PRODUCTION DISCLOSURE DAY
Janusz Kamiński reveals how practical effects, grounded lighting and realism helped shape Steven Spielberg’s latest extraterrestrial thriller, Disclosure Day want to push boundaries” “Safe isn’t interesting. You always
WORDS OLIVER WEBB IMAGES UNIVERSAL PICTURES AND AMBLIN ENTERTAINMENT
I f you found out we weren’t alone – if someone showed you and proved it to you – would it frighten you?” That question is the premise of Disclosure Day , Steven Spielberg’s return to the big screen. The film was lensed by his long-term collaborator Janusz Kamiński. Kamiński has shot every Spielberg film since Schindler’s List (1993), which won him an Academy Award for best cinematography. What makes Disclosure Day unique is that it is their first creative collaboration to unfold in the present day, after having previously worked together on historical pieces, including Saving Private Ryan , Lincoln and Bridge of Spies , and futuristic stories such as Minority Report , AI Artificial Intelligence and Ready Player One .
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