 75mm levelling bowl, which facilitates the use of flat-base or half-ball heads. Its maximum height is 196.8cm and it folds down to 49cm using its flip-lock legs, multiple leg angles and convertible rubber/spiked feet. The popular Rhino line of tripods has also now evolved for hybrid shooters, adding flip-lock leg sections to the lightweight carbon- fibre design of the original. Each of the three models features reverse- folding legs for compact travel, a built-in levelling ball and rubber/ spiked feet. A standout addition is the clever monopod conversion system. Simply remove one leg and the centre column to transform the tripod into a monopod in seconds. Three models are available, costing from £400-£450. benroeu.com
Ray to go Amaran!
Amaran’s brand-new Ray series is a next-generation family of full- colour COB LED lights designed to give more power, better colour and smarter workflows in dramatically smaller packages. The four-model line-up – Ray 60c, 120c, 360c and 660c – ranges from ultra-portable 60W units to 660W studio workhorses, all built around Amaran’s Omnicolor light engine. Omnicolor expands red and blue output and also introduces an indigo emitter, to produce a fuller, more accurate spectrum. It translates into cleaner whites, truer skin tones and
to the Amaran app instantly, and the Flowturn knob enables both precision adjustments and rapid changes. The 60c and 120c both deliver huge upgrades for run-and-gun content creators with slimmer, lighter bodies, Bowens mounts, USB-C PD power and optional cable-free operation with the new Peak battery system. The 360c and 660c, meanwhile, provide serious power with all-in-one monolight designs and optional DMX control. Prices start at £189 for the 60c and reach £699 for the 660c. amarancreators.com
colour reproduction that remains consistent and reliable. All Ray fixtures are IP54-rated and are ideal for outdoor use. A new NFC pairing system lets users add lights
RAYS OF LIGHT The Amaran Rays are able to work with a wide range of modifiers
Tenba reinvents the roller
Don’t get stuck in the mud with Tenba’s new range of bags made to conquer everything from city streets to the great outdoors. The Roadie v2 collection is the first rolling camera case with fully removable backpack straps that attach or detach in under a minute. This turns the Roadie from a smooth-rolling case into a rugged
backpack ready for rough terrain. The roomy £495 Roadie v2 Roller 24 ensures easy rolling over the toughest terrain, thanks to its large-diameter, shock-absorbing wheels. The standout £495 Spinner 21 Air Case V2 is virtually uncrushable, surviving up to 240kg of pressure. tenba.com
Brightness without the bulk The unusual design of Zhiyun’s Molus range continues with the impressive new X200, available in
OUT OF THE BLUE It might look unique but the Molus X200 packs a serious punch
option for cable-free operation. It uses Bowens-mount modifiers, and its full Bluetooth wireless control lets power and different groups be set. With CRI 95+, SSI 85 (RGB) and expanded colour options up to 10,000K, the X200 offers exceptional colour accuracy. The bicolour version costs £370 and the colour one is £470. zhiyun-tech.com
both bicolour (2700–6500K) and RGB (2500–10,000K). It delivers 200W of output while weighing less than 830g, and is up to five times brighter than many lights of a similar size. Designed for a rapid, one-person set-up, it has a V-Mount battery power
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Leica strips out the colour Leica has unveiled the brand- new Q3 Monochrom, the second dedicated black & white model in its compact Q-series and the latest
evolution of the brand’s commitment to the history of photography. The full- frame Q3 Monochrom is built around a newly developed 60-megapixel monochrome sensor that is designed to capture only luminance, not hue. The result is extraordinary sharpness, tonal depth and clarity unobtainable from colour-filter-based sensors. The sensor employs Leica’s Triple Resolution Technology, enabling 60, 36 or 18-megapixel capture while also maintaining very high dynamic range. With an ISO range from 100 to 200,000 and the fast Summilux 28mm f/1.7 ASPH lens, the camera excels in low light. It is built to produce rich, low-
Holy grail of cameras brings £5.7m A papal Leica smashed its modest estimate of £55–65K to bring €6.5 million – around £5.7 million – in the annual Leitz Photographica Auction. It’s a Leica M-A paired with a Noctilux-M 50mm f/1.2 ASPH lens gifted to and owned by the late Pope Francis, with the entire sum donated to charity. Other notable lots included a rare Leica M3, produced as a backup for the identical model presented to Queen Elizabeth II by the first President of the Federal Republic of Germany. It exceeded its €90-120K estimate.
