Industry 15 CINE GEAR IS GO
As shows get back to normal, we speak to Cine Gear’s Vika Safrigina about what’s in store at this year’s event. Plus, highlights from BSC Expo and NAB Show There’s never been a better time to get into – or move up in – the UK production industry. ScreenSkills’ Kaye Elliott explains how and why
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43 FULLY FOCUSED
Production 06 HISTORY LESSON
How Season 2 of Netflix’s comedy-drama Russian Doll gave DOP Ula Pontikos the perfect chance to step back in time
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28 W ORKING IN ZERO G
As tough working conditions go, zero gravity is up there. But DOP AJ Bleyer was on cloud nine…
33 IMPOSTOR SYNDROME DOP Michelle Lawler on how simplicity helps tell a complex tale in The Dropout 49 FOR THE LOVE OF FILM Want to create the look of film
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while recording digitally? Cinelab has all the answers
57 F ULL META JACKET
Metadata recording offers multiple workflow benefits, but capturing and transferring it? Well, that’s another matter
Gear 63 P OWER SURGE
ON THE COVER
R owan Atkinson as Trevor from Netflix’s upcoming Man vs Bee . Production took place over 12 weeks last summer, primarily at Bovingdon Airfield. Post was carried out by Goldcrest, sound by Jumbuck and VFX by Framestore. Much of the comedy series was shot on Arri Alexa Mini LF with Zeiss Supremes, but the team used an Insta360 Pro 2 – and six fisheye lenses – for the bee’s POV. Available on Netflix from June 24.
The latest battery tech from key power players revealed
68 CANON EOS R5 C
On paper, this 8K camera looks great. Is it too good to be true?
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Regulars 79 CAMERA LISTINGS
Compare key kit specification highlights here
5. JUNE 2022
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