Definition September 2020 - Web

CAMERA L I STINGS

ARRI ALEXA LF

ARRI ALEXA MINI

ARRI ALEXA MINI LF

ARRI ALEXA SXT W

SPECIFICATION

Large format Arri Alev III (A2X) CMOS sensor with Bayer pattern colour filter array

Full-frame CMOS, 36.70x25.54mm – 4448x3096, ø 44.71mm

Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm

Super 35 CMOS, 28.25x18.17mm – 3840x2160, ø 33.59mm

SENSOR – FORMAT AND SIZE

LF Open Gate ProRes 4.5K: 0.75 – 40 fps; LF Open Gate Arriraw 4.5K: 0.75-40fps; LF 16:9 ProRes HD: 0.75-90fps LF 16:9 ProRes 2K: 0.75-90fps

Arriraw: 0.75-150fps ProRes: 0.75-100fps

Arriraw: 0.75-30fps, ProRes 0.75- 200fps

Arriraw and ProRes: 0.75-120fps

FRAME RATES

LPL lens mount with LBUS connector PL-to-LPL adapter Leitz M mount (available from Leitz)

LPL, PL, EF, Leitz M, B4 w/Hirose connector

LPL, PL

LPL, PL

LENS MOUNT

3840x2160 ProRes4K, 3424x2202 Arriraw, 2880x2160 Arriraw and ProRes,1920x1080 ProRes HD and Anamorphic

MXF/Arriraw MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 (HQ)

3424x2202 Arriraw and ProRes, 3414x2198 ProRes, 2880x2160 Arriraw and ProRes, 2560x2146 ProRes and Anamorphic

4448x3096 Arriraw and ProRes 4.5K open gate and 2.39:1, 3840x2160 Arriraw and ProRes 16:9

RECORDING OPTIONS

14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the Arri Dynamic Range Test Chart (DRTC-1)

14+ stops from EI 160-3200

14+ stops from EI 160-3200

14+ stops from EI 160-3200

EXPOSURE LATITUDE

BLACKMAGIC DESIGN URSA

BLACKMAGIC DESIGN URSA MINI PRO G2

CANON EOS C200

CANON EOS C300 MARK III

SPECIFICATION

Super 35 CMOS 25.34x14.25mm. Now joined by the mighty 12K version offering 12,288 x 6,480

New Super 35mm sensor with Dual Gain Output (DGO) delivering 16+ stops of dynamic range

25.34x14.25mm – 4.6K 22x11.88mm – 4K

SENSOR – FORMAT AND SIZE

Super 35mm CMOS, 4096x2160

Blackmagic Raw 4.6K to 120fps, UHD windowed 150fps, HD windowed 300fps, ProRes 4.6K to 80fps, UHD windowed 120fps, HD windowed 240fp.

High frame rates including continuous recording up to 120fps at 4K Cinema Raw Light and XF-AVC, 180fps at 2K (crop)

23.98, 24, 25, 29.97, 30, 50, 59.94 and 60fps supported

4K 24/25/30/50p. HD 120fps

FRAME RATES

N/A

EF, PL, B4, F

EF

EF (PL optional upgrade)

LENS MOUNT

4608x2592, 4608x1920 (4.6K 2.40:1), 4096x2304 (4K 16:9), 4096x2160 (4K DCI), 3840x2160 (Ultra HD), 3072x2560 Anamorphic

4096x2160, 3840x2160, 2048x1080, 1920x1080, Cinema Raw Light, XF-AVC, MP4

Multi recording formats – 4K Cinema Raw Light or XF-AVC 4:2:2 10-bit All-Intra / Long-GOP

CinemaDNG Raw 3:1 – 180MB/s CinemaDNG Raw 4:1 – 135MB/s

RECORDING OPTIONS

N/A

15 stops

15 stops

16 stops

EXPOSURE LATITUDE

56 DEF I N I T ION | SEPTEMBER 2020

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