noise images with the nuanced textures and micro-contrast monochrome that photographers prize. Videographers can also record black & white footage at up to 8K resolution. The £5800 Q3 Monochrom stays true to the Q-series silhouette but takes on a darker, more minimalist aesthetic. Its body is made of matte-black metal and has monochrome engravings and a leatherette cover with no Leica red dot. It also features a 5.76-megapixel OLED viewfinder, tilting touch display and fast hybrid AF system. With weather sealing to IP52, a digital zoom reaching 90mm, macro
capability down to 17cm and integration with the Leica Fotos app, the Q3 Monochrom is the first Q-camera that incorporates Content Credentials. These are digital signatures that verify image authenticity in line with the Content Authenticity Initiative. Leica has also released firmware updates for its SL mirrorless system as well as its Q3 compact cameras. The Q3 gets a new user interface and improved autofocus while the SL3 and SL3-S get an AF boost and Frame.io compatibility. leica-camera.com
MONO MINDED If the ultimate in black & white photography is your goal, Leica's latest Q3 is made for you
FLARE ENOUGH Anamorphic lenses are often used in sci-fi films due to their unique flaring and bokeh Sony E-mount, Nikon Z mount and Leica L-Mount in either classic blue or neutral streak flare options. sirui.com performance, but also enables an ultra- shallow depth-of-field rarely seen in lenses this portable. Weighing just 620– 700g, the lenses are small enough for gimbals, travel rigs and handheld work and costing starts at $799 each. UK prices are yet to be set. The Astra lenses are available in Sirui is set to bring the cinematic widescreen look of anamorphic lenses to your images with the launch of the Astra Series, the world’s first full-frame 1.33x AF anamorphics to feature a constant T1.8 aperture. Following last year’s Super 35 AF anamorphics for crop-sensor cameras, the new 50, 75 and 100mm lenses suit full-frame mirrorless systems while remaining compact, light and affordable. Each lens produces the hallmark widescreen look, horizontal flares and oval bokeh associated with big-budget cinema. The constant T1.8 aperture is significant as it unlocks low-light Sci-fi look for your images
Storm proof your camera
You don’t have to be a Sony owner to use the brand’s new all-weather rain covers or soft carrying cases for super-telephoto lenses, even though they are built for Alpha cameras. The rain cover shields cameras and lenses from rain and snow while allowing full operation. Made from breathable, high-performance fabric to prevent condensation
during long shoots. It has a quick-fastening strap and folds into its integrated pouch. Available in black or white, the cover is £150 for both small and large. The new soft carrying cases for super-telephoto lenses have a conical shape, anti-drop internal strap, large zip opening and multiple carrying options. Three sizes cost £150-170. sony.com
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10 / ADVERTISEMENT FEATURE
Built for the long haul
From rugged portable drives to huge-capacity desktop storage, LaCie continues to deliver expert storage options
For two decades, LaCie’s distinctive orange drives have been a familiar sight on photo shoots, film sets, edit suites and stuffed into kit bags around the world. As the brand celebrates the anniversary of its iconic Rugged range, we speak to EMEA LaCie lead, Michael Eyraud, to explore how storage technology is evolving and why capacity, reliability and real-world speed matter more than ever. An industry standard Few products in image making achieve true icon status, but LaCie’s Rugged drives are up there. Robust enough for location work, fast enough for editing and reliable enough to hold irreplaceable footage, the bright-orange, bumper-protected hard drive is synonymous with a well-ironed, professional workflow. “If a product has existed for 20 years and is still used daily by professionals, it’s because it works. It’s not marketing – it’s proven reliability,” says Eyraud. The brand remains at the cutting edge of storage. As part of the Seagate family, LaCie has useful access to enterprise-grade research, manufacturing and data-centre innovation. That relationship is helping to shape the next phase of storage, from ultra- fast SSDs to astonishingly high-capacity hard drives that redefine what’s possible in a single enclosure. From high-end
