STABILISERS GEAR.
BROWNIAN MOTION AND MOTION IMPOSSIBLE processes, ReACTIVE records movement data to provide real-
SHOTOVER The Shotover F1 is a stabilised platform boasting unshakable stability and exceptional look- down capability thanks to its six-axis gyro stabilisation. It can be used inverted or right side up and is compatible with nearly any moving object. What’s more, it’s also easy to set up and can support a variety of camera and lens combinations. Its compact, carbon-fibre design allows it to be shipped as excess baggage on commercial flights without any export restrictions.
ReACTIVE is a six-degrees-of- freedom (6DOF) stabilisation platform that helps keep your camera array steady when filming on the go. Minimising the need for post-production stabilisation
MOVING ON UP The ReACTIVE platform is a staggering achievement in stabilisation tech
time active correction on the z-axis. All the information is saved, so you can quickly repurpose movement metadata for creating a virtual camera move or implementing on an augmented-reality production. Fast camera moves with multicamera set-ups could cause parallax issues with video quality, but the product can handle these sudden shifts to ensure footage looks great, even when driving fast or dealing with bumps. Filming from a moving platform, ReACTIVE ensures your video remains stable and high- quality, so productions can focus on capturing the perfect shot. In partnership with Brownian Motion, Motion Impossible has developed ReACTIVE to dramatically improve 360 plate production using camera arrays and multiple cameras.
CineMoves CineMoves’ Matrix four-axis gimbal head allows mounting in any orientation without compromise. It is primarily mounted in what is called Matrix mode (cantilevered), allowing the camera to go from looking
under the crane arm. The Matrix is also the only head in the world with Image Relative mode, which lets the operator work in relation to the monitor instead of the horizon. Tilt is always tilt, pan is always pan and roll is always roll – a big advantage for the camera operator.
straight down to straight up without changing mount orientation. In addition, it lowers the profile of the head when on a crane or jib arm. This gives the crane operator better situational awareness by placing the camera directly in line with the crane arm as opposed to several feet
51. JULY 2023
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