Pro Moviemaker July 2022 - Newsletter

The ultimate magazine for next generation filmmakers

JULY 2022 CONTENTS

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AGENDA 6 FAN-TASTIC FUJIFILM X-H2S

We get hands-on with the incredible new mirrorless camera that includes an optional bolt-on cooling system and Wi-Fi transmitter. 10 CANON THINKS SMALLER A pair of affordable mirrorless cameras buck the trend for full-frame sensors, as they pack APS-C size chips – but both shoot in 4K. 12 SONY’S SUPER 35 SIBLINGS A trio of wide-angle lenses to fit Sony’s APS-C sensor cameras is big news for users of the more compact Alpha mirrorless system. 14 SMALLHD GOES BACK TO ITS ROOTS Monitor specialist strips back to basics with a compact camera-top screen – plus the latest from Tascam and Wooden Camera. 17 ROTOLIGHT’S BIG SOFTIE! The British lighting company unveils its new soft light solutions, and the humble spreader gets a long-overdue redesign by grip giant Matthews. 18 LEICA AND LUMIX MOVE CLOSER The bond between the German and Japanese companies gets stronger, while Red takes Nikon to task over its Raw recording format patent. 21 ALEXA, BRING ME A CAMERA A brand-new Arri camera and sensor are rare sights, so take a look at the all-new Alexa 35 that costs as much as a luxury sports car! 22 ATOMOS AIMS FOR SIMPLER STREAMING The Zato monitor is how the Aussie firm sees live broadcasting making it to the masses. Plus, a Wi-Fi wonder battery and free upgrade for the Lumix GH6. 24 DON’T GAMBLE ON ANY OLD GIMBAL! Two DJI RS 3 gimbals and a box-fresh Zhiyun Weebill 3 take three-axis stabilisers to a higher level – with a cavalcade of exciting tech.

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PREVIEW 26 GERMANY CALLING!

A stellar show for filmmakers is set to be a different kind of event. We preview the Euro Cine Expo at a very stylish venue in the heart of Munich.

GEAR 34 SORT YOUR SOUND

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Getting crystal-clear audio is key to successful edits, so we take a look at equipment that will help out even the most inexperienced sound recordist. 43 OPTICAL OPPORTUNITY You don’t need to spend a small fortune on big-name boutique lenses. We go on a shoot with three sets of excellent alternatives that perform incredibly well.

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