professionals to amateur enthusiasts who care about their work, LaCie is the brand that consistently changes to reflect the diverse needs of the market and reliably delivers. The capacity explosion Resolution keeps climbing, bitrates keep increasing and, now that Raw video is so widespread among content creators, storage has become one of the most critical parts of any image maker’s workflow. “Everyone wants more capacity,” says Eyraud. “But they don’t want drives to get bigger, heavier or more power-hungry.” LaCie’s answer lies in next-generation hard drive technology, specifically in HAMR (Heat-Assisted Magnetic Recording). “Traditionally, to get more capacity, manufacturers added more disks inside the drive,” Eyraud explains. “That means more materials, more power consumption and more waste at end of life. What HAMR allows us to do is increase density without adding more platters.” LaCie has already introduced 30TB hard drives across parts of its range, and it has even bigger single-disk hard drives on the roadmap. “We launched the 30TB last year and, within the same 3.5-inch form factor, we’re working towards 40TB and 50TB,” reveals Eyraud. “At some point, a two-bay RAID could give you 100TB without physically getting any bigger.” Why hard drives still matter In an era obsessed with the high speed of SSD drives, LaCie remains committed to traditional spinning disks – especially for long-term storage. “SSDs are fantastic, but they’re volatile in pricing and limited in capacity,” Eyraud says. “We’re heavily investing in SSDs, but mass capacity is where hard drives still win by far.” While SSDs excel for editing, data transfer and camera-direct recording purposes, hard drives remain unbeatable when it comes to cost-per-terabyte and archival longevity. “That’s why we see content creators editing from SSDs, but storing projects on
impact without sacrificing durability. The Rugged product line-up spans everything from entry-level portable HDDs/SSDs to IP-rated drives that can survive drops, dust, rain and even submersion. If things go wrong, LaCie’s data recovery service is included with every drive. “We’re the only brand offering professional data recovery as standard,” Eyraud says. “Not just software recovery but mechanical recovery in cleanroom environments. We can physically open the drive and recover the data. That peace of mind matters when it’s your work and reputation on the line.” From impressive HAMR-powered hard drives soon approaching 50TB per disk to pocket-sized SSD options capable of replacing entire server rooms, LaCie’s evolution expertly mirrors the changing needs of contemporary image makers. “Robustness, reliability and trust,” Eyraud says. “That’s why people choose LaCie.” Twenty years on, the orange drive isn’t just a symbol but a statement that your data matters. system costing £10,000 to hit 1000MB/s. Now you can put something in your pocket that writes at 5000MB/s A few years ago, you needed a rack RUGGED ROYALTY The legendary LaCie hard drive range includes the award-winning Rugged SSD Pro5 (above)
desktop drives or RAIDs,” he explains. “You need both.” LaCie’s SSD evolution has been as dramatic as its hard drive one. The latest items in the SSD Pro and Rugged SSD Pro Series, using Thunderbolt and USB-C, deliver simply incredible speeds. “A few years ago, you needed a rack system costing £10,000 to hit 1000MB/s,” Eyraud recalls. “But now you can put something in your back pocket that writes at over 5000MB/s.” That speed isn’t just a spec-sheet flex but changes how image makers can work. “Back in the USB 2 days, transferring 1TB could take seven hours,” Eyraud says. “Now it takes under five minutes.” It’s this standard of performance that has seen readers of Photography News vote LaCie’s Rugged SSD Pro5 as the best external storage device in the magazine’s fiercely contested annual awards. Rugged evolution While LaCie’s signature Rugged drives are still instantly recognisable – in the brand’s traditional orange or in black or blue for its SSD options – the design has evolved. “The early Rugged drives used rubber bumpers for shock absorption,” Eyraud explains. “Today, we use rigid aluminium enclosures that achieve the same protection with fewer materials.” The shift reduces weight, improves heat dissipation and lowers environmental
lacie.com
TOP TECH Michael Eyraud (above) has overseen LaCie progress to the SSD Pro desktop drive
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NEWS / 11
Action stations for aperture control
DJI’s Osmo Action 6 includes a variable aperture lens and
PANEL SHOW The Rodecaster Video S is compact yet powerful
STUNNING SPECTRA The stylish Pro 300 packs in a lot of power Say Harlowe to bright light Harlowe has doubled down on its LED lighting range with the Pro 300 Spectra and the compact Max Air 40. The Pro 300 Spectra has RGBCW colour output with over 36,000 colours plus a 1700-10,000K white light range. Its 300W LED engine packs a punch, while a 96+ CRI/TLCI rating ensures faithful colour. Kits start at £1798. The Max Air 40 has 96+ colour accuracy with a newly engineered, 35% thinner and IP65-rated 54.72Wh battery. The detachable 23° focus lens delivers up to 9x more brightness. The kit starts at £499. harlowe.eu
