24MM
50MM
75MM
MIX AND MATCH New 50 and 75mm full-frame Sirui lenses produced consistent colours, but the older 24mm Super 35 had to be tweaked in post
New full-frames give a more polished look to your footage, rather than trying to make everything flare wildly just for the effect. The appearance from both is certainly on the warm side, although this can be easily toned down in post. The anamorphic aesthetic is most definitely more pronounced on the
new 75mm version, giving a real blockbuster look to finished films. If you know how to use them, can mix and match sizes and shapes in post – and don’t mind the faff of monitoring – Sirui anamorphics are a cost-effective entry into the world of real Cinemascope. mtfservices.com
with more lens elements in more groups – plus better coatings. And a 1.6x factor means oval highlights are pronounced. Horizontal flare streaks are more controlled, although you will get larger blocks of flare – typically green blobs when provoked – and a slightly green tinge to blue anamorphic streaks.
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