GEAR
MIC DROP BREAKING THE SOUND BARRIER
Our pick of the best audio equipment will take your movies to even greater heights
WORDS ADAM DUCKWORTH
A ll experienced filmmakers know if your sound quality is excellent, you can get away with visuals that aren’t really up to scratch. Awful audio, on the other hand, can ruin your film. So, most professionals need a comprehensive kit of
shotgun XLR mics, lav mics, audio recorders, DSLR-type mics and some accessories. We’ve checked out all the latest audio kit, and perennial favourites, to put together our list of the best sound equipment you should buy – and why.
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PRO MOVIEMAKER
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