INDUSTRY. EDUCATION
TAILORED TO YOU Training for Steadicam is offered in both week-long workshops and shorter group sessions
sets to be involved in the aerial world,” says Dani Rose of CineAero. “Unlike a Steadicam or U-Crane arm, the drone gimbal is constantly moving in-flight so adapting to this comes with practice. Also, most camera operators are used to using wheels when operating, however using stick controls is more common in the drone world so putting some time into these will be advantageous.” Rose also has some tips for the would- be drone pilot. “For those looking to fly, there are courses available for anyone to apply and get their CAA qualifications – we recommend Global Drone Training,” he says. “It is important to familiarise yourself with all the regulations and technical specifications for the UAVs you are looking to fly, and this isn’t an overnight task. Getting in as many hours as you can, to get used to how the drone flies and its limitations, is important. In future, it would be terrific to see courses specifying in drone operations for film, as it is a multifaceted skill requiring a technical and creative outlook.” COLLABORATION, MENTORSHIP AND DIVERSITY Education and training offer established filmmakers an opportunity to collaborate with emerging talent. Sharing knowledge and experience will inevitably foster a growth environment, where seasoned professionals can mentor aspiring filmmakers and broadcast personnel.
workshops are more popular than ever, with everybody looking to increase their diversity. We offer both short, boot camp- style workshops that offer students the experience of Steadicam, as well as week- long total immersion. Both types have staged across the globe.” One of the most significant technological advancements in recent years has undoubtedly been the rise of drone cinematography. While drones have existed for some time, their integration into the industry has transformed how cinematographers capture breathtaking visuals. They are far more commonplace in filming, allowing for unprecedented perspectives and dynamic shots that were once all but impossible to achieve. “Drones have become a staple on almost every film and TV set. Due to growing demand, it means crew such as camera operators and first ACs are looking to adapt their existing skill
“It would be terrific to see courses specifying in drone operations for film, as it is a multifaceted skill requiring a technical and creative outlook”
SOARING POPULARITY Drone use has increased massively, with many productions using them to create inventive shots
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