GEAR OF THE YEAR
Mirrorless
Canon EOS R3 Canon EOS R5 Canon EOS R6 Mark II Canon EOS R8 Fujifilm X-H2 Fujifilm X-H2S Fujifilm X-T5 Nikon Z 9 OM System OM-1 Sigma fp L Sony A7R V Sony A7S III Sony ZV-E1 Hybrid/crossover Panasonic Lumix GH6 Panasonic Lumix S5 II
Blackmagic Pocket Cinema Camera 6K Pro
Canon EOS C70 Canon EOS R5 C DJI Ronin 4D Flex Marshall CV568 Panasonic BS1H Sony FX3 Sony FX30 Canon XA55 Canon XF605 JVC GY-HC550 Panasonic HC-X2 Sony HDC-F5500 Sony PXW-Z190 Sony PXW-Z280
Camcorder
Cinema camera Arri Alexa 35 Blackmagic Ursa Mini Pro 12K OLPF Canon EOS C300 Mark III Canon EOS C500 Mark II Panasonic AU-EVA1 Red Komodo Red V-Raptor XL
Mark III, which uses a new Super 35 sensor with Dual Gain Output technology. And Sony’s FX6 and FX9 full-frame cine cameras are still flying off the shelves – if you can find them. The FX6 may not be new, but thanks to its performance and affordability, it’s very hard to get hold of. Streaming continues to expand for camcorders, and rightly popular are the JVC HC550, Canon’s XF605, Sony’s Z190 and Z280 plus the new Panasonic HC-X2. Have your say and cast your vote!
A real cine camera is what many filmmakers aspire toward for their ergonomics, codecs and bit rates. The Blackmagic Ursa Mini Pro 12K is the highest-resolution camera you can buy – and is shockingly affordable due to a big price cut. Red’s Super 35 6K Komodo is among the most sought-after cameras on the planet thanks to its global shutter and filmic look. And the full-frame V-Raptor XL joined its ranks, adding lots of I/O options. Canon delivered the full-frame EOS C500 Mark II and cheaper C300
Sony FX6 Sony FX9
Sony Venice 2 Z Cam E2-S6
PTZ camera
Birddog NDI HX Canon CR-N500 Canon CR-N700
JVC KY-PZ400NBE Lumens VC-A51P Marshall NDI HX3 Panasonic AW-UE160W/K Sony FR7
31
PROMOVIEMAKER.NET
Powered by FlippingBook