GEAR. LENSES
ZEISS
Zeiss Supreme Prime Radiance lenses enable filmmakers to create beautiful, consistent and controlled flares that enhance the image without sacrificing contrast or losing transmission. These lenses boast large format coverage, high speed and reliable focus, while still offering the durability and modernity of a top-notch cinema lens. Available in 11 focal lengths – from 18 to 135mm, all at T1.5 – they pair seamlessly with regular Supreme Primes, although have a slightly warmer tone. zeiss.co.uk
Fujinon The Premista series caters to cameras with large format sensors. Delivering premium features, high-quality optics and world-class mechanical design, these high-end lenses are made to meet the demands of professional cinematographers. fujinon.com
Cooke Building on Cooke’s original Varotal lens created in 1971, the Varotal/i FF collection is a design that strives to deliver Cooke’s trademark look alongside the flexibility of a zoom lens. Renowned for their versatility, reliability and exceptional optical performance, these optics are now the preferred choice for many of the world’s top cinematographers. This range allows DOPs to create anything from intimate close-ups to sweeping wide shots thanks to the range of models available, including 19-40mm, 30-95mm and 85-215mm – meaning that there is a Varotal lens for any situation. These optics are also able to achieve Cooke’s famed look as a result of the series being matched to S7/i FF and S8/i FF at T2.8 – which means the Varotal series can augment Cooke primes as part of a lens system, allowing them to capture the classical skin tones that the company is famed for. Offering the optimal balance of performance, durability and reliability, these optics enable a combination of creativity and practicality that can help you bring your vision to life on the big screen – making them a must-have for any production looking to create iconic cinematic visuals. cookeoptics.com
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