roduction has stopped, which impacts editing, grading, VFX and associated industries. But the ‘content without capture’ worlds like animation carry on. Remote working has accelerated and so has the technology behind it, which is why we’re dedicating our second issue to the evolving tech keeping us working and the brilliant people using it...
JULIAN MITCHELL
04 THE WALL OF TRIBE Our tribute to the remote workers in the industry 06 REMOTE WORKING – COLOUR The colourists at Cheat Colour and Finishing have their blackouts ready 08 REMOTE WORKING – VFX Discover how and why Jellyfish Pictures is ahead of the remote curve 10 HOW TO WORK REMOTELY Escape Technology lays down your remote working options 12 GEAR MAKER’S DIARY Brad Hurndell from Shotover and Stephen Strong from Quasar on life in the shadow of Covid-19 14 REMOTE WORKING – FRAME IO Meet the ‘workflow from home’ series
ABOVE A glimpse into Amber Reohorn’s home office. The Satore Studio business co-ordinator keeps her remote working area pretty tech free. satorestudio.com
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09 - 1 5 APR I L 2020 | DEF I ANT 03
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