TICKER TAPE
Transformational transfers DATA MANAGEMENT
Dot Group has successfully implemented Datasprint, a cutting-edge data-transfer solution, for Timeline Television Ltd. This has significantly enhanced Timeline’s data-transfer workflows and capabilities, supporting its overall business strategy and operational goals. Dominic Eaves, CIO of Timeline Television Ltd, commented: “Dot Group’s
expertise in extreme data-transfer systems
reliability in supporting critical transfer and sync requirements has been particularly valuable for our day-to-day operations.” The partnership has already demonstrated its effectiveness in real-world scenarios. For instance, a temporary installation was quickly set up to enable high-speed transfers for a customer working on the Uefa Euro 2024.
FAST LIONSGATE SEEKS TO MONETISE
has significantly reduced the stress and hassle of maintaining and delivering critical workflows. “Datasprint enables Timeline to offer robust, reliable and affordable solutions to our clients, ensuring we can meet broadcast and business- critical requirements with confidence. The system’s
Amagi revealed that, after rigorous testing of multiple vendors, Lionsgate has chosen it as its partner for FAST playout and deliveries globally. This strategic partnership aims to leverage Amagi’s cutting-edge cloud technology to scale Lionsgate’s content-delivery capabilities globally and enable the launch of new channels at an unprecedented pace.
VOD
STREAMLINING VOD
LIVE PRODUCTION
Hot, Israel’s leading telecom provider, has revolutionised its VOD catalogue management by implementing Ooona’s QA Manager. Faced with the challenge of managing a vast array of content changes daily, Hot leveraged Ooona’s technology to automate operational QA processes, enhance localisation accuracy and improve overall customer experience.
INDUSTRY EVS expands business
Smode upgrades Smode Tech, the company behind the powerful real-time compositing and media- server platform Smode, proudly announces the release of Smode V10, the latest version of its platform. This update marks the beginning of the new V10 cycle, aiming to gradually unlock the new mixer workflow step by step with each new 10.x release. This latest update has been optimised for enhanced performance and frame- accuracy for complex scenarios and brings users a wealth of new features. Notably, an integration with Touch Designer now allows .tox files to be imported as generative layers or layer modifiers in any project or Smode composition. The new Companion plug-in enables users to control any show, even in a multiple-Smode-server configuration, by using a Stream Deck. Smode Tech’s new V10 software also introduces the Widget Editor, allowing users to create custom command interfaces with a simple drag-and-drop functionality within Smode. This new feature opens up new possibilities for encoding, show operation and enables users to create their own editor.
EVS recently made two major business moves. The first was its acquisition of MOG Technologies, a strategic move that enhances EVS’s portfolio with state-of-the-art file- based and software-defined video solutions. This acquisition enables EVS to immediately broaden its premium live-production ecosystem by expanding its file-based ingest and transcoding capabilities. Its second move was to become a shareholder in Tinkerlist, a leading innovator in the media- production industry. It is known for its development of Cuez, the world’s first cloud-based rundown management system. Pre-production workflows are increasingly linked to live production and Tinkerlist emphasises the importance of adopting efficient digital tools in the production chain.
AUDIO RADIO 2 MAKES A MOVE
After 18 years at Wogan House, BBC Radio 2 has moved back into the nearby BBC Broadcasting House, London. The new facilities are largely based around an audio over IP infrastructure, with DHD audio consoles provided in each studio. These were specified with local audio I/O to cater for periphery items, such as microphones and speakers. PMC6 active two- way monitors matched with a PMC8 sub were used as the main studio loudspeakers.
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