all-new 1/1.1-inch square sensor for a leap in image quality. The star feature is the f/2-4 aperture, making it the first action camera to allow control of depth-of-field. It also boosts low-light performance. A new 1/1.1-inch sensor promises 13.5 stops of dynamic range and clean low-light footage, with support for 4K/120p slow- motion video and up to 32x intelligent super slow-motion. Stabilisation remains class- leading, and the camera also features 2x lossless zoom, new film-tone profiles, subject tracking and portrait optimisation. The Action 6 costs from £329, is waterproof to 20m, freeze-resistant to -20°C and boasts up to four hours of battery life with fast charging. There is 50GB of internal storage. dji.com
The Rode to cheaper podcasts
Rode’s new Rodecaster Video S is a compact, all-in-one production console that puts professional video and audio power into a creator- friendly form factor and price. For £499, it features three HDMI inputs, dual wireless mic receivers, two combo jacks with ultra-low-noise Revolution Preamps and high-end audio processing. This is a cheaper and more basic version of the award- winning Rodecaster Video, which hit the market last year. rode.com
BIKE TO THE FUTURE The Osmo Action 6 has a variable aperture which allows control of depth-of-field
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photography, and find one word in the list that’s not in the grid. Email puzzle@photographynews. co.uk with that word in the subject box by 3 March and the card will be yours if your name is drawn at random from all the correct entries received. Only entries from UK residents please. Well done to William Allen from Taunton, who was our winner from issue 123. The missing word from last issue was ‘shadows’.
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The street as studio With nothing more than an instinct for composition and choosing the decisive moment, colour reportage photographers are having a renaissance
While international advertising campaigns are often associated with sprawling crews, elaborate lighting rigs and technical complexity, The 2026 Lavazza Calendar is a refreshing reminder that powerful photography is about seeing and catching moments. First unveiled at Art Basel in Florida, Pleasure Makes Us Human is the latest chapter in the coffee brand’s long-standing collaboration with the arts. It was shot by Magnum Photos photographer Alex Webb, who is known for his instinctive street work, layered compositions and masterful use of colour. Webb approached the project not as a high-gloss production, but as a journey through everyday Italy. Rather
than constructing elaborate scenes, Webb embarked on a personal ‘grand tour’ across the country and responded to fleeting moments as they unfolded naturally along the way. The result is a body of work that feels spontaneous, intimate and authentic – proof that even a global brand campaign can be built on observation, not orchestration. “I tried to follow the light, colours and movements of people,” Webb says. “As a photographer, I tend to see art, beauty and pleasure even in small gestures and simple moments, such as drinking coffee.” Coffee sits quietly at the heart of the calendar: a pause at a bar, a shared moment in a trattoria and a fleeting interaction on a sunlit street – each
COFFEE CULTURE Magnum legend Alex Webb used a traditional reportage style to shoot the iconic Lavazza calendar in various locations around Italy
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BACK TO BASICS No dramatic production sets were used by Webb, just manual-focus cameras and the occasional use of reflectors or a single, continuous light
image reflects Lavazza’s exploration of life in Italy. What’s unusual is how no big lighting set-ups overpower the scene. Webb relies on available light, strong colour relationships and his ability to anticipate the unpredictable spark of real life. It’s a working method that reinforces how far patience and skill can go without excessive kit. The calendar’s creative direction, led by Armando Testa, references cinema, paintings and classic street
photography in the images, while trying to avoid clichés. The lesson is that you don’t need endless lights, multiple cameras or elaborate control to make work with a global impact. What matters is sensitivity to light, an understanding of timing and the confidence to let real moments breathe. Lavazza’s Francesca Lavazza says: “ Pleasure Makes Us Human celebrates photography as an act of attention, not excess.”
You don’t need endless lights, multiple cameras or elaborate control to create
work with a global impact
Bold 1963 image wins picture of the year!
