DEFINITION June 2022 - Newsletter

CAMERA LISTINGS.

IN ASSOCIATION WITH

CAMERA LISTINGS The bodies revolutionising digital images

ARRI ALEXA LF

ARRI ALEXA MINI

ARRI ALEXA MINI LF

ARRI ALEXA SXT W

SENSOR FORMAT & SIZE

Full-frame CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm

Super 35 CMOS, 28.25x18.17mm – 3424x2202, ø 33.59mm

Large format CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm

Super 35 CMOS, 28.25x18.17mm – 3424x2202, ø 33.59mm

LF Open Gate ProRes 4.5K: 0.75- 40fps, LF Open Gate Arriraw 4.5K: 0.75-40fps, LF 16:9 ProRes HD: 0.75- 90fps, LF 16:9 ProRes 2K: 0.75-90fps

FRAME RATE

Arriraw: 0.75-150fps, ProRes: 0.75-100fps

Arriraw 2.8K: 0.75-48fps, ProRes 2K: 0.75-200fps

Arriraw Open Gate: 0.75-90fps, ProRes 4K: 0.75-50fps

LENS MOUNT

LPL, PL, EF, Leitz M, B4 with Hirose connector

LPL lens mount with LBUS connector, PL to LPL adapter, EF, Leitz M

LPL, PL

LPL, PL

3840x2160 ProRes 4K, 3424x2202 Arriraw, 2880x1620 Arriraw, 2880x2160 ProRes, 1920x1080 ProRes HD and Anamorphic

MXF/Arriraw MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ

3424x2202 Arriraw and ProRes, 3414x2198 ProRes, 2880x2160 Arriraw and ProRes, 2560x2146 ProRes and Anamorphic

4448x3096 Arriraw and ProRes 4.5K, Open Gate and 2.39:1, 3840x2160 Arriraw and ProRes 16:9

RECORDING OPTIONS

EXPOSURE LATITUDE

14+ stops from EI 160 to 3200

14+ stops from EI 160 to 3200

14+ stops from EI 160 to 3200

14+ stops from EI 160 to 3200

BLACKMAGIC DESIGN POCKET CINEMA 4K & 6K 4K – Four Thirds CMOS, 18.96x10mm, 4096x2160 6K – Super 35, 23.10x12.99mm, 6144x3456

BLACKMAGIC DESIGN URSA MINI PRO 12K

ARRI ALEXA 65

ARRI AMIRA

SENSOR FORMAT & SIZE

Super 35 Arri Alev III CMOS, 26.40x14.85mm – 3200x1800, ø 30.29mm

Arri A3X CMOS sensor, 54.12x25.58mm, 6560x3100

Super 35, 27.03x14.25mm

12K 17:9 full sensor up to 60fps 12K 2.4:1 up to 75fps 8K DCI full sensor up to 120fps 4K DCI full sensor up to 120fps 8K 2.4:1 and 4K 2.4:1 up to 160fps

4K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps, windowed HD 120fps 6K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps

FRAME RATE

Arriraw 2.8K: 0.75-48fps, ProRes 2K: 0.75-200fps

Arriraw: 20-60fps

6K Super 16 up to 120fps 4K Super 16 up to 240fps

LENS MOUNT

4K – Active MFT 6K – Active EF

LPL

LPL, PL, EF, Leitz M, B4

PL, EF and F

Blackmagic Raw Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288x6480, 11,520x6480, 12,288x5112, 7680x6408, 8192x4320, 7680x4320, 8192x3408, 5120x4272, 6144x3240, 4096x2160, 3840x2160, 4096x1704 and 2560x2136

4K – up to 4096x2160, ProRes 422 and 12-bit BRAW 6K – up to 6144x3456, 50fps, ProRes 422 HQ QuickTime, BRAW

6560x3100 (1.78 crop), 5120x2880, 4320x2880 (1.5 crop), 4448x3096 LF Open Gate and 3840x2160 Arriraw

3840x2160, 3200x1800, 2048x1152, 1920x1080 ProRes, 2880x1620 Arriraw

RECORDING OPTIONS

EXPOSURE LATITUDE

14+ stops from EI 200 to 3200

14+ stops from EI 160 to 3200

13 stops

14 stops

79. JUNE 2022

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