DELIVERING MAJOR STORIES IN MEDIA AND TECHNOLOGY
WORKFLOWS
Mediagenix powers France Télévisions
ediagenix recently provided France Télévisions with the scalability to adapt to
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the entertainment industry’s ever- evolving needs, with a streamlined, collaborative, data-driven content supply chain. This technical integration is enabling optimised workflows with enhanced efficiency through touchless operations, cross- platform audience engagement and management by exception. France Télévisions is the leading public broadcaster in all of France, reaching audiences across a wide range of television, digital and on- demand platforms. It now runs on unified processes via AWS cloud hosting, with systems integration across its content workflows, rights and media asset management, provided by Mediagenix.
OB TECHNOLOGY
KBS modernises using Lawo IP audio
he Korean Broadcasting System (KBS), South Korea’s
The HDTV-4, KBS’s largest OB vehicle, is designed for high-end productions with its 16-camera set-up and meticulously planned workspace. KBS completely renewed the van’s audio infrastructure, replacing legacy equipment with a Lawo mc²56 Audio Production Console, A__UHD Core audio engine, Power Core Gateway and an A__stage64 stagebox.
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leading public broadcaster, added advanced IP-based audio solutions from Lawo to its HDTV-4 outside broadcast (OB) van. This modernisation enhances its performance, flexibility and efficiency in live broadcasting, ensuring it produces top-quality coverage of major events.
INDUSTRY EVENTS
NAB SHOW 5-9 April Las Vegas, USA
LIVE STREAMING
Smart switching for seamless broadcasting
PROLIGHT + SOUND 8-11 April Frankfurt, Germany
S tarfish Technologies is bringing new ideas for switching and insertion in real-time delivery streams. Developed in response to user requirements for broadcast, the latest application includes a seamless switch between a live stream and web page. This functionality was initially developed to provide high-quality coverage of minority and niche sports that can’t justify the cost of a full production crew. A producer/ director, working remotely, can receive feeds from a few cameras at the event and add graphics and insights from the website simply by switching to the live output.
DTG SUMMIT 8 May London, UK CABSAT 13-15 May Dubai, UAE MPTS 14-15 May London, UK
“This is widely used,” said Peter Blatchford, CMO at Starfish. “Broadcasters covering minority sports, or FAST channels adding live content, want the output to be really engaging on very tight budgets. If statistics and graphics services can’t be justified, it makes sense to use existing presentations from the web.”
INFOCOMM ASIA 23-25 July Bangkok, Thailand
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