CONTENTS
REGULARS 6/ BEHIND THE SHOT
We dive into The Pitt with DOP Johanna Coelho, who shares how her favourite scene came together 58/ ROUND TABLE Two experts from leading kit companies assess the state of the rental sector 68/ DYNAMIC DUOS This issue’s power pair is writer-producer Eva Anderson and DOP Tari Segal INTERVIEWS 8/ ROGER DEAKINS The great Roger Deakins reflects on an illustrious career behind the lens 14/ PIXAR Meet Matt Aspbury, the Pixar DOP who’s shaped the animated cinematography on films including Soul and Toy Story 5 TECHNIQUE 52/ DAY FOR NIGHT We delve into one of filmmaking’s most difficult tricks – shooting day for night – with insights from DOPs and colourists on how to get it right 64/ SCARE TACTICS Krzysztof Trojnar and Vince Knight share top techniques for building suspense PRODUCTIONS 24/ EUPHORIA The HBO drama is back and as visually arresting as ever. We explore its singular aesthetic with DOP Marcell Rév
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G lauber Rocha’s Black God, White Devil is a milestone in Brazilian filmmaking that helped shape the country’s Cinema Novo movement. Heavily influenced by European cinema, Rocha incorporates tropes from the French New Wave and Soviet films, including jump cuts, handheld shots, close- ups and static frames. Blending folkloric and revolutionary themes with absurdism, the film is canonical not just in Brazil’s film history, but the world’s. If I can’t persuade you, perhaps Luis Buñuel can. He called it: “The most beautiful thing I have seen in a decade, filled with a savage poetry.” Oliver Webb, features writer, unearths a Brazilian classic DEFINITION RECOMMENDS: BLACK GOD, WHITE DEVIL
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