DEFINITION February 2022 – Web

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Regulars 05 ON THE COVER

Gear 32 2 021, WE LOVE YOU

Filming in Australia’s unforgiving outback for BBC’s The Tourist . 07 INDUSTRY BRIEFINGS

Celebrating the optics that shaped countless iconic looks across film and TV last year.

40 HOW-TO POST

The latest news, views and tips from the world of video.

Simplifying the remote post-production pipeline for WFH artists.

Production 10 T ALK OF THE TON

44 C INEMATIC

F ilmmaking is all about the storytelling – a phrase we’ve heard dozens of times. But when you leave the cinema, it’s not the technical aspects you hear fellow moviegoers talking about; conversation is usually centred around the characters, the plot, and how those elements affected them. For that reason, good creators know how to select the right tools for the storyteller’s vision. Cameras and lighting are crucial, but lenses are the eyes that enable viewers to ‘see’ the story. They are the vessels through which the real world is filtered before it reaches the sensor and, arguably, the most important tool in a filmmaker’s arsenal. That’s why we’ve devoted six pages (from page 32) to the engagingly pin-sharp and perfectly imperfect glass that captured the stories of last year. From festival-circuit hit The Father to the Emmy award-winning Ted Lasso , these are the lenses that moved us. DEPUTY EDITOR Chelsea Fearnley 32

BROADCASTING Documenting the crossover between live and cinema gear on the pitch.

Modern shooting for an intimate window into the lives of Bridgerton ’s Mayfair elite.

16 IF YOU KNOW, YOU KNOW

Contrasting light to create suspense in courtroom drama You Don’t Know Me .

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51 S TEPPING UP

Assessing Canon’s two new RF mount lenses.

Industry 25 MIXING REALITIES

55 GENERATION Z HEAD-TURNER

AI influences, colourimetry, and democratisation of LED volumes in our round table.

Reviewing the Ronin 4D, DJI’s unique four-axis camera and stabiliser.

BRIGHT PUBLISHING LTD Bright House 82 High Street Sawston Cambridgeshire CB22 3HJ, UK EDITORIAL DEPUTY EDITOR Chelsea Fearnley chelseafearnley@bright-publishing.com FEATURES WRITER Lee Renwick CHIEF SUB EDITOR Alex Bell SUB EDITORS Matthew Winney & Harriet Williams

ADVERTISING GROUP AD MANAGER Sam Scott-Smith samscott-smith@bright-publishing.com 01223 499457 SENIOR ACCOUNTS EXECUTIVE Emma Stevens emmastevens@bright-publishing.com 01223 499462 DESIGN DESIGN DIRECTOR Andy Jennings DESIGNER Lucy Woolcomb JUNIOR DESIGNER Hedzlynn Kamaruzzaman AD PRODUCTION Man-Wai Wong

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Definition is published monthly by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior written permission of Bright Publishing Ltd. Definition is a registered trademark of Bright Publishing Ltd. The advertisements published in Definition that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication

does not necessarily reflect the views of the publisher. Prices quoted in sterling, euros and US dollars are street prices, without tax, where available or converted using the exchange rate on the day the magazine went to press.

CONTRIBUTORS Adam Duckworth, Phil Rhodes & Emily Williamson EDITORIAL DIRECTOR Roger Payne

PUBLISHING MANAGING DIRECTORS Andy Brogden & Matt Pluck

Cover image The Tourist | © BBC 2022

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3. FEBRUARY 2022

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