TEAMWORK Series A funding has helped with staff expansion
PP: Our main clients initially were big studios.We did high-level, software-type testing on Blu-rays to make sure they were compatible, operating correctly on players and delivering exceptional sound quality, with the subtitles also working properly. And we applied the best project management, focusing on efficiency.With our software, the studios we had relationships with could go online and see everything in one place. FEED: What were the services you first provided?
“WE APPLIED THE BEST PROJECT MANAGEMENT, FOCUSING ON EFFICIENCY”
FEED: How did you move into the streaming space?
PP: In 2014, I decided to help companies trying to publish streaming platforms. My fascination with film and video, audio, my music background and love of processes, all came together and I thought: “Why isn’t this stuff all in the cloud? Why are companies hiring more people, computers and software for these processes?” Studios were still very nervous – they were afraid that the cloud meant piracy – but we moved forward with it.
One of our main clients was Pluto TV, before they launched, and we began to develop software in the cloud to do transcoding, metadata and all the rest of it, with very few people needing to be involved in the process. The software kept on expanding and the company kept growing. Eventually, the software was licensed by a major studio for its streaming service, to project manage their titles and manage their vendors.
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