NEWS AGENDA Autofocus boost for Lumix S5D
30p/25p 4:2:0 8-bit internal recording. In addition to C4K recording, the S5D is capable of Raw video data output to a compatible Atomos device over HDMI at 5.9K in 29.97p/25p, 4.1K in 59.94p/50p and anamorphic 3.5K in 60p/50p. The Lumix S5D delivers 14+ stops of dynamic range like Panasonic’s cinema cameras, using the colour science of the Varicam line-up and V-Log/V-Gamut. A perfect match for full-frame Lumix or other compact L-Mount cameras, the Panasonic Lumix S 18-40mm f/4.5-6.3 lens weighs just 155g/0.34lb and measures 67.9x40.9mm/2.7x1.6in. Panasonic claims it’s the world’s smallest full-frame zoom. Its 18mm super-wide angle is ideal for vlogging or getting a lot of a scene in-shot. The closest focus distance is 0.15m/0.49ft on the dust-, splash- and freeze-resistant design that has a fluorine coating to repel fingerprints. It’s designed for photo and video use and to suppress focus breathing. The Lumix S5D is £1399 for the kit with the new 18-40mm f/4.5-6.3 lens or £1799 including the 28-200mm f/4-7.1. No US prices have been announced yet. The 18- 40mm lens costs £519/$498. panasonic.com
Panasonic’s commitment to improving its full-frame mirrorless cameras that don’t have the latest phase detection autofocus sees the launch of the Lumix S5D that adds compatibility with DJI’s LiDAR AF system. Based on the Lumix S5, the refreshed model pairs with the DJI LiDAR Range Finder module and DJI RS 3 Pro gimbal for focusing that improves on the standard camera’s contrast detection. This sends information on distance measurements from the LiDAR unit to the camera via USB, with the camera driving focus. No extra focus motor is required, allowing easier handling, a more compact size and no need for lens calibration adjustments. Thanks to LiDAR’s high-speed 43,200 ranging points within distances up to 14m/46ft, this drives fast AF even in low-light conditions. The Lumix S5D retains the earlier model’s 24.2-megapixel CMOS sensor, which has wide dynamic range and high sensitivity performance, with a maximum ISO of 51,200 from Dual Native ISO tech. The camera is capable of 4K 60p/50p 4:2:0 10-bit and 4K 30p/25p 4:2:2 10-bit internal recording for up to 30 minutes. It outputs 4K 60p/50p in 4:2:2 10-bit via HDMI and there’s no time limit for 4K
PANASONIC BOXES CLEVER WITH ONE-TWO HIT
The multi-purpose box camera line from Panasonic has been boosted with the new full-frame AW-UB50 and AW-UB10, which has a Micro Four Thirds sensor. They are similar to the DC-BGH1 and DC- BS1H in terms of design and video specs but have better connectivity. All of these box-style cameras are based on Lumix mirrorless technology and are easy to rig up in tight spaces or for handheld shooting with a gimbal. But the new versions are also more suited to uses such as corporate and education video production, as well as broadcasting and live entertainment. Both support all common IP protocols, such as Panasonic’s AW control protocol and RTP, RTSP, RTMPS, SRT and NDI HX2. The AW-UB50 is ideal for cinematic video, featuring a shallower depth-of- field due to the larger sensor. Both use real-time recognition AF technology to enable automatic identification of a subject and keep sharp focus.
BOXING DAY It’s all about added connections on the latest range of box cameras from Panasonic
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