DEFINITION August 2019

DRAMA | MI B: I NTERNAT IONAL

You can rig the Stabileye as a cable cam in minutes and we used it a lot for that

IMAGES Stills from Men in Black: International

GLASS PICK As for lenses, Dryburgh mainly used Arri Rental DNA glass for MIB: International . “These are all rehoused and rebalanced vintage lenses, but they look good and have some character to them – a lot more character than the Prime 65s did. They flare a bit more and are less colour consistent through the range. We could have had them de-tuned but decided against it as we wanted them as good as they could be,” he adds. You could even say the new film looks out of this world… MEN IN BLACK: INTERNATIONAL IS OUT NOW ON GENERAL RELEASE

ran into issues with the CAA in the UK,” he explains. “However, it’s a really good camera rig you can either use like a Movi [pick it up and run around with it], or you can put it on a little trolley or cable. You can rig it as a cable cam in minutes and we used it a lot for that.” Rigging it as a cable cam proved to be a great timesaver. “Most cable cam rigs require construction and huge winches, but the on-set grip crew could rig the Stabileye in ten minutes. It works better with an Alexa Mini than a 65 and we made that compromise when we used it. There’s a shot in a nightclub where I just picked it up and ran through the dancers holding it, simulating a missile POV. It’s brilliant and the size of a Movi, but way better than a Movi,” enthuses Dryburgh.

corners, which I think we managed to do successfully, as it didn’t look too lit up”. Dryburgh adds: “It was great that we got to go there, because you couldn’t have got that on a sound stage. Even if there were those shots of Tess and Chris on the jet bike, which were shot on blue screen and composited in, all of the background plates and stunt work were in Marrakech. And the desert is always amazing to shoot in.” CAMERA MOVES When filming in so many locations, using the right gear is paramount. For Dryburgh, moving the camera was a matter of using his favourite technocranes, hydrocranes and Scorpios in combination with Libra gimbal heads, as well as a Stabileye. “I think it was built to be a large drone rig, but

18 DEF I N I T ION | AUGUST 20 1 9

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