NEWS
As the GFX100 II already offers all these features, it’s likely these – and more options – will also be on the GFX Eterna. There might also be internal Raw capture, which the mirrorless doesn’t have. The GFX Eterna is likely to have lots of built-in connectivity for faster workflows. The GFX100 II already offers support for timecode sync with an Atomos Airglu Ultrasync Blue, native integration with Frame.io Camera to Cloud technology and wireless or Ethernet connectivity. The prototype GFX Eterna has HDMI, SDI, genlock, USB-C and Ethernet ports, as well as a remote control. For glass choice, there is already a whole range of native G Mount AF lenses designed primarily for stills, including the first medium format tilt-shift lenses for perspective correction, to extend depth- of-field or for creative use. Fujifilm is developing a 32-90mm GF powerzoom lens optimised for this G Mount camera, and an adapter from G to PL mount, so it can use the huge range of large format PL- mount lenses. Fujifilm says it will be conducting extensive field tests on the camera and lens, while expanding its product line-up to enhance the GFX System. There is no news on pricing or availability. ETERNA FLAME It’s been a long time coming but Fujifilm is finally getting ready to launch a cinema camera model. It will have built-in NDs too, for speedy use
COOKE BEFORE YOU LEAP If you are thinking of taking the big leap into super-sized-sensor cinematography, then legendary British lens maker Cooke may have just the glass you’re looking for. On the same day that Fujifilm revealed its first large format cinema camera,
This gives a horizontal angle of view ranging from 84.1-20.2° on the Alexa 65 and 80.5-19° on the upcoming Ursa Cine 17K 65. So a 30mm lens would replicate an angle of view slightly wider than the S8/i 21mm on a full-frame camera. Maximum T stops are T2.5, 2.8 and 2.9 for the various sizes, while the minimum is T22 for the whole range, which are relatively lightweight at 1.8-2.3kg. The series is the first 65mm- format range equipped with Cooke’s /i technology. Prices and availability will be announced in early 2025. cookeoptics.com
Cooke announced its entry into plus-size digital cinema with the Panchro 65/i lens series, specifically engineered for 65mm sensors. Cooke was an early supporter of larger format cinema and released limited runs of the Double Speed Panchros and Duopanchros in the early fifties to support both Vista Vision and 65mm film formats. As an increasing number of manufacturers embrace 65mm digital sensors, Cooke brings the signature Panchro look to larger formats. The series is inspired by the renowned Speed Panchro line, with aberrations uniquely integrated into the optical design. This Cooke Look enhances depth and dimensionality, especially in facial features and foreground- background separation. The Panchro 65/i will have 30, 40, 55, 75, 100 and 152mm versions.
7
PROMOVIEMAKER.NET
Powered by FlippingBook