SIXTIES SIZZLE The Leica Picture of the Year 2025 is this 1963 classic (above right) of the Puerto Rican Day Parade in Manhattan by Joel Meyerowitz
It’s not only global campaigns such as Lavazza’s that are relying on images based on the reality of street life but also major awards. Legendary street photographer Joel Meyerowitz won the Leica Picture of the Year for his iconic image Puerto Rican Day Parade , taken in Manhattan, New York in 1963. Meyerowitz, who was inducted into the Leica Hall of Fame in 2016, joins a distinguished lineage of past recipients including Elliott Erwitt, Ralph Gibson and Thomas Hoepker.
From early in Meyerowitz’s career, the winning image shows four women in a shop doorway on Fifth Avenue. Meyerowitz recalls: “I used the parades as a way to overcome my shyness. They were about the heat of the moment.” Born in 1938, Meyerowitz is widely regarded as a pioneer of colour street photography. Eighty-one copies of the winning photograph will be released in a limited-edition print, available to buy from Leica Galleries worldwide. leica-camera.com
FLOAT ON A small boat was as high- tech as it got shooting the famous 2026 Lavazza calendar
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Why size doesn’t always matter Small in stature but big in impact, here’s why it makes sense to use more compact cameras
Camera trends come and go all the time, but the past year has seen a surge of interest in compact cameras. While smartphone photography is remarkably capable, there are certain limitations, particularly when it comes to controlling exposure, focus and depth-of-field. This is why it’s sensible to have an in- between device that offers the portability of a smartphone with the image quality of a dedicated camera. We spoke to The Insurance Emporium, which offers specialist camera insurance, for its take on why a compact camera is often the best choice. They’re so compact Let’s start with the obvious. They are lightweight, small and practical to carry around. This makes them great for when you’re travelling or out and about. They are not as bulky as a DSLR, and are easy to keep in your bag, pocket or rucksack while you’re out hiking, cycling or skiing. You can have the best equipment in the world, but if it’s too bulky and heavy to just grab as you head out, then it won’t leave the house. They’re great for street photos A camera gives you flexibility, which is perfect when it comes to things like street photography. While you might not associate a compact camera with professional photography, you’d be surprised at how many talented street photographers use them. They’re much less intrusive than a DSLR or mirrorless, and your subjects are much more likely to relax in front of a smaller camera than something larger with a lot of extra kit. The key is to choose a compact camera with a large sensor like an APS-C to ensure better image quality with more detail, particularly in darker areas. They’re ideal for candid moments Often, the best photos at an event such as a wedding, festival or party are those that are unplanned: the ones where nobody’s posing awkwardly, nobody’s feeling self- conscious and you just see a situation you want to capture and click – you’re done. A compact camera lets you catch those moments as they happen, whatever the lighting conditions or environment. They’re also more discreet and many feature a silent shooting mode as not everyone wants a camera in their face. They’re cheaper You have probably spent a lot of cash on your photography kit over the years, so getting something a bit smaller and a little less precious can feel liberating. Whether walking through a city, going on a country hike or watching a gig, you can quickly stick it in your pocket ready for when you’re out and about.
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HANDY CAM You’re always ready to shoot high-quality images with a compact camera like this Fujifilm X100VI in your pocket They are versatile, letting you capture anything from landscapes to macro shots
at the other end. As with any camera equipment, before buying you might want to think about camera insurance. The Insurance Emporium offers two policy types: Amateur and Semi- Professional, or Professional. Both come with a choice of optional benefits so you can build a policy based on your needs. Join many happy snappers with up to 30% discount* on new camera insurance policies with the promo code PHOTO5.
