Definition February 2021 - Web

CAMERA L I STINGS

ARRI ALEXA LF

ARRI ALEXA MINI

ARRI ALEXA MINI LF

ARRI ALEXA SXT W

SPECIFICATION

Large format Arri Alev III (A2X) CMOS sensor with Bayer pattern colour filter array

SENSOR – FORMAT AND SIZE

Full-frame CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm

Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm

Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm

LF Open Gate ProRes 4.5K: 0.75 – 40 fps; LF Open Gate Arriraw 4.5K: 0.75- 40fps; LF 16:9 ProRes HD: 0.75-90fps LF 16:9 ProRes 2K: 0.75-90fps

Arriraw: 0.75-150fps ProRes: 0.75-100fps

Arriraw: 0.75-30fps, ProRes 0.75- 200fps

Arriraw and ProRes: 0.75-120fps

FRAME RATES

LPL lens mount with LBUS connector PL-to-LPL adapter Leitz M mount (available from Leitz)

LPL, PL, EF, Leitz M, B4 w/Hirose connector

LPL, PL

LPL, PL

LENS MOUNT

3840x2160 ProRes4K, 3424x2202 Arriraw, 2880x2160 Arriraw and ProRes,1920x1080 ProRes HD and Anamorphic

MXF/Arriraw MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 (HQ)

3424x2202 Arriraw and ProRes, 3414x2198 ProRes, 2880x2160 Arriraw and ProRes, 2560x2146 ProRes and Anamorphic

4448x3096 Arriraw and ProRes 4.5K Open Gate and 2.39:1, 3840x2160 Arriraw and ProRes 16:9

RECORDING OPTIONS

14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the Arri Dynamic Range Test Chart (DRTC-1)

EXPOSURE LATITUDE

14+ stops from EI 160-3200

14+ stops from EI 160-3200

14+ stops from EI 160-3200

CANON EOS C300 MARK III

CANON EOS C500 MARK II

CANON EOS C700

CANON EOS C700 FF

JVC GY-HM500/550

SPECIFICATION

New Super 35mm sensor with Dual Gain Output (DGO) delivering 16+ stops of dynamic range High frame rates including continuous recording up to 120fps at 4K Cinema Raw Light and XF-AVC, 180fps at 2K (crop)

SENSOR – FORMAT AND SIZE

Super 35mm CMOS, 4622x2496

Full-frame CMOS, 38.1mmx20.1mm, 5952x2532 5.9K full-frame CMOS sensor

Single 1in 4K CMOS sensor

4K Raw 60/59.94/50/30/29.97/ 25/24/23.98fps, up to 120fps with external recorder, 2K cropped to 240fps

5.9K Raw 60/59.94/50/30/29.97/ 25/24/23.98fps, 2K cropped to 168fps with external recorder

Cinema Raw Light: 5952x3140/4096x2160: 1 -60fps/2048x1080 (2K Crop) 1-120fps

3840x2160/50-60p

FRAME RATES

Canon EF mount with Cinema Lock/PL mount (Cooke/i Technology compatible) 4096x2160, 3840x2160, 2048x1080, 1920x1080, XF-AVC, ProRes, 5952x3140, 5952x2532, 4096x2160, 3840x2160, 2048x1080 Canon Raw to recorder

Canon EF mount. B4 mount lens via adapter accessory (EF or PL)

EF (PL and B4 mount adapter options)

EF (PL optional upgrade)

Fixed lens

LENS MOUNT

Cinema Raw Light: 5952x3140, 2.1Gbps, 30mins 4096x2160, 1Gbps, 65mins 2048x1080, 250Mbps, 270mins

Multi recording formats – 4K Cinema Raw Light or XF-AVC 4:2:2 10-bit All-Intra/Long-GOP

4096x2160, 3840x2160, 2048x1080, 1920x1080, Canon Raw, XF-AVC, ProRes

RECORDING OPTIONS

4K UHD 50/60p Apple ProRes 422 10-bit

EXPOSURE LATITUDE

16 stops

15 stops

15 stops

N/A

N/A

32 DEF I N I T ION | FEBRUARY 202 1

definitionmagazine.com

Powered by