Tested | reel time
doesn’t have a headphone socket, full- size HDMI output or active cooling for prolonged recording, and recording limits won’t match those of Panasonic’s larger cameras. But to expect cinema camera functionality from a pocketable compact would miss the point entirely. Synth and sensibility The real surprise is just how video- friendly the camera feels. Unlike many stills-first compacts, the L10 features a fully articulating touchscreen that works brilliantly for self-shooting and awkward angles. The powered zoom becomes an advantage during video recording by allowing smooth, controlled focal length changes. Panasonic has also standardised the battery with the rest of its current Lumix range – a thoughtful decision for existing users who already own compatible chargers and spare batteries. Autofocus has long been one of Panasonic’s weaker spots, but the inclusion of 779-point Phase Hybrid AF finally puts those concerns largely to rest. Subject recognition works well, while continuous shooting at up to 30fps demonstrates there’s plenty of processing power beneath the retro exterior. Panasonic has also embraced creativity. New colour profiles, such as L.Classic and L.ClassicGold, give images a synthetically analogue feel straight out of camera, while
Down in the dark A dimly lit rehearsal studio was a real test for the Lumix when pumped up to ISO 12,800, but it performed well, although noise did rear its head
Real Time LUT support allows users to preview and record custom looks without lengthy grading afterwards. It’s a feature content creators will quickly appreciate. The combination of a fast Leica lens and Panasonic’s mature colour science produces crisp, detailed files with attractive colour reproduction and pleasing contrast. Low-light performance is respectable for the sensor size, helped considerably by the bright maximum aperture. We used it extensively at a three-hour gig rehearsal by electro-rock pioneer Gary Numan in a dimly lit studio, often at ISO 12,800. It is noisy at these levels, especially if you crop in, but that’s pushing it to its limits. Perhaps the L10’s greatest strength is the way everything works together. It feels balanced, the controls are logical, the zoom
Our rating: 9 /10 In a market obsessed with ever-larger sensors, Panasonic has produced something refreshingly practical. The Lumix L10 succeeds by being exactly what so many people want: a genuinely pocketable camera that treats video as seriously as still photography. range covers everyday shooting and the video specification exceeds expectations. Its compact size means you’ll actually take it around with you – something many larger mirrorless cameras struggle to achieve. The L10 won’t replace a GH7 or S1 II on professional productions. But for travel filmmaking, behind-the-scenes content, YouTube production or simply documenting life, it occupies a sweet spot few cameras currently serve.
A fast Leica lens and Panasonic’s colour science produce crisp, detailed files
35
promoviemaker.net
Powered by FlippingBook