They’re not your phone! As smartphone tech has improved, it’s become a permanent fixture in our lives that we’re increasingly reliant upon. From listening to music and sending emails to turning on the central heating or transferring money, you can’t look at your phone without being reminded of something else you need to do. Having a compact camera gives you a break from all that. It just takes photographs, so you won’t be distracted by notifications or a TikTok somebody has sent you. All it can do is take a photo and leave you in peace. This also encourages you to be more mindful about the images you take, which is, after all, part of the appeal of being a
photographer in the first place. And the beauty of using a compact camera over a smartphone is that your camera doesn’t make calls, run apps or access an internet browser, so there’s room for the features that really matter, such as a larger sensor and a better zoom function. Compact cameras are more than just a passing fad. They are versatile, letting you capture anything from landscapes to macro shots, and are perfect if you want to take a photo quickly and easily. They can also be used alongside your usual kit when you’re setting up a shot. There are plenty of them out there, from the Fujifilm X100VI at the market’s premium end to the Kodak Pixpro FZ55
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*The maximum available discount is 30% – this is a combination of 25% Introductory Discount and 5% Photography News reader discount with promo code PHOTO5. The Introductory and Promo Code Discounts are available from the start of the policy until its first review/renewal date. This policy is subject to change at any time. The Insurance Emporium offers a variety of cover levels, so please check the policy cover suits your needs before purchasing. For your protection, please ensure you read the Insurance Product Information Document (IPID) and policy wording for information on policy exclusions and limitations. This article is in no way sponsored, endorsed, administered by or affiliated with any brands or external websites mentioned in this content. Lifestyle Policy Limited is an appointed representative of The Equine and Livestock Insurance Company Limited. The Insurance Emporium is a trading name of The Equine and Livestock Insurance Company Limited (registered in England and Wales no: 294940), which is authorised by the Prudential Regulation Authority and regulated by the Financial Conduct Authority and the Prudential Regulation Authority no: 202748.
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Club Zone
Club Zone is a FREE platform for camera clubs to share news, events and members’ images Get involved by sending your club information to adamduckworth@bright.uk.com Reflections of a winning shot A tranquil New Zealand landscape helped secure the best print award at West Haddon’s Photo Club’s show
It took a trip halfway round the world for Michael White to get
this stunning shot of the famous lone tree at Wanaka in New Zealand, which won him the best print award in the West Haddon Photo Club’s 11th Annual Photo Show. White’s image, called Wanaka Sunset , uses the tree’s reflection as a successful part of its composition, as well as the mountains in the distance and the stunning light. Voted for by a record number of visitors to the club’s exhibition at All Saints’ Church in Northamptonshire, it took the top spot. He picked up a prize voucher that was donated by First Light Photographic, the Daventry Framing Centre. Also voted a winner in the digital image category and given a prize was the stunning wildlife shot Bursting Out of the Deep by Wayne Weedon. Taken on a Nikon Z9 using a 300mm f/2.8 prime, Weedon timed the moment to perfection as a luckless fish was plucked spectacularly from the water. The exhibition attracted over 200 digital and 180 printed images from 80 local photographers, viewed by more than 200 visitors during a two- day period. This year’s show will be on 10-11 October so contact events@ whphoto.club for further information and an entry form. The club has already kicked off its exciting 2026 programme, which will feature talks from photography experts such as Martine Hamilton Knight, Alastair Bell, Ashley Franklin, Paul Sanders and Chris Upton. whphoto.club
PICS TO PRAISE The amazing Grade-II listed All Saints’ Church housed the show over two days
HADDON HEROES The winning images in the club’s annual exhibition were these stunning outdoor shots from Wayne Weedon (right) and Michael White (above)
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Holdan’s golden run hits five The top UK photo distributor is celebrating an incredible haul of Photography News Awards
There are champagne corks popping at British photo giant Holdan because a fab four of the products it distributes nationally have won in the Photography News Awards, as voted for by readers. To top it off, the fifth award is, unsurprisingly, the best photo and video distributor! Holdan might not be the first name photographers think of when it comes to great kit, but that’s because it works behind the scenes on sourcing and delivering a huge range of equipment to dealers and photographers. However, all keen image makers will be aware of the brands that it represents, such as Samyang, Atomos, Blackmagic, PGYTech, Accsoon, Elgato, Panasonic, Kondor Blue, Hoya, Cokin, Kenko, Slik and lots more. Holdan specialises in distributing a massive range of the very best imaging equipment to resellers throughout the UK and Ireland, and is often the brand at the biggest shows enthusiastically demonstrating its vast range of kit to image makers. Its expert staff know what is important to photographers and have the technical know-how to make sure they consistently deliver the latest and greatest equipment that can make a real difference. So let’s take a look at the fantastic five wins from Holdan in this year’s Photography News Awards. 