GEAR
BUYERS’ GUIDE TRAVEL BAGS
CARRY-ON CASES
BEST CASE SCENARIO If you’re going on a trip, take a look at our pick of bags and cases that are protective, yet portable WORDS ADAM DUCKWORTH
I t doesn’t matter if you are jetting really important is that your bag can transport all your gear safely, so it arrives fully working and undamaged. Custom-fitted hard cases are good for everything, but these are large and heavy – not ideal for moving around, unless you have a full crew to do the donkey work for you. As always, there is a balance to be struck between protection and portability. Large bags not only take up a lot of space, but are often heavy, which can be hugely expensive when flying. And unless you have a large truck following you with off around the globe on a long-haul mission, or throwing your kit in the back of the car for a local job – what’s
all your gear, then most filmmakers travel by car or public transport, where space is always at a premium. Many still swear by traditional hard plastic cases due to their protection, but they can be bulkier than padded bags. Rucksacks are popular, as they spread the load over your back, but can be a pain to access while moving – and are not the safest in terms of drop protection or fending off thieves. So, there’s lots to take into account when picking a case for each shoot. We put the microscope on
some of the best bags and cases – ranging in price and size – to suit just about every filmmaking need.
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