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Fujifilm updates XF16-55mm f/2.8
One of the key changes in this version is a reduction in weight, with the lens now about 37% lighter than its predecessor, bringing its weight down to 410g. The new glass is further evidence of Fujifilm’s efforts to appeal to more videographers, introducing a de-clickable aperture ring. Focus breathing has also been minimised. Weather resistance continues to be a key feature, with the lens offering dust, water and low-temperature resistance. It will be available from 28 November 2024 priced at £1149. fujifilm-x.com
Fujifilm has released a new version of its widely used large-aperture standard zoom lens. The XF16- 55mm f/2.8 R LM WR II offers a constant maximum aperture of f/2.8 across its zoom range, from 16mm to 55mm (24mm to 84mm in full- frame equivalent). It features 16 elements in 11 groups, including four aspherical elements and extra-low dispersion glass – as well as an updated AF system, utilising a linear motor for faster and quieter focusing. Fujifilm has quoted speeds as fast as 0.02 seconds under specific conditions.
Canon’s triple whammy of hybrid lenses
It also supports Canon’s optional RF extenders and Power Zoom Adapters (PZ-E2 and PZ-E2B). Both of these can be operated remotely through EOS Utility apps or over IP, providing options for more controlled shooting. The RF 50mm f/1.4L VCM is a lighter alternative to Canon’s RF 50mm f/1.2L USM. Weighing about 40% less than the f/1.2L version, the RF 50mm f/1.4L VCM offers a practical choice for photographers and videographers seeking a fast-aperture prime. The RF 24mm f/1.4L VCM is about 20% lighter than the EF equivalent and includes a rear filter holder to expand creative options. It’s designed for durability in challenging conditions, consistent with Canon’s L-series specifications. canon.co.uk
Canon has expanded its RF lens line-up with three new hybrid models for photography and video. The RF 70- 200mm f/2.8L IS USM Z, RF 50mm f/1.4L VCM and RF 24mm f/1.4L VCM lenses are the latest additions. Each lens is designed with hybrid functionality, offering clickless aperture rings, reduced focus breathing and reliable performance in low-light conditions. They also feature 11-bladed circular apertures, along with VCM and Nano USM motors that promise both fast and quiet AF. The RF 70-200mm f/2.8L IS USM Z boasts a wide zoom range with electronic parfocal capabilities, focus breathing suppression and built-in 5.5-stop Optical Image Stabilisation (OIS).
Latest portable printer from Canon As the latest addition to Canon’s portable photo printer line, the Selphy QX20 offers users the ability to print photos in 2:3 and square formats – and is available in terracotta red, dark grey and white. Users can print directly from their smartphones, with dye-sublimation technology eliminating the need for ink cartridges and delivering smudge-free prints. Each print is coated with a protective layer to resist fading over time. Compact and portable, the printer includes a built- in battery and Wi-Fi compatibility, making it easy to take along and print photos on the go.
The QX20 also introduces edge-to- edge printing and integrates with the Selphy Photo Layout app, allowing users to add stamps, filters, text and borders, with
options for creating personalised items like greetings cards or decorations. The QX20 is available from the Canon website for £124.99. canon.co.uk
Tamron’s newest 90mm Available for Sony E and Nikon Z mounts, the Tamron 90mm f/2.8 Di III Macro VXD builds on the company’s 45-year history of producing macro lenses, continuing a lineage that began with the SP 90mm f/2.5 in 1979. aperture. Tamron has also included its BBAR- G2 (Broad-Band Anti-Reflection Generation 2) coating to help minimise ghosting and flare. Measuring 126.5mm in length and weighing 630g, the lens is relatively compact for its class and enjoys moisture-resistant construction. It is available to buy now at a price of £599. tamron.eu The lens is constructed of 15 elements in 12 groups, incorporating four low-dispersion elements and featuring a 12-blade circular
6 Photography News | Issue 118
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