1 Samyang Prima AF 35mm f/1.4 P FE The winner of best wide-angle lens offers the legendary 35mm focal length with a fast f/1.4 aperture and full autofocus for Sony E-mount. It’s the Samyang Prima AF 35mm f/1.4 P FE, and it is brilliantly versatile. It’s a great choice for everything from street candids and portraits to landscapes, and it’s amazing in low light. It is bitingly sharp wide open, thanks to its refined optical formula, and produces stunning bokeh as well as being compact and delivering natural colours. Also check out: Samyang’s manual focus lenses that bring total control to photographers as well as filmmakers with photo and cine options to fit lots of different cameras. 2 Panasonic Lumix S1 II Voted best video-focused camera, the Panasonic Lumix S1 II delivers a blend of resolution, speed and performance. Its full-frame sensor offers great dynamic range and colour, while advanced phase- detect autofocus improves subject tracking for both stills and video work. With robust in-body stabilisation, high-end video codecs and strong thermal performance to avoid overheating on long shoots, it’s a dependable hybrid camera built for creators working across photography and filmmaking. Also check out: Panasonic’s range that is vast, from the Lumix cameras to livestream-ready camcorders and PTZ
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landscapes, seascapes and long-exposure work. Compatible with a wide range of lenses via affordable adapter rings, the P- series has a huge selection of ND, creative and graduated filters. It’s a cost-effective way to take full control in camera. Also check out: As well as accessories for the legendary drop-in filters, Cokin offers conventional screw-in filters for ND, UV, polarising and astrophotography. 5 Holdan It’s Holdan’s year, and this is well deserved for a company that goes above and beyond to get the best products to you. It delivers expert technical pre-sales support, with everything from specialist advice to the design of bespoke, end-to-end solutions. Complemented by value-added services including an evaluation demo programme, a dedicated service centre and enhanced warranty coverage. With skilled staff, demo opportunities and great after-sales service, plus a YouTube channel explaining its latest kit, Holdan continues its unwavering support for the photo and video industry.
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units as well as lenses, flashguns, audio and lots more.
well as advanced timecode options. Plus, it has a great new trick of offering camera control from its touchscreen. Also check out: The Aussie brand that offers so much more than monitors/ recorders, so take a look at its production and editing monitors, audio kit, live switchers and lighting. 4 Cokin P-series The Cokin P-series remains a classic, flexible solution for creative photography and has been voted as the best filter system. Its square filter design allows precise positioning of graduated and special-effect filters, making it ideal for
3 Atomos Ninja TX Packing SDI and HDMI connections as well as Wi-Fi 6E, CFexpress Type B card support for up to 4K60p ProRes and 8K DCI 30p ProRes Raw recording, the Ninja TX walked away with the award for best on-camera monitor. It’s a super-bright, cloud-ready, five-inch monitor-recorder with pro-level tools that help get the shot right in camera and wireless updates as
Holdan specialises in distributing a massive range of the best equipment
holdan.co.uk
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Beyond the camera An image maker who doesn’t use a camera has been named as the recipient of the highest accolade in the world’s longest-running and most prestigious honours dedicated to photographic excellence. Susan Derges scooped up the Centenary Medal in the Royal Photographic Society’s annual awards, recognising her extraordinary contribution to the art of photography. Devon-based Derges is celebrated for her experimental, camera-less approach as she uses the landscape, water and natural processes to create atmospheric photographic artworks. The RPS award for achievement in the art of photography went to Senegalese artist Omar Victor Diop, whose work spans fine-art portraiture, fashion and conceptual storytelling. Diop’s internationally-exhibited practice often features self-portraiture and blends African histories, identity and visual performance. Reflecting the scientific foundations of photography, the Progress Medal was presented to astronomer and photographic innovator David Malin FRPS, whose techniques revealed new celestial detail and helped transform modern astrophotography. Charlotte Cotton received the RPS award for photography curatorship, criticism or research. Through her influential exhibitions and writing, Cotton has played a defining role in championing photography as a major contemporary art form. Among the new honorary fellows is British photographer and educator Richard Billingham, celebrated for Ray’s A Laugh , his groundbreaking 1996 study of family, class and poverty, now one of the most important works of British documentary photography. Other honourees include Tami Aftab in the under-30 class, Raghu Rai for editorial or documentary photography, Amak Mahmoodian for photojournalism and Janice McLaren for education. Additional honorary fellows included Rhiannon Adam, Martin Oeggerli, Eileen Perrier and Marc Wilson, among others. rps.org
ABSTRACT ART Impressionistic images like the one above won Susan Derges the prestigious RPS Centenary Medal
RPS WINNERS The work of Richard Billingham (far left) and Omar Victor Diop (left) was honoured
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