CULTURE INTERVIEW
conducted adds an extra element of danger, but even more so a feeling of exhilarating freedom. I’m looking forward to working closely with our guest leader, Clio Gould, to steer the ship together. The two venues we’re performing at have very different acoustics, each with their own unique qualities. Norwich Cathedral will feel more boomy and expansive, while Saffron Hall will bring clarity and brightness.” Personal connections Imogen’s 2025 achievements don’t end there – and we’re not even halfway through the year! Her debut solo album Connection has just been released via YouTube and major streaming platforms – to rapturous applause. “It features eight works; I have a connection to each one,” says Imogen. “Listeners can expect to hear pieces for both the trumpet and flugelhorn, accompanied by Britten Sinfonia and pianist Jennifer Walsh. The album encompasses many different facets of the trumpet, ranging from the quirky, spiky character of Sonatina for Solo Trumpet by Sir Peter Maxwell Davies to the flowing lines of Modlitwa by Roxanna Panufnik.” Before we part, I’m intrigued to know which venues, of all the many around the
OPENING NUMBERS Imogen (below) has just released Connection , her debut solo album (left)
world she has performed in so far, hold a special place in Imogen’s heart and soul. “My favourite venue, and one at which I perform regularly, is St Martin- in-the-Fields in Central London. It’s a magical place, and I’m thrilled to have been appointed Artist in Residence with St Martin’s Voices for 2025. Abroad, Elbphilharmonie in Hamburg is an incredible, state-of-the-art hall with 360° audience seating and unparalleled facilities. “I think it’s important to remember that connection with the audience is what makes a concert special,” she points out. “In 2020, during Covid-19, I performed at the BBC Proms to an empty Royal Albert Hall. Without the energy and anticipation of a live audience, the atmosphere was strange and absent. During lockdowns, my husband and I gave concerts in the street for our neighbours. These are some of my favourite musical memories and demonstrate that what makes live music so special is the bringing together of people to share a unique experience.”
at Addenbrooke’s Hospital alongside my husband Rupert, who is a trombonist in the Royal Philharmonic Orchestra. “There’s a real family feeling at Britten Sinfonia – the members are genuinely good friends and I was given a warm welcome from my very first day.” Imogen’s first two solo spotlights with the orchestra are taking place this very month, and she can’t wait to take the stage. “It will be such a treat to perform alongside my colleagues and friends, who will be, quite literally, surrounding me with their support!” she enthuses. “Performing un-
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20 MAY 2025 CAMBSEDITION.CO.UK
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