Photography News | Issue 33 | absolutephoto.com
B Q A T K F E C S G E Z V Y V F P P T H S F Z S B A H I A R I B D O N T P D N H R I N M O E O X D I N S U M M M L O A X U L O Q T E F Y R T S G R O C N A A D T Q O G Y T H A O M D L L K H E B P T K Q P R C I S P V V S S X D A K N T N E Q I N C B N U Z M W U L S I W S S V P R I N T E R T E J K N I D W T R T M A C R O B E H H I V E K A C N A P H Y K H G L V Y F I S H E Y E E B V W E A T H E R J Capture life’s special moments across all devices with the ultra-reliable Samsung SDmemory cards. Samsung’s latest SD cards can write data at an impressive 50MB/s and read data at an even higher 90MB/s. The cards are also amazingly reliable being water, temperature-, X-ray-, magnet- andshockproof, so shooting in themost challenging conditions isn’t an issue.Wehave onemassive 64GB Samsung PROSD card to award to an eagle-eyedwinner. Just complete the wordsearch below, and you’ll find one word in the list that’s not in the grid. Email us on email@example.com with that word in the subject box by 5 June 2016. The correct answer to PN31’s Wordsearch was Underwater and the Samsung 64GB cardwas won by EBoulder, Yorkshire A Samsung memory card! WIN! samsung.comand search formemorycards
Editor’s letter Shoot towin
Do you ever enter photographic competitions? It's fair to say that most photographers don't bother, despite the lure of fame and fortune. How much fame and how much fortune obviously varies hugely and there is certainly no guarantee of either beyond the short term. The pictures above are winning shots from last year's Travel Photographer of the Year. I have been organising, running and judging photo contests for a good many years and the whole scene is very different now compared with how it was when I first started. The biggest change, of course, is the way we shoot pictures. For keen photographers being able to shoot digital images that can be replicated infinitely with absolutely no quality loss is very different from shooting slide film where you had one precious, easily damaged (or lost!) original that you could copy at a cost, literally and technically. And, of course, today's images can be edited and uploaded to a contest site minutes after their capture. In film days, entries had to get sent in using that quaint service we call the post. That cost money, even more if you wanted the picture back, items could delayed or, worse still, lost. Thesewere all potential barriers to entrywhich meant only the truly keen bothered. Entry level varied. When the magazine I was editing sold over 100k copies a month (a figure, by the way, publishers would sell their mothers for now!), I’d expect to get around 1000 entries but that depended on the prize as well as the mechanic and the theme – yes, that’s right a mere 1% of the copies sold. On one occasion the lure of winning a new car (even if it was only a Ford!) attracted 10,000 pictures. In another contest we got six (yes, as in half a dozen) pictures for an expenses paid trip toMonte Carlo. We withheld the prize.
As an enthusiast I loved entering contests – I won a few too. Naturally, as an impoverished geek – nothing’s changed there – the prize of cash or kit was a massive draw but so was the creative challenge. I liked to shoot for the contest rather than take pictures frommy files. I used to buy every photo magazine on the premise of trying towin something.My success rate was moderate but I did get images in print and won some nice prizes too. The thing was often you didn’t know the result until you bought the next issue of the magazine. There was many a time when I was in Smith’s flicking through magazines, and suddenly I’d spot my picture and read I’d won or got placed. It was a most exhilarating feeling – it’s a shame you can’t bottle it. Current photography contests are mostly run online and the scenario is obviously very different. Often a fee is payable, entry might be open worldwide and of course you can enter without any more effort than picking up the tablet or turning on the computer. What is not new is that the winners are often simply stunning images. Occasionally, you still get the ‘what on earth is going on’ feeling but generally great shots win. I was lucky enough to be invited by Zeiss to the Sony World Photography Awards evening, a swish black tie affair. The winning and short- listed pictures were simply amazing. I need little encouragement to get out with the camera but seeing all that great work gave me evenmore project ideas to consider. Hope to see you again next month.
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Photography News is published 13 times a year by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior written permission of Bright Publishing Ltd. Photography News is a registered trademark of Bright Publishing Ltd. The advertisements published in Photography News that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. While Bright Publishing makes every effort to ensure accuracy, it can’t be guaranteed. Street pricing at the time of writing is quoted for products.
Editorial Team Editorial director Roger Payne Editor Will Cheung FRPS 01223 499469 firstname.lastname@example.org Contributing editor Kingsley Singleton email@example.com Features writer Jemma Dodd firstname.lastname@example.org Senior sub editor Lisa Clatworthy Sub editor Catherine Brodie
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